Category Archives: short stories

7

Trailers and tap dancing

I admit that I harbored some skepticism toward the whole book trailer endeavor.  For a long while, I thought there was something slightly unseemly about book trailers, or at the very least, unnatural.  To paraphrase Martin Mull, or maybe Steve Martin, shooting trailers for books seemed to make about as much sense as dancing about architecture.  But I have since changed my mind (and next week I’ll tap dance the buildings of Frank Gehry—stay tuned.) Instrumental in helping me overcome my kneejerk suspicion of the book trailer has been the Evanston Public Library in Illinois, which posts a Book Trailer of the Week on their website. I did, however, wonder how authors and auteurs might overcome the challenge of the short story collection.  I’m pleased to report that one of my own clients, novelist and short story writer Valerie Trueblood, managed beautifully in her trailer for latest book, Marry Or Burn.

Likewise TC Boyle’s elegant, nearly wordless trailer for Wild Child is disturbingly effective.

That TC: he’s a prolific one. I keep meaning to read more of his work; now I suspect that the feral boy with the mud spattered teeth will haunt me until I do.

Although Jim pondered some related questions in a post this past summer, what do you think of the trailer trend? Do you watch them, and if so where? Have you trailers to recommend?

3

Once upon a time there was a princess the end.

If I had my way, there would be a lot of days that I would wake up, get dressed (I realize that it’s a bit weird that I can’t actually be comfortable unless I change out of pajamas into real clothes in the morning) and spend a few hours doing nothing but reading a great long book before I start having an actual day. Obviously, this is entirely unique and you have probably never felt this way yourself, nor have you heard or read of anyone else wanting to do the same thing. Kidding aside, only in a perfect world is this life of absolute leisure a possibility. I still like to read a little mornings, but it’s a bit frustrating getting through less than 30 pages in a sitting every time I open a novel.

And thus, I present to you the wonder of the short story.

Of course, short stories are an art unto themselves. It’s not necessarily any easier to write a really good short story than it is to write an even mediocre full-length book. There’s far less time to develop characters, background and plot, yet the effect should, in the end, be similar. Or not. Sometimes, a short story is wonderful because of all it leaves out, while still managing to maintain the feeling of a complete narrative. I have a vast collection of short story anthologies that are perfect for those times when there’s only maybe 20 minutes to sit down and really read. I can read a whole story in that time, without feeling rushed or wasting precious time flipping back through the pages of a novel to get an idea of where I left off.

The first book of short stories I bought was a few years ago, during a particularly wonderful day spent in the café at the Border’s near my home town. As I’m wont to do, I amassed a huge pile of books—for these purposes, it’s always cookbooks, philosophy, social science-y books, literary criticism, and various types of prose that’s easy to flip through without much concentration. This time, however, I also picked up a massive book of short stories, essays and short non-fiction, solely for it’s title: The Paris Review Book: of Heartbreak, Madness, Sex, Love, Betrayal, Outsiders, Intoxication, War, Whimsy, Horrors, God, Death, Dinner, Baseball, … and Everything Else in the World Since 1953. Come on, how could you not?

In any case, thus began my love for brief passages of narration—whether it be fiction, essay or otherwise, I love anthologies. The Best American Series (both Short Stories and Non-Required Reading) hold steady and I recently read a collection of re-worked fairytales called My Mother She Killed me, My Father He Ate Me (I tell you, I’m a sucker for titles). I’m a fan also of collected stories by a single author—Julian Barnes’ The Lemon Table, for example, is a book I picked up on a whim, never having read anything by the man before. He’s now one of my favorite authors.

I’ll never give up on the novel—perish the thought!—but when I’m in need of a book to throw in my bag for solace or entertainment during a subway ride or stint in a waiting room, it’ll be a collection of short prose for sure.

4

Short stories and glory

by Lauren

Twice this week, I spent my evenings at Symphony Space, soaking in culture at some great literary events. On Monday, I was lucky enough to see Emma Donoghue for the second time—rather than doing a reading, this time she was discussing the fabulous Room with Michael Cunningham. Then on Wednesday, Jim and I went to the Selected Shorts program’s evening with Colum McCann, who I’ve also had the privilege of seeing before. If you feel about Let the Great World Spin and McCann’s work in general as we do, you’ll be happy to hear that the series is actually recorded for radio broadcast, so you can listen to it here. On this particular night, Colum McCann hosted Amy Ryan reading his story “Everything in This Country Must” (from the collection of the same name that first introduced me to one of my favorite writers!), Mary-Louise Parker reading “(She Owns) Every Thing” by Anne Enright, and Michael Cerveris reading Nathan Englander’s “Free Fruit for War Widows.” It was a phenomenal performance all around, and I think I’ll be attending far more of these events in the future. As Jim said, Mary-Louise Parker should read everything.

Tucked into the program I found a flyer for the Selected Shorts Writing Contest, which I thought might be right for some of you. The 2011 Stella Kupferberg Memorial Short Story Prize with guest judge Jennifer Egan will result in a $1000 prize for the winner, whose story will be read as part of a Selected Shorts performance and recorded for possible broadcast. Plus Jennifer Egan saying you’re worthy is no small thing in itself. The deadline is March 1st, and you can read the rules here. Anyone planning to submit? If so, good luck!

9

For the love of short stories

by Rachel

In an interview in today’s Wall Street Journal, Alice Munro talks about why she’s attracted to writing short fiction. “I used to write novels and I didn’t get anywhere,” she says. She then goes on to say that she’s now writing “some halfway in between sort of thing.”

Well, I love those halfway in between sort of things Munro writes. I’ve always been enthusiastic about reading short fiction because the author has to get down to business right away in developing the story, there’s no time to waffle on about unnecessary things and spend pages setting up elaborate scenes. I remember taking a short story class in college and finishing the course being amazed at how much effort actually goes into writing short fiction. So, short story writers are kind of like heroes to me. I always like to keep a collection of short stories on the side while I’m reading a novel–I have to keep my reading options open!

So, having said that, any suggestions for Thanksgiving short story reading?