Stacey | Dystel, Goderich & Bourret

November 23, 2009

DG&B

about us, Chasya, Jane, Jessica, Jim, Lauren, Michael, Miriam, Rachel, Stacey, Thanksgiving

3

What I’m thankful for

by Jane

It’s Thanksgiving and every year at this time especially, I think about what I am thankful for.

One of the main things I am thankful for is our team at Dystel & Goderich Literary Management. They really are the best at what they do:

Miriam Goderich–Partner, Senior Vice President and Editorial Director: The foundation of our company, a great editorial and administrative mind with an awesome sense of humor. I am so thankful that she is my partner and very close friend.

Michael Bourret–Vice President: A tireless agent; an incredibly hard worker and a risk taker. Michael is setting up a California office of DGLM. I have such admiration for him and am rooting for his success.

Jim McCarthy: A brilliant editorial mind and a superb agent, Jim has incredibly good taste and a wonderful sense of humor. I am constantly astounded by Jim’s insights and so proud of his enormous growth over the years and his recent successes.

Stacey Glick–Vice President: A terrific agent with a growing list of practical non-fiction, Stacey has a very good nose and is incredibly persistent. I am constantly amazed at all that Stacey accomplishes in her increasingly busy life and thankful to have her as part of our team.

Jessica Papin: Jessica is a passionate and amazingly hard working agent who is building a very exciting client list; we are so lucky to have her back.

Lauren Abramo: Our Rights Director and in-house techie as well as an agent in her own right, Lauren is always on top of everything. With a small list of clients, which she is growing carefully, we are very lucky to have her.

Chasya Milgrom: Our Royalties Manager and newest agent, Chasya is building a list and growing beautifully with the agency. I am so thankful to have her with us and to watch her develop as an agent.

Rachel Oakley: My assistant and our newest staff member–I am thrilled to have her here and know she is going to be a huge and important member of our team.

Thank you all for your support, your tenaciousness, your good taste and your wisdom; you all add to my life and to DGLM in enormously important and meaningful ways.

November 18, 2009

DG&B

advice, future of publishing, marketing/publicity, nonfiction, platform, sports, Stacey

0

Platform Building 101

by Stacey

I think there are some lessons to be learned from the Bill Simmons school of publishing. This recent article from the New York Times talks about how his unconventional (and relatively rapid) rise to fame might just become the most conventional approach to successful platform-building out there. And it also zeros in on at least one reason why he is so popular: he’s just a fan like the rest of us, so he’s very relatable. I am a big baseball fan (I don’t want to mention I root for the Mets, but as a season ticket holder, I’m bound to be found out sooner or later) and represent a number of great sports writers. When it comes to selling sports books and nonfiction books in general, platform becomes a big discussion point. How Simmons has grown his in a grassroots way by blogging and using the Internet, and moving away from print, is pretty telling. And his rabid fans can’t seem to get enough. It’s amazing that his new book about all things basketball is a #1 NY Times bestseller (when was the last time a book about basketball hit #1, and it’s over 700 pages?!), and really illustrates the power of a successful platform. This article also offers some good easy-to-know, but hard-to-follow advice on how to build your platform by blogging and how to keep people coming back once you get there.

November 11, 2009

DG&B

children's books, favorites, opinion, Stacey

12

Children’s Book Corner: Beware!

As a mother of four small children, I found this recent article from the New Yorker about today’s children’s books to be thought provoking, especially since I own many of the books he talks about and read them often to my kids. I don’t think there’s any question that reading to your children is one of the greatest gifts you can give them, but is what you read worth reconsidering in some cases? I tend to insert my own ideas into books that I feel conflict with my own parenting style (like in the first Olivia book, when Olivia doesn’t want to take her nap, I always add “but she does it anyway,” because the last thing I need is a nap strike in my house!), at least until my kids are big enough to read them on their own.

What are your favorite children’s books? And after reading this article, do you have any new thoughts on what are your least favorite?

-Stacey

November 10, 2009

DG&B

about us, advice, Chasya, Chasya's Questions Corner, children's books, Jim, Lauren, Michael, middle grade, queries, Stacey, submissions, what we're looking for, YA

2

Chasya’s Question Corner is live!

Thanks to everyone who sent in their questions! As I mentioned in my post last week, I’ll be choosing one or two of your questions a week and answering them here. There were a lot of really good ones and I hope to answer as many of these as I can, so if you don’t see yours here today it doesn’t mean that we won’t be responding to it later. What I mean to say is, stay tuned!

If you have a question, please send it to news@dystel.com. All questions will remain anonymous:

One of our readers asks:

“I have a novel (debut) that was read by 6 editors 5 years ago (2004).
They praised it but were also consistent in why they didn’t want it.
I have (after have children, etc. etc.) fully revised it, and in
effect it is a completely different narrative, but with the same
characters, setting, tone. The agent who shopped it left the agency
and we parted ways–we had no formal agreement (the deal was, if they
weren’t successful placing my novel we’d have no contract). My
question is, when querying agents now, do I mention the novel’s past
in the query, or wait until the agent has had a chance to read it and
connect to it? I am afraid of turning them off….concerned that they
won’t read the novel with the same eye if they are aware someone else
rejected it, even if it was five years ago and quite different.”

Answer:

A quandary, indeed. How much does one disclose when it’s tough enough getting any attention as a first-time author?

The answer is actually pretty simple: It’s very important that you are completely up front about the history of your project when approaching an agent. The surest way of “turning them off” is by not being honest about the manuscript. And you don’t want an agent to think that you are being dishonest.

If you’re waiting until an agent calls with interest in the project to inform them of the history behind it, they will want to know why this didn’t come up in your initial query. Even if you mean no harm and your intention is to let the work speak for itself, it comes off as underhanded. We’re not just assessing if we’re interested in or in love with a book–we’re reading it to figure out if we feel we can sell it. If it’s been seen before, that’s an important factor. In some cases, it may help to know that a project was strong enough to get an agent once before.

If you are, in fact, letting the work speak for itself, then disclosing this information shouldn’t really matter. We understand that fiction is very subjective, and we know that a manuscript that doesn’t necessarily speak to another person’s taste is not any reason to not give it due consideration. We also understand the business, and can tell you that if your manuscript has been to every fiction editor out there and hasn’t undergone any changes, they most definitely do not want to see it again. Editors are swamped–buried in reading and juggling more hats than ever before. If they’ve turned something down it’s usually for good reason, and they don’t have the luxury of giving something a second read. A prospective agent will have to make a judgment call about whether they think that the number of editors who have seen something (and the kinds of changes) make a difference in whether or not they think they can sell. However, if an agent truly does see your talent, even if they don’t think they can sell that book, they might recommend moving on to another project first, and if that succeeds, going back and trying to shop the original manuscript.

We must rely on our authors to be forthcoming about their work in order to serve them best. Being evasive or holding back really only leads to feelings of mistrust and can put an agent in an awkward position. It’s not a good way to start, so be sure to provide these details from the get-go.

Another reader asks:

“This is probably a no, but does anyone in your organization represent children’s book authors?”

Answer:

In fact, the answer is a yes. Michael Bourret represents young adult and middle grade, along with a very select group of author/illustrators. Jim McCarthy, Lauren Abramo and Stacey Glick all represent YA and middle grade, as well.

-Chasya

November 06, 2009

DG&B

future of publishing, marketing/publicity, media, opinion, Oprah, Stacey, thrillers

6

The new Oprah: Glenn Beck?

This New York Times article on Glenn Beck as the Oprah of the thriller community could have larger implications for the publishing business if Beck’s popularity stays at a high (though hardly anyone has the longevity of an Oprah). But it strikes me as an odd and interesting mix of elements to have such a significant impact: one, because he’s so conservative and publishers and authors tend to be more liberal, and two, because he focuses so heavily on one genre, thrillers. That said, in my mind, it’s nice to see both sides getting along and any outlet that helps to sell books in this market is worth looking at very seriously, especially since we hear Oprah, who has had her share of ups and downs when it comes to book publishing, might be moving on in the next couple of years.

-Stacey

November 04, 2009

DG&B

advice, optimism, queries, Stacey

9

THE HELP needed lots of help to get started

There were a number of things I found interesting in yesterday’s New York Times piece about Kathryn Stockett’s first novel, The Help.

It was Amy Einhorn’s first book for her new imprint; it’s sold almost 500,000 copies in hardcover, amazing numbers for a literary first novel; and it’s a book written by a Southern white author that has two black protagonists. It’s been compared to To Kill a Mockingbird. But what really struck the agent in me was that the novel was initially rejected by almost 50 agents before it was picked up. That is a stat that should be inspiring to aspiring authors and probably a little frustrating for us agents who work so hard to find great material and wonder how we missed something that then goes on to be so successful. But that’s the way the game is played: you win some, you lose some, and the take-away for me from this story for authors is that confidence in your work, persistence, and of course a good dose of luck and timing, can make all the difference. It’s a great success story, and in a time where there are so many grim reports about book publishing, it’s refreshing to see a story about a book that got it all right, even if it had some stumbling blocks along the way.

-Stacey