Category Archives: marketing/publicity

7

Trailers and tap dancing

I admit that I harbored some skepticism toward the whole book trailer endeavor.  For a long while, I thought there was something slightly unseemly about book trailers, or at the very least, unnatural.  To paraphrase Martin Mull, or maybe Steve Martin, shooting trailers for books seemed to make about as much sense as dancing about architecture.  But I have since changed my mind (and next week I’ll tap dance the buildings of Frank Gehry—stay tuned.) Instrumental in helping me overcome my kneejerk suspicion of the book trailer has been the Evanston Public Library in Illinois, which posts a Book Trailer of the Week on their website. I did, however, wonder how authors and auteurs might overcome the challenge of the short story collection.  I’m pleased to report that one of my own clients, novelist and short story writer Valerie Trueblood, managed beautifully in her trailer for latest book, Marry Or Burn.

Likewise TC Boyle’s elegant, nearly wordless trailer for Wild Child is disturbingly effective.

That TC: he’s a prolific one. I keep meaning to read more of his work; now I suspect that the feral boy with the mud spattered teeth will haunt me until I do.

Although Jim pondered some related questions in a post this past summer, what do you think of the trailer trend? Do you watch them, and if so where? Have you trailers to recommend?

6

More tips for bloggers

So many authors blog now, and the idea of not blogging at this point is one that is mostly frowned upon by agents and publishers. In such a competitive market, being out there and available is almost a prerequisite. This isn’t a new blog post, and the author is based in Romania, but an editor I work with often sent this link  to a client recently suggesting that she check it out for some good tips and ideas on blogging, and going through it I have to agree. While some of them are obvious, others are not so, and there are just so many of them that it really covers a lot of ground in addressing things you might not otherwise be thinking about. There are also a number of useful links to things like Google Sitemap that make it easy to add functions you might not currently have. Bottom line is this guy has done his homework, so you don’t have to! If there are any bits and pieces in this post you find really helpful or that you didn’t know before, let us know. In the meantime, Happy Blogging.

2

Putting those cringe-worthy photos to good use

In an effort to keep it light-hearted this week, I thought I would pass along this great blog a friend brought to my attention. Created in preparation for the release of her book of the same name, Will Work for Prom Dress is a blog wherein author Aimee Ferris shares a picture each day of a different published author in their prom attire. Because who doesn’t want to relive those images, am I right or am I right? But more to the point, the blog also includes a competition, allowing readers to guess the authors and enter a prize drawing, to be held on the date of the book’s release. Some of the pictures are fantastic in the worst way—really, it’s more questionably-colored taffeta and organza than you could ever hope for. But on the technical side, I absolutely love Ferris’s creative and quirky approach to advertising and building interest for her book prior to release. That’s one of those things we can’t stress enough to our clients: the importance of taking charge of self-promotion and marketing from the home front, if you will.  I hope you enjoy Aimee’s blog as much as I did!

4

Teen poetry web-wide

by Jim

Some folks may have seen the article in the NY Times yesterday about new teen website Figment. It’s a forum for teenagers to post their own writing and be advertised to…I mean, get the chance to read chapters of works that will be published. The site is now live, and there’s already ample teen writing to browse through, if you’re into that sort of thing.  I’ll just say this: I do feel bad for a generation whose teenage poetry will have life on the internet long after they’ve become embarrassed by it.

That said, I think there’s a lot to love about this idea. It has the same sort of feel as Joseph Gordon-Levitt’s HitRECord. That site is about creating user generated creative content that can be worked on by a larger online community. HitRECord feels purer because there isn’t a component allowing advertising to crop up. After all, it’s doesn’t seem as profit-motivated as Figment.

However you look at it, I think efforts to create communities around writing are great things. Something about this site, though, seems to be especially artificial. “ZOMG we’ve launched!” What do we think? Nifty place for teens to find a creative outlet or shameless attempt to cash in on YA market growth?

5

Even the zombies are on Twitter!

by Stacey

I know we’re all getting ready to eat lots of turkey, and that means we are also ready for a few days off. While this link to a clever marketing campaign created by Quirk Books has nothing to do with the holidays, I thought it was a good example of what publishers (and authors) are trying to do to come up with new ways to market their books. To me, it’s a bit of a stretch to have fictional characters talking about whatever, but these books are already popular, so Quirk is likely thinking this will be a way to keep them selling through the holidays. According to Bookscan, Pride and Prejudice and Zombies has sold well over half a million copies already, so the audience is definitely out there to be marketed to. Enjoy, and have a great Thanksgiving. We’ll try to come up with some helpful and thoughtful content for you to sink your teeth into after the break (and before the next one)!!

6

Social networking means business

by Stacey

Everyone talks about how important social networking is for marketing and promoting your book, both before you’re published (especially for nonfiction, where without a sizable platform you’re dead in the water before you even begin) and after. That it’s important is not new news, but I found this piece in Publisher’s Weekly about a recent webcast about digital marketing interesting because it goes into detail on just how social networking influences consumer buying habits. This offers a small way to quantify its impact on selling books. And the numbers are pretty powerful — “consumers are 67% more likely to buy from the brands they follow on Twitter, 51% more likely to buy from a brand they fan on Facebook, and 79% more likely to recommend brands and products they follow on social media.” I also like the suggestion “Don’t spray and pray. Listen, reply and engage.”

To me this piece serves as yet another reminder that whatever your goals as a writer might be, it’s important to find those important connections to others both inside and outside the community. It all starts with talent, and sending out a message or a piece of writing that your audience can connect with in a meaningful way. The broader your reach, the easier time you will have finding agents and publishers to pay attention to you and the work you’re doing. The numbers prove it!

0

Perspective, dinosaurs, and death machines

by Lauren

I was so happy to read this post on PWxyz about a new book co-edited by Ryan North of Dinosaur Comics, who you already know I love.  Machine of Death is an anthology of stories from a variety of incredible contributors (including xkcd‘s Randall Munroe) spawned from a particular Dinosaur Comic about a machine that tells people how they’re going to die.  I can’t believe I’m only hearing about it now, but I’m about to order my own copy.

There are a few things about the PWxyz post that warmed my cold, cynical NY heart.  One was the editors’ appreciation of the efforts of people who tried to move the work through the great traditional publishing machine.  The anthology’s editors worked really hard, produced what is surely a fabulous product, and found people who’d go to bat for it.  It didn’t work out, so they self-published.  But rather than complain bitterly about how broken publishing is and how all authors should abandon it, they didn’t take it personally:

This isn’t some vanity-press sour-grapes effort. The simple truth is that we probably can’t compete on the shelves at Barnes & Noble alongside every other book in the world. The agents and the publishers are right; it might not work for a mass market. That’s okay. We don’t need to sell it to everyone. We don’t need to sell 100,000 copies; we don’t have the rent on a New York office to pay for.

I don’t think all authors should self-publish.  In fact, I don’t think most authors should self-publish.  But for the right project, with the right platform, at the right time, it can be the right way to get a book to the audience that wants it, as long as you can put together a team of people who know how to get all the right pieces in place. 

The second thing I loved was how well this demonstrates that people who are truly dedicated to a great idea can build a community supportive enough to make their projects economically viable.  Sure, MOD-Day benefitted from the existing platforms of the people involved, but those people built their platforms online from the ground up through hard work, great content, and presumably a little luck.  No one says it’s easy, but I love seeing the proof that it’s possible if you’re willing to make it happen.  The internet isn’t a cornfield baseball stadium, but if you build it, and you work really hard to get people to see it, especially people with influence, and they like it, people are gonna come.

P.S.  This is a great excuse to link you to a delightful recent Dinosaur Comic.  You’re welcome!

2

Brand and platform building basics

by Stacey

We talk about a wide array of publishing topics on our DGLM blog, and in thinking about what to write for my longer entry, I looked back at our marketing and publicity posts and realized there was an opportunity to cover some new ground by discussing brand or platform building for nonfiction authors. I feel like so much of my time lately is spent speaking with and/or writing to nonfiction aspiring authors who are interested in writing a book, but are working on building their brand or platform to get to the point in their career where a book is viable. We are not branding managers, but helping authors to build their brands and platforms has become an important part of our job, in particular for nonfiction authors—advising, coaching, and making suggestions about ways in which an author can build their brand effectively and across multiple platforms. I’ve begun describing the process as akin to making a pizza, with the book project being one piece of the bigger pie. In order for the pie to be complete, all of the other pieces need to be in place. This is a different model than it used to be. When I first started agenting twelve years ago, many authors were able to build their brand by starting with their book project if they had a great new idea, or a fresh twist on an existing one. The book then gave them the credibility and opportunity to branch out into other areas. That is no longer an option for authors and publishers. Instead, authors must present publishers with a publicity and marketing plan in their book proposals that rivals a pr firm’s. It has to be professional, polished, and very, very thorough. It should list ways in which the author has established their brand or platform in three key areas: print, television, and online. Print consists primarily of magazines and newspapers; television can be anything from local or national tv segments (think the Today show) to hosting or co-hosting a reality show; and online has endless possibilities, from blogs to websites to Facebook, Twitter, and YouTube, there are countless online opportunities to be mined.

To give you a couple of examples of very different authors who have worked hard on their brand building, and done it with some measure of success, there’s Tori Spelling, who has a new book out, which talks on her book’s promo copy about being her own brand: “It’s not every Hollywood starlet whose name greets you on a Virgin Airways flight into la-la land. But Tori Spelling has come to accept that her life is a spectacle. Her name is her brand, and business is booming. Too bad when your job is to be yourself, you can’t exactly take a break.” She’s a celebrity (even if most would consider her C-list), so it’s easier for someone like her, but she’s still taken her celebrity and used it in a numbers of ways to expand her brand. Books, products, shows, etc. and she seems to be continuing to come up with new ideas all the time.

Another author who strikes me as having done effective brand building recently is Zac Bissonnette, author of Debt Free U. Here’s a brief piece about him and his book that describes how he has been doing financial writing since high school. I’ve been seeing him and his message in all three key categories in recent weeks since his book’s publication. He’s no Suze Orman yet, but he’s well on his way considering he’s still in college!

In my own personal experience, a mother-daughter memoir I recently sold was the result of over two years of hard work the authors undertook after a branding/platform building conversation we had when I explained to them that I thought their story had merit (it’s about the daughter’s diagnosis of bipolar as a young adult), but that they needed to begin to speak about their story, and become prominent figures in the mental health community. Because they are so compelling and hard working, in a relatively short time, they’ve been able to do just that, and are now really changing the face of mental health. Their book when it is released in 2012 will be another piece of their pie.

Another story from my own list illustrates the brand/platform building concept. Allison Fishman is a well-known and respected chef and cooking school instructor who I know from high school. For years we talked about building her platform and the best timing for a book project for her. While I was on one of my maternity leaves, I saw that she was co-hosting a Lifetime show, Cook Yourself Thin, and that the accompanying book had become a #1 New York Times bestseller. I contacted her and told her the time was right to get a book proposal out for her with that piece of the pie in place, and we ultimately found her a good home for her first solo effort, which will release next spring. Years of hard work and dedicated platform building finally paid off in a book deal.

If you find you need help to build your brand, there are resources out there and a new industry is emerging as this type of brand building becomes more important in today’s marketplace. Branding agents and managers, like publicists, work with not only authors, but celebrities and experts of all kinds, to help them manage the ways in which they can extend themselves into the marketplace in a positive and productive way, building on existing coverage and relationships without over saturating any one area of the marketplace. I’m hoping even more of these branding managers pop up because I think the need is there for these services, and from what I can tell, the pool of people out there doing this for authors is still pretty limited. I’d expect it to be a real growth area in the coming years. If there’s anyone any of our readers have worked with or know of who you can recommend, let us know.

To a certain extent, the brand building needs to be strategic, and looked at from a short term and longer term perspective. I often ask authors if they have a plan for the next year, three years, and five years. Once they develop their goals, the work to get there can begin. All of that said, it’s impossible to follow a straight path when things come up that could change the trajectory so it needs to be flexible. For example, if you are writing for several websites and blogs and get an opportunity to do a column at a national magazine, you jump at the chance, even if it means cutting back on other areas for a short time because the opportunity to gain major national exposure is an A-list brand building goal.

There are always a myriad of ways to get to where you want to go, and these are just a few basics for what to consider if you are embarking on this journey. We are always looking to find authors who have a positive, original message to share, and have managed to build their brand to a level that it can support a book. We’d love to hear about any brand building success stories out there if you’d like to share. There’s a lot to learn from those who have managed to do it successfully.

Small-scale publishing

by Stacey

This piece about the successful online magazine Rumpus becoming a publisher is pretty interesting. Because they have a built-in readership, and members through their book club, it seems to make sense to go this route for them. But my question is with such limited resources (a staff of two), wouldn’t it be more efficient to go with a traditional publisher for better marketing, sales, and distribution channels? I’m not sure if they tried this and for some reason it didn’t work out, or maybe they want to fully be in control of the product they are releasing, but this seems like the kind of thing that if it works for them to publish successfully on their own, traditional publishers will be knocking on their door to try to get in on their built-in audience and make the stakes even higher and the numbers even bigger.

I think as an idea, this small-scale publishing has merit, but in actuality will be difficult to manage successfully, and to build on and grow at a sustainable level. And I know that at least one of the Rumpus writers is working on her own book project, and my guess is that she, and others affiliated with the mag, will be going the more traditional publishing route. I’ll be curious to see how it all plays out.

7

Two for the price of one!

by Michael

I’ll admit, I was having a tough time coming up with something for the blog this week. After a busy Comic Con (wrap up here) and a hectic SCBWI National Conference (great conference blog led by my good friend Alice Pope here), my brain had shifted into neutral. I think this was a precaution to keep it from overheating. Coincidentally, I also made a return to Twitter, where one’s brain need never be engaged—just kidding! Seriously, I’d taken a break during a very busy time, and I just hadn’t gotten back into the habit. But I recommitted myself to tweet last night, so I turned to my friends to see what they’d like to find out. And, since I got two good suggestions, I’m taking them both!

First, my wonderful author Nova Ren Suma pointed me to this blog post by up-and-coming novelist Scott Tracey. It addresses the idea of “overpromotion.” In this day and age, when agents, editors and publishers all harp on authors that they need to be out promoting themselves, things can get out of hand. Scott gives an example of authors who focus on acquiring friends and followers on Facebook and Twitter. The purpose? To bombard these folks with reminders about of an upcoming book—a book, Scott humorously points out, that may be a year away from publication! More than overpromotion, this is a case of improperly using social networking. Networking, both in real life and online, is about building relationships and creating a give-and-take. You wouldn’t show up to a party and start screaming that you have a book coming out in a year (at least, I hope no one does that), so you shouldn’t be doing that on social networks, either. It’s about building relationships with other authors, industry professionals, and your audience. You want to mix direct marketing with actual interaction. You want to help promote other authors and the business generally. And if you can do it all with a sense of humor, well then, everyone will appreciate it all the more. So before you go sending out tweets about your DEBUT NOVEL!!! COMES OUT MAY 2102!!! WILL SEND TWEET REMINDER EVERY DAY UNTIL THEN!!!, remember that networking is a two-way street.

The other great question I got was from the talented Joanne Levy. She said, “I keep hearing that editors would rather publish a debut than an already pubbed author—can you elaborate?” I’ve actually been asked about this a few times, and it’s confusing to people as it seems counterintuitive. If you’ve already sold a book, aren’t you immediately more valuable to a publisher? Haven’t you proven yourself to be reliable (well, we hope that’s what you’ve done) and talented? But, that’s not necessarily the case. Yes, you’ve show you can deliver and write, but the question is, can you sell? If your first book doesn’t sell well, it’s tougher for a publisher to take on your second book. Why’s that? Because B&N, Borders and Amazon are not likely to line up to buy copies of a book by an author with a bad track record. And if the publisher can’t get those guys to take books, they have no effective way of selling them in large numbers. And if they can’t sell a book in large numbers, they won’t acquire it. This is a simplification, of course, and many other factors come into play. A well-written, high-concept book will often overcome the challenge of a bad track record. Also, the children’s side of the market (and the author who asked writes children’s books) is a little more forgiving than the adult side. Though as with everything in children’s publishing, that’s switching to more of an adult model, too, for better or worse.

So despite being stumped earlier, I hope I’ve been helpful. Let me know in the comments if you need clarification.