Category Archives: Stacey

5

Are Tidying and Squabbling the New Sex?

A client of mine sent me this article from The Guardian recently which talks about a splashy new commercial novel, Christina Hopkinson’s THE PILE OF STUFF AT THE BOTTOM OF THE STAIRS, about parenthood and all its joys and woes (focusing on the husband woes in this case) that sold for a lot of money across the pond. In the US, Grand Central will be publishing the book later this month with a different cover.

The article goes into some discussion of books like this and their effect on feminism, and how that discussion has changed with time. I like the comment, “I think ultimately the answer is that men should do more and women should care less.” I can’t completely agree that as a blanket statement,” men should do more” as everyone’s situation is unique, and my husband does a lot, but I do see the point in the suggestion that women should care less. And it’s a good reminder to focus on the things that really matter (I don’t think a spouse leaving an empty milk container in the fridge or a full one on the counter applies). I also think there are a lot of women out there, however, myself included, who can relate to, and find humor in, the petty complaints about their spouses and family lives. Sometimes it is better to laugh than to cry.

I wonder if we might see a resurgence in this category if the book works well here in the US. I also wonder what our readers think about this category. Boring, overdone, trivial? Or are you open to seeing more stories of harried moms trying to balance work, life and family?

9

Go with Your InstinctSkills

The positive response I got to last week’s post, Give Yourself A Break, has prompted me to think about what writers want to hear. And I guess it’s the same thing we all want to hear: That we are doing well, we are on the right track, we are going to meet and exceed our goals, and that we will go on to become rich and famous someday. Well, not all of us aspire to the rich and famous part, but you get the idea.

I recently found this aspiring writer’s blog, which I think offers an honest perspective on writing matters from the trenches. In particular, I was drawn to her discussion about instinct versus skill as pertains to writing. I think that good writing is a sometimes dysfunctional relationship between instinct and skill, and the right combination of the two is what makes great writers great. Like anyone with a natural talent–for writing, sports, dance, music, whatever–that talent needs to be nurtured, applied, refined, and crafted in order to bring out its greatest potential. It’s part of the reason why the best writers are also often the hardest working. The ones willing to take criticism, use constructive feedback to better their “performance”, read and research what others in their field are doing (both those who’ve succeeded and those who’ve failed, as there are important lessons to be learned from each), are often the ones who excel and improve and can have careers with great highs, plus the ability to overcome the inevitable lows. The writers who fuss, moan, and take out their frustrations in their work don’t get very far.

So, I think it’s worth pointing out that all writers should start with their instincts and then apply their skills to their craft. Just when you’ve become comfortable and feel like you’re at the top of your game, that’s the perfect time to start learning new skills, and rethinking your instincts (if that’s even possible) in order to stretch yourself even more.

What do you think? Is it instinct or skill that makes or breaks great writers?

11

Give Yourself A Break

Writers have a tough job. It’s no easy task to be working on your own, often for long stretches with little feedback, developing ideas, stories, plots, characters, and sometimes grasping at straws in the hope it will all come together into a cohesive whole.

I often talk at length with my fiction (and sometimes nonfiction) authors about their next books, whether they’ve been previously published or not. Should they stick to the same category? Try something new if a book hasn’t sold to a publisher, or if a first published book hasn’t succeeded in the marketplace? What about going from adult to children’s? That’s something a lot of authors are thinking about and doing these days, including several of my own. These conversations can be difficult or invigorating, and usually it’s a healthy combination of both. Sometimes it takes a long time and a lot of brainstorming to come up with the right answers. Sometimes these conversations need to happen between each and every book! Patience is an important part of this book development process.

The bottom line is, whatever that next idea may be, it has to come from the heart, and it has to be compelling and passionate to the writer from the beginning. It’s a tricky balancing act trying to write what you love and write for a fickle and unpredictable market, but the starting point has to be writing what makes you feel like writing and keeps you motivated to do so. Jim and Steph tackled aspects of this predicament this week to great response in their Why do you write? and I have no comment at this time.

My contribution to the conversation comes from a brief piece I found in Author that speaks to some of these conflicts that arise while crafting a book. It talks a bit about the benefits of starting with an outline, but that is difficult for many authors, so it goes on to suggest that the best thing a struggling writer can sometimes do is throw it away and start over if it’s not working. Hard advice to hear when you’ve spent so much time on a project, but there are some books that are just not meant to be. If the struggle is there from early on, listen to your instincts to put it aside and try something new. Perhaps you can pick it back up at a later date, or not. But don’t beat yourself up over wasted time or energy, or feeling like you’ll never be able to write another sentence again. It’s a process, an imperfect and sometimes long one, but that’s what makes it endlessly frustrating, and rewarding.

Share your thoughts with us on your favorite feeling of frustration or excitement during the writing process. We know there will be some good ones!

0

A Who’s Who in Children’s Books

I just signed up a new YA novel by a talented author, and in researching some history on the project, I found my way to a really cool author website I wanted to share. Wendy Mass is a prolific children’s book author, and I found myself drawn to her Author Pals section, which is like a who’s who in the children’s market. Her connections to a very long list of prominent and well-respected authors are impressive, and what I love even more are her personal suggestions for favorite titles from each author to check out. I found myself taking notes and going online to order copies of some of the suggested books. It’s a little like having a personal shopper for a wide range of children’s books! If you have an interest in this category, it’s well worth checking out. Take a look and see if you have any favorites to add–let us know.

1

The young and the famous

By now you regular blog readers know that I am the agency’s eternal optimist. I’m always interested in and often talking about the uplifting, inspiring stories of authors finding their way or books making a positive impact on people. So I was happy to see this nice piece by Charles McGrath (Riverhead editor Sarah McGrath’s dad) in yesterday’s New York Times which highlights not only the author, Téa Obreht’s (age 25), amazing success with her first novel, The Tiger’s Wife, but also calls attention to the young agent who sold it, Seth Fishman (age 30), and the young editor who acquired it, Noah Eaker (at age 26, as his second acquisition). Thanks, Charles, for pointing out those important behind-the-scenes players! It’s so refreshing to see success stories from young people just getting started in their careers, and it looks like this is quite an auspicious start indeed. The novel has received unanimous praise and reviews that describe the novice author as talented well beyond her years. I am eager to read the book, and look forward to submitting my own projects to her editor, who (not surprisingly) was recently promoted. I think it’s a pretty good guess we’ll be seeing the novel on bestseller lists in the coming weeks. Who’s your favorite young author with an old writing soul?

3

An Inspirational Book Club

I came across this article in my B.U. alumni magazine and was compelled to share it with our readers. After reading Miriam’s recent post about book clubs, Clubbing, this story struck me as a fresh and inspiring way for a small number of people to do so much good, as well as to send such a positive message about the power and importance of literacy and reading in our culture while highlighting the myriad of benefits we can receive from participating in such a group. It also illuminates how much our common interests can bind us together, despite our backgrounds or circumstances. Books have the power to transform lives, in big and small ways. I just love this story, and it puts a smile on my face thinking about the impact of books, and how just a little bit of that is in our control as agents working on books that mean something to people.

How cool, too, that the concept of this homeless book club has expanded to other cities and that several authors have gotten involved. It makes me feel good about the work that I do, and serves as a good reminder to keep the faith when things aren’t going as well as I’d like. Ok, enough with the woo woo rambling, but I hope you enjoy the piece and it puts a smile on your face too!

2

Handselling tips

While I was researching last week’s blog post, I came across this not-so-recent piece from Writer’s Digest that I thought was worth sharing for those of you published authors out there, and those of you who aspire to be published and want to read some basic, but valuable, advice from an author not entirely comfortable in the sales side of writing books. I just started selling Girl Scout cookies with my kindergartener, so I love her anecdote about those memories. I’m glad we have a big family and were able to sell 28 boxes without any handselling at all!

I heard from some people when I posted about tips on blogging who didn’t feel great about putting themselves out there in that way. It sort of goes against the grain of what many writers enjoy about writing—it’s a solitary pursuit. I totally get that, and it’s part of the reason I left acting so many years ago and became a book agent, so I could be behind the scenes! But in this market, it’s still about having the right combination of elements, not only to get published, but to be published successfully. Things like being personable, outgoing, creative, and willing to engage with your audience can and will make a difference, no matter what stage of the publishing game you are at. So I hope there’s some advice here that you’ll find worthwhile, and if you have any other tricks of the trade to share on this topic, please pass them on.

Indies in action

I loved reading this piece from Publisher’s Weekly‘s blog section, which is written by bookstore owner, Josie Leavitt of The Flying Pig in Vermont, and talks about the pros of handselling books. I love her line, “Passion is what sells books.” It’s a sort of old fashioned way of doing it, but it seems so smart and obvious to have people who genuinely love books selling them and sharing their feelings about various books they love. And it’s so nice to see how it can actually translate to sales as evidenced by the sales of her own store.

What’s your favorite local bookstore, or did you have one growing up that you remember frequenting? There are so many big stores today, although fewer thanks to Borders recent filing for bankruptcy (see Michael’s post), but maybe this will make room for more independent stores to thrive (the power of positive thinking). I still love the smaller shops and try to give them my business where I can. Omnivore in San Francisco is a unique, inviting place specializing in food and drink books that I found while visiting my brother last year when a client of mine had a reading there. I loved Book Court in Cobble Hill when we lived in Brooklyn, and even here in New Jersey there are a couple of great ones, including Books & Greetings in Northvale and Acorns in Tenafly. We had my daughter’s 4th birthday tea party at Acorns, and it was one of the most lovely, intimate, and adorable parties I’ve ever been to. Highly recommended for anyone local!

9

E-Mini Books

There was an interesting piece in Sunday’s New York Times that brought up another facet of the future of electronic publishing. E-books that are longer than an article, but shorter than a book. Jenna Wortham who wrote the piece describes it as “medium-length material”. Seems in our times of widespread attention deficit disorder (and I mean the adults) this is an interesting hybrid that I expect we’ll be seeing a lot more of. People sometimes pay for this kind of content, and it offers a whole new world of opportunities for writers who are looking to expand their repertoire and readers who are not willing to commit to buying and/or reading a full length book, but it also opens the door to a lot of questions for everyone involved. Kindle Singles is Amazon’s answer to this question, and they are trying different types of fiction and nonfiction to test the market. Jodi Picoult’s collection of 3 previously published short stories sells for $2.99. And here’s a piece that talks about a success Kindle Singles had selling a 13,000 word news piece for 99 cents. It’s also available for free online, and still sold 1,900 copies for a fee in its first two weeks on sale. The writer of the piece talks about this being like journalism’s version of the novella, an interesting analogy. I recently did a 2-book deal for an author, the first a traditional print book, and the second a mini e-book, in the 8-10,000 word range, that will be on sale several months before the print book comes out. It will offer some previously published material, and a good amount of new content as well. It was tricky negotiating because it’s still brand new territory, there isn’t a lot of money yet for the author for this kind of untested mini-book, and there were questions about, among other things, the author essentially writing 2 books for the price of 1. But in the end, the opportunity won out over the logistics and we went ahead with it.

I’m really curious to know what you guys think about this. Would you pay up to $3 for a long article or short book, depending on how you look at it, or is there a price point you’d be more comfortable with for that type of product? I think there’s going to be a lot of trial and error when it comes to this type of publishing over the next few years, and my guess is we’ll end up with a lot more content requiring small fees, but still plenty that’s free too, and finding that right balance is what writers, publishers, editors, and agents will have fun and headaches figuring out.

6

More tips for bloggers

So many authors blog now, and the idea of not blogging at this point is one that is mostly frowned upon by agents and publishers. In such a competitive market, being out there and available is almost a prerequisite. This isn’t a new blog post, and the author is based in Romania, but an editor I work with often sent this link  to a client recently suggesting that she check it out for some good tips and ideas on blogging, and going through it I have to agree. While some of them are obvious, others are not so, and there are just so many of them that it really covers a lot of ground in addressing things you might not otherwise be thinking about. There are also a number of useful links to things like Google Sitemap that make it easy to add functions you might not currently have. Bottom line is this guy has done his homework, so you don’t have to! If there are any bits and pieces in this post you find really helpful or that you didn’t know before, let us know. In the meantime, Happy Blogging.