Category Archives: Writer’s Digest

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Reflections on my first writer’s conference

I attended my very first writer’s conference this past weekend: The Writer’s Digest Annual Conference and participated in the Pitch Slam. During the Pitch Slam, writers received 3-4 minutes with an agent—half of that time was meant for their pitch and the other half was allotted for the agent to provide feedback on the pitch and viability of the book. Many of the pitches I heard on Saturday were very well thought out, concise and clear. However, I did also make several observations that I hope aspiring authors reading this will take to heart when attending their next conference.

Unfocused pitches were not nearly as ubiquitous as I would have expected, but there were still some writers who delved into plot specifics way too deeply. Now usually this wouldn’t be so bad, but remember that writers only had 90-120 seconds to pitch their book, and those with meandering, seemingly aimless, pitches often ended up speaking the entire time, which left agents, such as myself, no time to respond. The whole point of a pitch slam is to provide writers with feedback and help them perfect their pitch. That’s not possible if the agent doesn’t get a chance to respond. Instead, the truly standout pitches told me everything I needed to know in a short amount of time: genre, word length, comp titles, and quick character and plot descriptions. And the best of the best also incorporated a nifty tagline to capture my attention. (Click here for more helpful advice how to pitch your book.)

Now my conversations with writers who didn’t take too much time to pitch their book typically went one of two ways. Either I was impressed with their pitch and preparation and we engaged in a short, but lively, discussion, or I mentioned a few areas where he/she could improve. Most took my suggestions into consideration and were very grateful for the advice. After all, that’s what the event is for. Yet, there were some who became defensive, if not downright argumentative. Criticism is never easy to hear, and you absolutely shouldn’t take anything one person says as gospel, but there’s a time and place for lengthy explanations and vehement disagreements. During a 3-minute pitch session isn’t one of them.

Lastly, don’t be so uptight and competitive with your fellow aspiring authors! People line waiting to pitch their book often gave others dirty looks or were so noticeably anxious that I felt a little bad. It’s not the end of the world if someone inadvertently goes over the time limit during their pitch. Remember that another aspect of these conferences is to try and make some connections, so present yourself in an amiable, professional manner. And relax. Agents put their pants on one leg at a time, just like you.

All in all, my first conference was very enjoyable and quite productive. I heard a lot of great pitches, and sample pages from writers I met on Saturday are starting to flood my inbox. I’m looking forward to my next one!

Successful query breakdown via an author and her agent

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I was recently asked by my talented client Kristi Belcamino to join her in a guest post for Writer’s Digest in Chuck Sambuchino’s “Successful Queries” series to share her query letter and my response. I shared why I was drawn to it and ultimately went on to represent and sell the book. I love this kind of thing because it feels so simple and yet I know for prospective authors looking for advice this kind of feedback, which includes a real life example, can be really useful.

Book publishing is obviously an inherently subjective business so what appeals to me is not necessarily what appeals to others. However, when I look at a successful query letter, I find there are certain things that are generally done well.

In Kristi’s case, she introduces herself and her background in a way that is intriguing. An actual female crime reporter? Bring it on!
Then we see a first line that sucks you right in: Gabriella Giovanni has never met a man more exciting than a murder. I’m beyond interested to know more about this character.

She goes on to CLEARLY and CONCISELY pitch the book in a way that makes you want to read more. My best advice for writers looking to pitch their books in a query letter is to try to write the jacket copy of the book. You can go into greater detail about the story and characters in a synopsis or follow-up email, but for me (and again, this is subjective), I want to see the elevator pitch because if you can describe your work in a clear, concise and compelling way, then I can too when I speak with editors on your behalf.

Finally, she offers additional information about her writing background which shows me that not only has she received good feedback from industry professionals for her work, but that she also has worked hard on her book and takes her writing seriously.

Take a look at our post and let us know what you think and if there’s anything else you see in Kristi’s query or my response that’s worth targeting. Happy querying!

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