Category Archives: feedback

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The Importance of Feedback

One of the things I miss from college is writing workshop classes and getting regular feedback from my classmates. It was a simultaneously an uplifting and affirming experience (people like my work! It doesn’t totally suck!) and a very humbling experience (wow, X, Y, and Z don’t work at all).

To write, I think, is to be constantly humbled in some way. If you can’t take criticism or you think you’re set to win the Pulitzer after one draft, it’s going to be a long and uphill haul for you. Writers have to grow thick skins—and so do agents for that matter! Not to sound dreary, but rejection is inevitable at some point in the game. Think of the feedback you may be getting from agents or editors as a chance to grow and look at your material with fresh eyes. They know what’s selling and what’s working in the market. It’s a delicate balance of believing wholeheartedly in your work and fighting for it, but also being humble enough to accept that you’re probably going to have to revise. And re-submit. And revise more.

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Be open to having people look at your work and offer critiques or praise of what they think is working. If you can, join a writer’s workshop or community—or get other writer friends to take a peek and offer macro suggestions. Having friends offer feedback on micro changes like typos and grammar errors is also crucial. You want to make sure your writing is as close to finished as possible before submitting to an agent. Believe me, we notice.

In short, really utilize the power of feedback. Use it as a way to start a conversation that will hopefully shape your work into the best book it can be, in all stages of the writing and publishing process.

Who do you turn to for good feedback on your work? How do you think thoughtful and respectful critique has changed your work?

Successful query breakdown via an author and her agent

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I was recently asked by my talented client Kristi Belcamino to join her in a guest post for Writer’s Digest in Chuck Sambuchino’s “Successful Queries” series to share her query letter and my response. I shared why I was drawn to it and ultimately went on to represent and sell the book. I love this kind of thing because it feels so simple and yet I know for prospective authors looking for advice this kind of feedback, which includes a real life example, can be really useful.

Book publishing is obviously an inherently subjective business so what appeals to me is not necessarily what appeals to others. However, when I look at a successful query letter, I find there are certain things that are generally done well.

In Kristi’s case, she introduces herself and her background in a way that is intriguing. An actual female crime reporter? Bring it on!
Then we see a first line that sucks you right in: Gabriella Giovanni has never met a man more exciting than a murder. I’m beyond interested to know more about this character.

She goes on to CLEARLY and CONCISELY pitch the book in a way that makes you want to read more. My best advice for writers looking to pitch their books in a query letter is to try to write the jacket copy of the book. You can go into greater detail about the story and characters in a synopsis or follow-up email, but for me (and again, this is subjective), I want to see the elevator pitch because if you can describe your work in a clear, concise and compelling way, then I can too when I speak with editors on your behalf.

Finally, she offers additional information about her writing background which shows me that not only has she received good feedback from industry professionals for her work, but that she also has worked hard on her book and takes her writing seriously.

Take a look at our post and let us know what you think and if there’s anything else you see in Kristi’s query or my response that’s worth targeting. Happy querying!

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Tell us how we’re doing

A while back (a year, maybe more—my conception of time is shockingly horrible, bordering on nonexistent), Sharon did a blog post asking for feedback from our readers. What we heard was eye-opening to say the least.

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All of it was informative and very helpful—and I believe it led to a better year in blogging for DGLM and our readers. So I will do so again here. Let’s call it our year-end review.

What do you guys enjoy about our blog? What keeps bringing you back for more? What would you like to see us do differently, do better?

This is your chance for some input. Our readers are important to us, and we want to blog about what you want to read about. So please, don’t hold back. What’s on your mind?

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What should I read on my vacation?

Finally, our vacation is in sight.  It’s  been a long  time since we’ve been away and it’s been a long winter of recovery from emergency surgery (for my husband, Steve) and lots of hard work for us both.  But our trip to Australia to spend my son  Zach’s twenty-first birthday with him is almost here.  As these will be the longest  flights we’ve ever taken, I am wondering what great suggestions our blog followers will have for me to read.

Yesterday, one of my clients asked me if I still enjoyed reading for pleasure because I review so many flawed manuscripts.  I answered that, indeed, I am able to put my “agent’s hat” aside when reading for my own enjoyment (other than, of course, to wish that the book I am loving had been one I had represented).  The problem is that I have so little time to choose what I read and so many books to choose from.

So, I am very eager to have your suggestions.  Not only would I like to know the titles and authors of the books you single out, but also why you think they are great reads.

I very much look forward to hearing from you.

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The positive power of rejection

The longer you live, the more rejection you are faced with. It’s as natural a part of life as breathing. As a writer, you put yourself in a position to face more rejection than the average person (actors probably have a leg up on writers, though, in the rejection department). How you handle that part of the process is key to your success. If you give up too quickly, you’ll never get where you want to go. If you take it personally, you’ll wind up angry and resentful. But if you use it to make your writing better, and take the feedback that rejections sometimes offer and revise your work to make it the best it can be, then you’re really getting somewhere that could wind up being great. Perhaps not necessarily what you originally envisioned, but even better than that.

I enjoyed reading this recent article from writersdigest.com about Aminta Arrington’s winding road to publication. She describes the various agents with whom she corresponded and how their feedback shaped and changed the book she wound up writing and selling to a publisher. While not all agents or editors can offer the type of constructive feedback it sounds like she received, there are certainly other places to go to get feedback on your book, whether it’s from teachers, beta readers, writers’ groups, or your most insightful friends and family. Taking the idea of rejection and spinning it into a chance for growth and introspection is a worthwhile concept.

And it got me to wondering about our own blog readers and their experiences with the positive power of rejection. I’d love to hear your stories of how a rejection shaped your work in a positive (or negative – sometimes enough rejection can get you thinking about a new project instead of staying stuck on an old one that isn’t working) way. And it doesn’t have to be agent or publisher rejection. Maybe it’s a friend who told you they didn’t like something you’d written, or a teacher who gave you a grade lower than you thought you deserved until you heard his or her explanation and realized maybe it really wasn’t your best work. Please share your  positive rejection stories and then we can all work on trying to remember to see the glass half full approach to rejection from now on.

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Redemption through Reading

Brazil made headlines yesterday for introducing a new program to reduce prison sentences, aptly titled “Redemption through Reading”. According to this article from the Huffington Post, inmates in Brazil’s federal prisons can now minimize their sentences by up to 48 days per year by reading one book every four weeks, then writing an essay on it.

While there’s no shortage of literacy programs in prisons all over the world, I thought this was the first case where it actually had a concrete impact on a person’s punishment, but I was wrong. After a little searching online, I found Changing Lives Through Literature, a rehabilitation course introduced in the early 90’s in Massachusetts as an alternative to prison. Created for repeat offenders of serious crimes, this initiative forms reading groups where offenders discuss the classics.  It has proved to significantly reduce recidivism rates and violent behavior among participants.

Avid readers know that literature has the ability to change lives, but these programs bring this concept to fruition. By reading about characters and situations they can relate to, convicts get the chance to look at their own lives, and the way they affect others, through a different lens. They also develop skills to analyze, articulate, and communicate more effectively, equipping them with the ability to make more positive contributions to society.

Does anyone here have experience working in this capacity in the penal system?

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Organized nerdiness

Despite my love of reading and the sheer volume of it that I do every week for work, I feel like I don’t often enough do it just for fun.  I tend to cram it in in phases, desperately scarfing down book after book, before returning to a world in which TV and games on my phone exist and sometimes steal my attention away.  As much a fan of books as I am, I’m also a big nerd for systems and rules, so I decided to find ways to make sure I’m keeping up to a reasonable level of pleasure reading.  It’s hard to turn off your inner editor (maybe that National Book Award winner doesn’t really need my marginalia) if you never read enough for fun to find the work mode off switch.

My first step was to form a book club with my friends.  DGLM book club is great, but it’s geared toward learning rather than enjoying, and we don’t usually all read the same book.  I want to be able to chat about books with my friends, but with varied tastes and busy lives, it’s often the case that even those of us who are well read don’t overlap much.  Our first book is Jeffrey Eugenides’s The Marriage Plot, which I’m actually not that sure is going to be my cup of tea.  We shall see, I guess!  Those who’ve already read it suggest we’re going to have lots to talk about, so at least it should be interesting.  I’m pretty adamant that we not pretend to read a book and then gossip about other things instead—we do plenty of that without forming a book club, after all.

So I turn to you for tips:  are any of you in a book club?  Any pitfalls to avoid?  Ways that your book club really made things interesting?

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What would you like me to write about?

I find it extremely difficult to come up with a fresh and interesting topics to blog about each week and, so today, as I was pondering yet again what I should write about, I thought I would ask you, my readers, what you would suggest for me.

I am very eager to hear from you about what topics you’d like to see me prattle on about.  I look forward to receiving your suggestions.  So, bring them on!

And have a great week.

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Time to read finally, but what will it be?

So I have to be the very last person in the universe who is going on a summer vacation, and I am not actually leaving until the evening of September 6th.  This isn’t going to be a beach vacation, nor is it planned to be the least bit restful, but there will be at least three very long flights and some potentially long airport layovers—I sincerely hope they aren’t too long.

I have been so busy all summer reading proposals, signing up new projects and getting material ready for the fall, that I haven’t had a second to consider what I might read for pleasure on this trip.  So, I thought for my last blog entry of the summer, I would ask our readers what they would recommend.

First some parameters:  I spend a great deal of my work time reading nonfiction and so, though there is some which has been published in the last year that I would love to read, I don’t want to do that on this vacation. I am looking for fiction that will capture my attention and be totally absorbing; I am looking for good stories, memorable characters, and wonderful writing.  Is that too much to ask?

So, if you have time in the next several days to send me your suggestions and why you are choosing these titles for me to read, I would be very, very grateful.

I look forward to hearing.  Thank you in advance!

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The pitch session

Every once in a while, when they let me out of my cage and into the general population, I get to attend conferences and meet some wonderful aspiring authors. One of my favorite things to do is attend agent pitch sessions—most recently at this year’s Thriller Fest—where authors have the opportunity to discuss their material, gain advice, and ask agents if they are willing to accept submissions. It’s always exciting and fast-paced, and even though the brain can feel somewhat mushy after two non-stop hours of pitches, I find it to be very rewarding in various ways.

With all this in mind, today I thought I’d give some recommendations on how to make the most of those precious few minutes a writer has with an agent:

  • Practice reciting a concise synopsis of your work. You shouldn’t (and shouldn’t need) to cover every single plot point or every detail about every character in your novel.
  • Do your research. It’s often a good idea to know a little bit about the agents you’ll be meeting with before the pitch session. It should go without saying that this is the easiest way to avoid pitching your young adult novel to the agent who only represents non-fiction.
  • Relax and enjoy! I have had to stop more than one author mid-sentence, hands and voices shaking, and ask them to take a deep breath and start over. Pitching to an agent is understandably petrifying, but at the end of the day, we’re people too. We aren’t going to criticize your work, or laugh in your face, or make you cry. I promise.

Have any of you out there attended pitch sessions? What have been your general opinions and experiences?