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Common query and writing mistakes to avoid

I’ve been seeing a lot of no-no’s recently so here we go: what not to do. Buckle up.

  • Long queries that ramble on will significantly hurt your chances. Agents receive a lot of queries, and we don’t have a lot of time to read them. Get to the point—4-5 short paragraphs max should be enough. We don’t need a scene by scene rundown of the book. The idea is to hook us and make us want to actually read your book.
  • On a somewhat related note, before you add your writing credentials to your query, ask yourself if they’re truly credentials worth mentioning. If you have an MFA and your short fiction’s been published, by all means let us know. If your grandma read the first 5 chapters and loved it, we don’t need to know.
  • There’s nothing wrong with self-publishing, but for the most part, we usually won’t represent a book you’ve already put up on Amazon. Publishers want original works, which means we want original works. So write an amazing new manuscript and send us that!
  • Word count isn’t important except when it is. Stay in the average range for your genre and category. This helps show that you’re familiar with your market. Yes, of course there are exceptions, but your 600,000 word thriller isn’t one of them.

The good news is that we outline our query instructions here. Unfortunately though, a good query doesn’t necessarily guarantee a good book, so here are a few common writing pitfalls to avoid.

  • Infodumping is a big no-no, and I often receive SFF sample pages that make this mistake. Blurting out everything about your world and characters at once is telltale sign that your novel isn’t quite there yet. Conversely, many sample pages read like an entirely different language with invented concepts and terms that strewn throughout the prose with no explanation. Can’t represent what I can’t understand.
  • Don’t overly describe your characters’ actions and emotions. The reader doesn’t need to know all the little movements that entail Joe boarding a bus. Likewise, the reader doesn’t need lengthy explanations of Joe’s innermost feelings. Better yet, don’t tell me your characters’ emotions at all. Good writing describes; truly great writing evokes.

Finding an agent is hard enough. Give your work the best shot it deserves by steering clear of the literary atrocities above. Have any other tips for our readers? Share ‘em in the comments.

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