Category Archives: Jim

9

Speed-dating for agents

On Saturday, I attended the Writer’s Digest Pitch Slam at which seemingly every agent in the universe sat around the perimeter of a Sheraton ballroom in midtown while aspiring authors lined up for the opportunity to pitch them. Here’s the kicker: every three minutes a bell would ring, and we were supposed to move on to the next pitch. This went on for two hours. If all went according to schedule, we’d be pitched by 40 authors. So how many people had sat down with me before I got completely off the bell schedule? One.

I actually felt like I killed the event. I flew through those pitches so fast that I think I squeezed a few extra in. And no one was present at my table for two bell ringings, so I’m pretty sure no one went over. When there are 15 people staring at you, you really start to worry about them getting the perception that you’re unfair. At least, I do.

Personally, I prefer pitches that are about ten minutes so that I can actually converse with people and tease out some detail. It also helps to be able to take notes and allow a little more time for information to sink in. I don’t know about the attention spans of others, but past the 90 minutes mark without a break, no matter how much I try to pay attention, that 31st pitch is probably going to be damned hard to follow. But maybe that’s the point? Because you know at that point that if something stands out, it REALLY stands out. And there was a late in the game pitch that really stuck with me, so I’m hoping when that project crosses my desk, it will be as good as it sounded.

Going to these events is always interesting because you just don’t know what you’re going to get. This particular pitch session was delightfully crazy-free, and there wasn’t a single person who pitched me in the bathroom OR who needed to be forcibly reminded that it was time for them to leave. It was like a belated Christmas miracle. But what I’m curious about is what the experience is like from the other side of the table. Surely some of you have been there. Is speed-pitching as hellacious as it appears to be?

Welcome to the new DGLM blog and website!

Welcome to our shiny new home, blog readers!  For the new year, we bring you a new DGLM site, a merger of our website and blog.  Thanks to everyone who made suggestions a couple months ago on features and tech questions—where possible we’ve incorporated your feedback, and other things we’re keeping in mind in case we can implement them in future.

We’ll be blogging as usual over here at www.dystel.com now instead of at Blogger, and there are also some other things for you to explore over to the right (unless you’re not currently reading this on the site itself, in which case you might want to just poke your head in and take a look!).  You might be interested in learning more about us and our clients.  If you’re an author looking for representation, perhaps you’ll want to peruse our FAQ, Submission Requirements, Who We Are and What We’re Looking For, and Nonfiction Proposal Guidelines.  Need something new to read?  Check out our Staff Recommendations, Recent and Forthcoming Titles, and What We’re Reading in the column on the right. Maybe you want to know where we’ll be?  We’ve got a calendar with our upcoming conferences and events in that sidebar as well!  Of course, if you’d like, please feel free to use the links over there to Subscribe, Follow, or Like us and share our site with others!  The new blog should start feeding into our Twitter and Facebook accounts today, so if you’re already following us there, you don’t need to do anything.  If you’re reading us in a blog reader, please subscribe to the new RSS feed.

Make yourselves at home!

As always, we want to hear from you!  What do you think of the new digs?  Any suggestions for improvement?  Glitches we may not have caught?  (We hope not, but let us know if so!)  New features that you’d like us to consider?  We can’t always implement everything recommended to us, but we’re always open to hearing your ideas.

25

Agent eat agent

by Jim

Holy animosity, Batman! In one of the more unexpected blog posts I’ve read lately, agent Betsy Lerner took aim at people she hates: namely, literary agents. Including (it seems) herself!

Betsy equates the publishing tradition of agent/editor lunches to having someone shit on her face. Now, I’ve had some bad lunches, but… She then goes on to describe agenting as “being a professional sleaze bag.”

I’m not gonna lie. When I first read this, my hackles raised, and I muttered something like, “What a load of [string of expletives].” But that was defensive me talking. (Defensive me has a really dirty mouth). I quickly settled down, but I still don’t really agree with Betsy’s take.

I’m sure there are editors who hate agents and agents who hate editors, and I know there are terrible people in every business. But for the most part, I enjoy my colleagues on both sides of the divide. More importantly, I love being an agent. Which is why I do it!

My take is that if you feel like you’re being a sleazebag, maybe you’re doing something wrong. Or maybe you’re just approaching things in the wrong way. The interests of client and publisher are often very similar: let’s get the best book out there and make the most money. There are differences of agreement, rights to battle over, and money to beg for (the best part!), but in the end, there aren’t two oppositional sides in this business. At least, there certainly shouldn’t be.

Which is all to say, I think it’s possible to agent with dignity and respect. Yes, agents are often the bad guyswe send out the most rejections, we’re pushy on behalf of our authors, and some of us can be aggressive as hell, but it’s being done for the good of authors and in support of books. I can’t find fault with that.

As delightful agent Ginger Clark passionately stated in the comments, Cobb salads are delicious. Still, I wouldn’t be overly concerned if someone was tired of eating them. In terms of an agent cracking a joke that they can figure out what 15% of any number is…okay, I’ve totally used the same joke a ton of times. I thought it was funny! But apparently I was shitting on people’s faces. Oops!

So what do you say? You hate us when we reject you, but sometimes you secretly love us, right? Some of us are super nice and totally respectful. Pinkie swear.

11

Grumpy old man

by Jim

Little known fact: I love crotchety old people. One of my goals in life is to survive to an age where I can angrily mutter, “Kids these days!” It’s just the kind of righteous anger that I find endlessly entertaining and endearing.

So imagine my pleasure when reading Jonathan Yardley’s “Best of 2010” list from the Washington Post. Yardley has included only two novels on his list this year which “reflects [his] disenchantment with what passes for American literary fiction these days.” Interestingly, both novels are historical and deal with the impact of the political on the personal. He then recommends three nonfiction books about World War II. So…he has his specific interests.

“Kids these days!” I imagine him muttering to his computer. “With their fakakta ideas about writing about the present! When I was their age…”

It’s a charmingly inane piece that reeks of snobbery and is deeply out of touch. Such a cloistered consideration indicates a man who is very cozy living within his self-proscribed boundaries. Or maybe he has a real argument and I’m just being ageist. Thoughts?

One thing that makes me grumpy in the present is the news that Jersey Shore’s JWoww landed a book deal—the third for a cast member of the show. I thought we all knew that the only book that needed to come out of this show was Snooki’s!

So tell me: is American fiction dead? And what makes you grumpy about the current publishing environment?

4

Teen poetry web-wide

by Jim

Some folks may have seen the article in the NY Times yesterday about new teen website Figment. It’s a forum for teenagers to post their own writing and be advertised to…I mean, get the chance to read chapters of works that will be published. The site is now live, and there’s already ample teen writing to browse through, if you’re into that sort of thing.  I’ll just say this: I do feel bad for a generation whose teenage poetry will have life on the internet long after they’ve become embarrassed by it.

That said, I think there’s a lot to love about this idea. It has the same sort of feel as Joseph Gordon-Levitt’s HitRECord. That site is about creating user generated creative content that can be worked on by a larger online community. HitRECord feels purer because there isn’t a component allowing advertising to crop up. After all, it’s doesn’t seem as profit-motivated as Figment.

However you look at it, I think efforts to create communities around writing are great things. Something about this site, though, seems to be especially artificial. “ZOMG we’ve launched!” What do we think? Nifty place for teens to find a creative outlet or shameless attempt to cash in on YA market growth?

10

The happiest time of the year

by Jim

Now that we’ve passed Thanksgiving, we’ve entered my absolute favorite time of the year. I’m not talking about the Christmas season which totally clogs New York streets with shoppers (though we love all the additional book sales!). It’s something much more magical than the holiday season: December means it’s officially time to rank things. And I looooove a good list.

Largehearted Boy has launched his annual Best-of compendium which includes lists as general as “Best of 2010” and as specific as “Best Hockey Coffee Table Books.” You just know there’s one hockey coffee table book out there that didn’t make the cut, and it’s author is pissed.

I haven’t started compiling my lists yet, though yes, I’m totally nerdy enough to do so. I can, however, easily pick my favorite novel, memoir, and YA novel of the year pretty easily. They are:

A Visit from the Goon Squad by Jennifer Egan: I just don’t understand how Egan does it. Each of her books feels like a revelation, and she gets away with things no one should be able to. 75 pages of this book are a Powerpoint presentation for gods’ sake! Goon Squad is funny, moving, and brilliant. It’s even a quick read!

Just Kids by Patti Smith: I do wonder if my reaction to this book is a bit biased. I love New York stories, and Smith transforms the city into a magical place filled with strange, wonderful, beautiful people. She romanticizes everything which could become grating in lesser hands, but to me just reveals a depth of spirit and wonder.

Mockingjay by Suzanne Collins: Okay. I know that there are those who didn’t care for how the Hunger Games trilogy ended. I also know that when I last brought this up, there were those who balked that the series is a Battle Royale rip-off (though I’d argue that novel had its own direct antecedents). But here’s what I have to say: Collins took the trilogy down the darkest of all possible roads, showing us that even the strongest among us have our breaking points and that everyone will at times crumble. At the same time, she ended the series with just the right glimmer of hope—sometimes it’s enough just to believe there’s a reason to try. And that, to me, was beautiful.

So those are my three. And hey, they all happen to be by female authors. Take that, Michiko Kakutani.

Anyone else ready to disclose their top picks for the year?

UPDATE: In the time it took me to send this to Lauren to check for typos, I realized that there was another novel that I actually loved even more than the Egan this year. ROOM by Emma Donoghue was simply exceptional. Written in the voice of a five-year-old who has grown up imprisoned in a single room with his mother, it is a virtuoso feat of storytelling and voice. It’s simply mesmerizing. I haven’t cried as hard at a book in ages, but in the end it’s hugely uplifting and deeply special. But the Egan is still amazing!

3

Where’s the love?

by Jim

On Friday, our commenter Jennifer asked the following question:

I have often heard agents discuss the fact that you need to “be in love” with a book in order to represent it…let’s say you take on a client because you’re in love with their first book, but you only like the next, or even the next few? Even my favorite writers are about 50% hit or miss for me. Some I love, some I just like, and some I even outright dislike. I imagine it would be unusual to really love every book someone wrote.

So I guess my question is two-fold. One, as an agent, do you often find yourself liking some stories more than others, or are you so passionate about a writer’s style that you tend to love them all, and two, what do you do if you aren’t feeling the same passion for subsequent books?

Tricky one, Jennifer! I think it’s completely fair to say that when we work with someone on multiple books, we won’t have an equally passionate reaction to each and every project they work on. If someone writes twelve novels, we won’t be equally fond of all twelve. Of course, chances are the author also won’t be.

The reason we always say that we need to fall in love with something in order to take it on is that we’re diving headfirst into a long, involved process with someone we haven’t worked with before. If you don’t love the book wholeheartedly, it’s a lot of dedication and time to offer something (and someone) without any guaranteed results. As we continue working with clients, we still want to love every book, but the dynamic has changedwe know how we work with these particular authors, how comfortable the fit is, what happened with that first novel, what shape their career might take. We’re still responsible for making sure that the best product possible gets out there, but we also have to make sure that our clients wishes and best interests are well represented.

Sometimes the situation can get tricky. Let’s say we don’t just not love a project; let’s say we actively dislike it. If our feeling is that the audience will have the same reaction, we have to say something. No one is helped by glad-handing. So there have been times when projects need to be set aside, or we make recommendations for other ideas that might be pursued. It’s not the most comfortable thing to bring up, but it’s necessary to be able to offer that kind of feedback. Our authors depend on our honesty and feedback. And we likewise depend on them, not to do everything we say, but to take our thoughts into account. The best agent/client relations are built on an ability to share thoughts and find compromise.

So no, we don’t love every single project the same, but ideally the base of every relationship with a client is deep admiration of their work. Even if you don’t love every single thing they do, you can still support and guide them.

19

Crossing the line

by Jim

I crossed my first picket line yesterday! I had tickets to see the new musical The Scottsboro Boys by the same folks who wrote Cabaret and Chicago. It’s a musical retelling of the story of nine black men who were wrongfully imprisoned for the rape of two white women in Alabama in the 1930s. The framing device is a minstrel show. Blackface is employed. The writers and director are all white. Yikes! Perhaps I shouldn’t have been surprised to enter past dozens of protesters chanting that the show was racist, that turning this tragic story into a minstrel show was akin to using Borscht Belt humor to talk about the Holocaust. For a show that deals with liberal white guilt, getting shouted at for being racist was actually kind of an affective prelude (more on this in a minute).

I’m appreciative of both the protestors and the show’s writers for this: together, they raised a really interesting question about what stories need to be told and who has the right to do the telling. I remember a former coworker (not here) ranting about Jonathan Franzen’s novel The Twenty-Seventh City and his lead character being Indian. She took great offense at his decision to “talk about something he knows nothing about.” At the Romantic Times convention this year in Columbus, I met a group of really wonderful women who wrote gay male erotica, and I won’t lie: that totally confused me. And I think everyone here has read at least one first person narrative where the author writes from the perspective of someone of a different gender and the whole thing feels inauthentic.

Of course, limiting authors to only writing about what they know would prevent things like, say, historical fiction. It would have blocked my client Mindi Scott from beautifully capturing a teen male’s voice in her debut Freefall. It would have reduced Colum McCann’s glorious array of first person narratives across racial, gender and class lines in Let the Great World Spin (have I mentioned lately how brilliant that book is?). But do the rules change when the character’s identity is so integral to the story being told? What about if the story is about the injustice done to a particular group of people?

I’m inclined to say that it’s simply a matter of quality. The Scottsboro Boys was a brilliant show. At once devastating and hopeful, it was about how far we have (and haven’t) come as a nation and our collective history of racial intolerance. I believe that. But I also question my response since I’m, y’know…really white.

I’d love to hear people’s thoughts on this. Are there stories that “belong” to one group of people? Are there perspectives that you just wouldn’t trust? Have you attempted a first person narration from a perspective radically different from your own?

5

Blog chat live!

by Jim

Next week, you’ll all have the opportunity to join the agency’s first live chat. Yours truly will be available for an hour from 3:00-4:00 Eastern on Thursday the 18th to answer any questions you might have about pretty much anything—how to write a query letter, the state of the marketplace, what we’re looking for, what makes us run away screaming, and pretty much anything you can come up with. The one thing it won’t be is a place to pitch your book—that’s what email’s for.

This is going to be a test run for the chat system. We’re not really sure how many of you will be able to make it, so we’re going to keep it general and see how it goes. If it’s a hit, we’ll be looking to do it regularly and maybe add more specifically themed chats in the future. (If you have requests for particular themed chats, please let us know below!) So be sure to stop by and make me feel popular!

The chat will be live right here, and if you want to sign up now for a reminder, you can do so in the box below!