Category Archives: inspiration

1

Hang ten, writer-dudes!

Dude, I totally had to blog about this piece I saw in The Guardian via yesterday’s Shelf Awareness. Yep, forget the Agatha Christie you pictured sitting in an English drawing room sketching out mysteries over scones and tea—turns out Agatha was one gnarly babe, catching tasty waves at Waikiki long before the Beach Boys were a glimmer in their daddy’s eye.

Not to read too much into this piece (that might harsh my mellow), but you’ve gotta love stories of writers trying things that seem completely at odds with their literary personae. I’m always stoked to be reminded that curiosity is a writer’s best friend, even if the experience doesn’t end up as direct material for a book—as The Guardian notes, Miss Marple never exactly shredded a fat wave…

So while chasing tubes may not be your thing, I do hope you’ll find time this summer to indulge in a totally rad, totally counterintuitive pursuit—who knows, you might end up as, er, the world’s greatest mystery writer!

2

Conceiving

I was recently reading an extensive piece about people having trouble conceiving babies, and it made me think that one of the things I like best is helping a client conceive and shape a book concept. Over the years I have helped a number develop their preliminary ideas into books that have done very well.

Last week, one of our clients was in for an “ideas” lunch and though we had kind of a vague idea of what he should do and when at the beginning of the meeting, by the time it was over we had helped him come up with a really strong concept which he is now pursuing.  In doing this, we all took into account his credentials, his platform, and the audience he wanted to reach.

And that same day, I reached out to another new author and suggested a book concept and how he might approach it.  When I returned from my weekend away last night, I had the proposal ready for my edits.  Exciting to actually see it right there!

I wonder how you like to develop your book ideas.  What are the steps you take? Do you talk your ideas over with anyone to help develop them? What do you think about as you are going through the process?  What is your success rate?

21

Why do writers write?

The other day, I was challenged by a friend to answer the question of why authors write.  He maintains that “pain is the reason that authors write. All stories must have a conflict (pain) or a series of conflicts to resolve or else there is no story.”  He added that authors write because of “the pain of not being published, the pain of not making a living or the pain of not feeling worthy.  Insecurity is pain.  Good storytellers have to tap into the pain of the characters in order to ‘color’ their personality and make them real.”

He and I have been around this in subsequent conversations and frankly I don’t agree and I don’t “get it.”  I think people write for many reasons (one of which might be to get rid of their pain): they have a story to tell, they have information to impart, they have an experience they want to share, etc.

I found this link on the subject, which adds to the discussion.

I would be very interested to know what you think.  Why do you write?

12

I’d read it.

As anyone who’s ever seen an episode of Glee can attest to, the world loves a good mash-up. Whether it’s the collision of two songs or a DJ layering multiple tracks and styles, the mixing of songs and musical genres has long been a popular innovation.

The other night, a friend and I decided that since this works so well in music—wildly opposing styles that somehow come together to actually sound great together—the same should be true of literature. Why shouldn’t literary genres and “types” be cast alongside one another in a single novel? Of course, we’ve all seen the many “fantasy-ified” versions of classic literature, Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters, most notably, but what about a serious, measured take on seemingly opposed writing styles coming together? If artists like Girl Talk—who manages to incorporate Neutral Milk Hotel, LL Cool J and Jefferson Airplane, for one small example, into one song—can be critically acclaimed musical innovators, then why can’t a similar mixing of styles emerge in the literary world.

What began as a serious discussion soon devolved into a contest of who could come up with the most far-fetched, yet possibly plausible combinations. As we got more adventurous in our pairings, and the results got wackier, we realized, that if a writer were to ever pull any of our suggestions off well that it would be…well…pretty great.

Here are a few of my favorites:

–          Gothic alien invasion whodunit caper

–          Western comedy of manners coming of age story

–          Bodice-ripping under the sea adventure

–          Legal thriller with wizards

–          Futuristic sci-fi family drama

Surely you can come up with some better ones? What authors would be best capable of tackling such a feat?

6

Under the influence

Driving into the City on Monday, I heard a snippet of a segment on NPR where they asked their listeners to discuss books that have influenced them.  I made a mental note to look up the program online when I got to the office and had forgotten all about it by the time I’d crossed the GW bridge (now, of course, I can’t find the link).  But, the subject stayed with me.  As a result, I’ve been noodling about the influence of books for the last couple of days.  Obviously, all of us bookworms have been swayed by literature—both high and low—but how, specifically?  It’s rather obvious that books shape our intellectual growth but what about other areas of our lives?  How much of our beliefs, tastes and dislikes, career paths and other big-ticket choices have been influenced by books?

I think every aspect of my life has been touched by books.  For instance, I believe my view of politics and policy was shaped by those “You Were There” books about the American Revolution that I read in elementary school and all those biographies of three-letter presidents (FDR and JFK); my ideas of romance were an unholy mish mash of Jane Austen, Charlotte Bronte and Colette, Mary McCarthy and Jacqueline Susann; my career choice owes a lot to Hemingway’s A Moveable Feast; and my general take on the human condition far too impacted by the darkness of Russian novels and the sinister whimsy of Latin American greats like Borges and Garcia Marquez….

But, when I tried to think of one book that influenced me above all others, I couldn’t.  It seems that, for me, literary influence is an aggregate of themes and ideas culled from, probably, every book I’ve ever read.  Even in the most banal, tedious narratives I’ve been able to find a phrase or thought that influenced my thinking or my doing.  And, that, to me, is what’s so amazing about literature.

So, what are the books that have influenced you?  Is there one title (or many) that you can claim changed your life?

2

On editors

Some of you who follow publishing news might have heard recently that legendary book editor Bob Loomis is retiring from Random House after 54 years. He has worked with a laundry list of amazing authors, including Maya Angelou, William Styron, Calvin Trillin, to name a few. Peter Osnos, another longtime publishing executive and founder of PublicAffairs Books, weighs in on book editors and their changing roles in a recent issue of The Atlantic.

An amazing fact he highlights is that Loomis had National Book Award winners for both fiction (Pete Dexter’s Paris Trout) and nonfiction (Neil Sheehan’s A Bright Shining Lie) in the same year, 1988. That is a remarkable achievement.

The story he shares about Loomis bringing Sheehan’s book to publication is one of those great old school publishing stories. I love the visual of two large paper bags full of manuscript drafts of the award-winning book that took 16 years to finish. I have an author who has had 4 editors in less than 5 years, just to give you an example of a pretty common story in today’s market and how different it is from Loomis and Sheehan’s experience with that book.

Overall, the piece sends a positive message about editors in publishing, and suggests even thought the business has changed dramatically, there are still a lot of dedicated, talented editors out there doing what they do best, editing books and helping authors navigate the winding road of publishing a book.

The message is that all of you writers out there should keep on writing, because there are editors on this end who want to edit your books (and agents who want to represent them)!

4

Writing for love

I have always felt that if you love what you do, no matter what your profession, the money will follow.  Perhaps this is idealistic, but I have seen it happen numerous times.  I truly love helping writers develop their work and their careers and think this has resulted in some exciting business successes.  I have also seen this phenomenon time and again with my own clients in their writing.

When she began as a novelist, Mary Doria Russell took ten years to create her now-classic work The Sparrow with little expectation that she would become a bestselling author. I know the same is true of Jacqueline Carey who has produced an amazing nine-book fantasy series. David Morrell, a former college professor wrote out of pure love for his craft, and has developed incredibly memorable stories and characters, most notably Rambo.  Indeed, David told me recently that when he speaks to groups of writers, he is always talking about writing for love as opposed to money. He agrees with me that this very often results in real successes.

Then there is one of our newest clients, John Locke who self-publishes electronically.  John does not consider that he is a professional writer and yet he truly loves creating the tales he does.  And his is an incredible success story with close to 800,000 copies of his books sold just this year.

Indeed, as I was thinking about all of this and looking for other examples, I found this one which says it all.  Bloggers begin by writing because they love writing and not to sell books necessarily, but look what happened here.

What are your writing for love stories?

6

Stylistic inspiration

Periodically some awful person will take it upon themselves to send me a link to Cracked.com.  Then I’ll go read some irreverent, informative, dubiously authoritative list about history or science or pop culture, and when I get to the end their pitch perfect recommendation engine will tell me what else I might like.  And so I’ll click that and start over, and so on, until my brain can handle no more entertainment and enlightenment.  For months after I break myself out of that loop, I’ll refuse to click on any link to Cracked because there just isn’t enough time in the world to go that deep down the rabbit hole at a single website.  Eventually I’ll break down and go back, resuming the cycle.

Most recently, I capped out at this list of styles that define their eras that were completely invented by movies.  While I do remember having heard before that the mafia actually ripped off The Godfather for their style, I had no idea biker gangs had found similar inspiration in The Wild One.  Apparently before that movie showed them how much fun lawlessness could be, they just rode around enjoying nature and singing songs about kittens.  (I may have made up that last part.)

I’m impressed that films can actually invent an aesthetic or cultural sensibility so well that life starts to imitate art to the extent that we just assume art was imitating life from the get go.  I’m now convinced, however, that books must be able to do the same thing.  Surely in twenty years time, all the vampires are going to be sparkly because they think that’s how it’s done, right?  Books don’t have the benefit of a consistent visual image, but they so often provide our only glimpse into worlds we don’t otherwise know, just as films would have done for disco and the mob.  (Admittedly, literature, or at least Puzo, must deserve some of the credit for the mafia as well.)  I don’t know a thing about 19th century England that wasn’t taught to me by the likes of Dickens and Austen, presumably much to the chagrin of my history teachers.

So help me prove that literature is just as powerful as film!  Is there anything culturally pervasive and era defining that was actually invented out of whole cloth by an author so convincingly that everyone forgot what had come before?  Indirectly, once adapted into film, this is probably not uncommon, but there must be a direct influence as well.  There’s got to be something that never happened till Shakespeare said everyone had always been doing it, right?

And if not, would one of you please make it your goal to insert small but convincing false details into a supposedly realistic work so that some person many, many years from now can find this blog entry and let us know about it?  How much fun would it be to be able to take responsibility for an entire subculture?  Maybe not a menacing, lawless one though.

4

Art imitates art

Herman Melville’s pompous dictum, “It is better to fail in originality than to succeed in imitation,” notwithstanding, I love retellings of great stories.  From Marion Zimmer Bradley’s wonderful The Mists of Avalon to Michael Cunningham’s The Hours to Wide Sargasso Sea by Jean Rhys (some of my favorites) it’s hard for me not to see the possibilities for retelling in a book or play or television series or film that I especially enjoyed.  Of course, the closer a work is to classic status, the easier it is to imagine a modern spin—in part because the author is probably long dead and unable to complain that zombies and werewolves have been inserted into their 19th century storyline.

This  Flavorwire post got me thinking about what books would benefit from a new retelling.  Madame Bovary as a Real Housewife of New Jersey, anyone?  Moby Dick with spaceships and a lot less talk about whale fat rendering?  A Tale of Two Cities set in the present-day Middle East?

What are your favorite retellings and which stories would you like to see retold?

9

Go with Your InstinctSkills

The positive response I got to last week’s post, Give Yourself A Break, has prompted me to think about what writers want to hear. And I guess it’s the same thing we all want to hear: That we are doing well, we are on the right track, we are going to meet and exceed our goals, and that we will go on to become rich and famous someday. Well, not all of us aspire to the rich and famous part, but you get the idea.

I recently found this aspiring writer’s blog, which I think offers an honest perspective on writing matters from the trenches. In particular, I was drawn to her discussion about instinct versus skill as pertains to writing. I think that good writing is a sometimes dysfunctional relationship between instinct and skill, and the right combination of the two is what makes great writers great. Like anyone with a natural talent–for writing, sports, dance, music, whatever–that talent needs to be nurtured, applied, refined, and crafted in order to bring out its greatest potential. It’s part of the reason why the best writers are also often the hardest working. The ones willing to take criticism, use constructive feedback to better their “performance”, read and research what others in their field are doing (both those who’ve succeeded and those who’ve failed, as there are important lessons to be learned from each), are often the ones who excel and improve and can have careers with great highs, plus the ability to overcome the inevitable lows. The writers who fuss, moan, and take out their frustrations in their work don’t get very far.

So, I think it’s worth pointing out that all writers should start with their instincts and then apply their skills to their craft. Just when you’ve become comfortable and feel like you’re at the top of your game, that’s the perfect time to start learning new skills, and rethinking your instincts (if that’s even possible) in order to stretch yourself even more.

What do you think? Is it instinct or skill that makes or breaks great writers?