Category Archives: reading

16

Censorship

by Chasya

A few days ago EW’s Shelf Life blog linked to the just released American Library Association’s list of top ten books most frequently challenged in 2009. For those of you who are unfamiliar with the list, their site explains that frequently challenged books are those that are formally, through written request, asked to be removed from a library’s bookshelf for inappropriate content.

I looked at the list for 2009 along with the 100 most frequently challenged books of the decade in astonishment. The 2009 list includes most notably, as EW points out, the Twilight series. It takes me back a while. In school we learned that The Catcher in the Rye was at one time censored, and I remember feeling incensed by the notion and proud that those days of narrow-minded censorship were over. But lo and behold, there, staring back at me at #6, was the 1951 Salinger classic. I was aghast to see other titles that shaped and influenced me in my youth on the list: The Perks of Being a Wallflower by Stephen Chbosky (#3) and To Kill A Mockingbird by Harper Lee (#4). The list of 100 Banned/Challenged books were equally as shocking and included an all time favorite, A Wrinkle in Time by Madeline L’Engle (#90). It was just one among many, many others that I had read and loved as a child. And what was at #1 on the list of 100, you ask? Why it’s the one and only Harry Potter series—a contemporary classic that pretty much introduced a new generation to reading, period. Among the quibbles that they are arguing make the books on the list unsuitable are topics such as Satanism, objectionable religious viewpoints, offensive language and homosexuality. While I will say that it’s true that a book should be age appropriate, and that parents of young children should have the right to determine what that means individually, removing books from the shelves is not today, and has never been, an acceptable course of action. ALA Director Barbara Jones puts it perfectly when she says, “Protecting one of our most fundamental rights—the freedom to read—means respecting each other’s differences and the right of all people to choose for themselves what they and their families read.”

We learn and are shaped as people by learning about subject matter that exposes us to the harsher (or truer) realities of life. Some of the most important things I have learned about, I learned from reading books just like these. Many people would be appalled that To Kill A Mockingbird is still on the top ten list. As EW’s Catherine Garcia points out, the objection that it incites racism misses the point entirely. But even books that legitimately tackle subjects that some parents would want to shield their children from are beneficial to us in a way that we may not even know to appreciate. Tim O’Brien’s The Things They Carried (#65) is about war, sure. But few other things convey the heartbreak, the magnitude and the ramifications of it the way O’Brien’s words do. It is more than just about war—it’s about people, individuals. And the lessons I took from it were complex, eye-opening, and, dare I say, good for me. As someone who read a whole lot of stuff that was age inappropriate (the first time I became fully aware of sex and attraction it was in Judy Blume’s Tiger Eyes, #87, I was 8), I can say that I don’t believe I turned out any worse for it. I felt armed with knowledge that the world was a bigger place, with more for me to learn than I was able to wrap my head around. And personally, I rather enjoyed unwrapping those layers of ignorance; it is much like the satisfaction I feel when peeling away the skins of a tightly wrapped onion.

What about you, readers? Which of these books were you surprised to learn people are objecting to?

29

The brand

by Jessica

Two recent stories in Publishing Perspectives caught my eye: first, that the number of self and micro published titles has risen to the staggering figure of 764,448 in the last year; the next was a story about whether consumers feel a sense of allegiance (or actually notice) the name of a book’s publisher or imprint.

Taken together, the stories seem to capture two countervailing impulses in publishing. For many writers, the decision to publish without backing from a major house–whether by choice or necessity–expresses a fundamental confidence that it is the author, not imprint, who is the “brand.” The latter article (which is more impassioned argument for than clear demonstration of) points to imprints that have built for themselves a recognizable brand identity. The articles cites Knopf, Vintage, and Penguin Classics as imprints that readers may deliberately seek out, or at the very least, spot and have a baseline assurance of quality.

So, I’m curious to know: How often, or have you ever, bought a self-published book?  Have you self-published a book yourself?  To what degree to you pay attention to a book’s imprint?  Are there imprints that you swear by?

5

All together now!

by Michael

Back in 1998, super-librarian Nancy Pearl launched “If All of Seattle Read the Same Book,” the first city-wide book club. The success of that program led cities all across the country to get together and read collectively. (Our own Lorene Cary’s The Price of a Child was selected as the inaugural One Book, One Philadelphia pick in 2003.) The NEA has their own version of the program, called The Big Read, which has a list of books that communities can choose from, each with related guides and ancillary materials.

Now comes One Book, One Twitter from Wired writer Jeff Howe, in which Twitter users help select a title by April 27, then will read and discuss the book via Twitter. I’m curious to see how this experiment turns out. With the One City programs, there were ways for small groups of people to get together to discuss the book. I wonder how much listening will actually be done in this case. But there’s only one way to find out!

The only book on the list I haven’t read is American Gods, so I’ve voted for that. Anyone else care to join?

15

Thou art difficult to understand

by Rachel

Let’s talk Shakespeare. Going back ten years to my senior year of high school, I can still remember the huge effort my English teacher put into educating us on Shakespeare. As a senior project, my class read Twelfth Night together. Back then I didn’t know why my teacher insisted we actually understand the language used in Shakespeare’s plays since it seemed to go right over my head. So, it was interesting to read Joseph Smigelski’s article on Huffington Post. He writes about being “distressed” by his friend who struggled through Shakespeare also. The word “distressed” seemed a little melodramatic, but then I recalled the Shakespearean addicts I befriended in college; this would likely distress them also!

To prevent further ignorance and distress, we’re given a quick lesson on how to read Shakespeare. The lesson is easy–all you have to do is put in a lot of hard work. If you’re wanting to appreciate the material, says Smigelski, you’ve got to remember that “nothing worth having comes easily”. Get a Shakespeare paperback, he suggests–the one with that neverending glossary–become “attuned to a few archaic anomalies”, and then, he says, you’ll start to “get it” and the enjoyment will kick in. Sounds like it’s going to take some time before enjoyment kicks in for the people who struggle to read Shakespeare, but I’ve got to admit that once I “get” Shakespeare, I do enjoy reading his material.

Are we among diehard Shakespeare fans here? Did it take you a while to “get” Shakespeare like so many other people out there?

12

And speaking of dead authors….

by Miriam

Actually, it’s been a while since L. Ron Hubbard or Ernest Hemingway has come out with a new book, so I’m eagerly awaiting the many volumes sure to be forthcoming from the recalcitrant and mysterious J.D. Salinger. In the meantime, George Carlin’s wife has pulled together the great comedian and cultural gadfly’s letters.  Personally, I’m a little sad about this.

For me, part of the experience of an artist’s work is the intention behind it, what that artist chose to say publicly and the vacant lots she or he left purposely empty. Posthumous publications leave me feeling a bit embarrassed for those great artists who, unless they gave specific deathbed instructions to their heirs about how to dispose of their unfinished or personal work, might be horrified to find these writings and ideas collected and organized by others.

Perhaps I’m wrong, but the man who said, “People who say they don’t care what people think are usually desperate to have people think they don’t care what people think” may have actually cared what people thought of his work.

What do you all think?

9

Jim told you what to read: A recap

by Jim

I had a lot of fun/was totally overwhelmed last Monday when I offered to suggest the next book any commenter should read based on the last five titles they had completed.

Beyond the fact that I love telling people what to do, it was an interesting challenge trying to draw connections between titles individuals had read (often without having read those books myself). And coming up with fresh books to recommend each time was tricky. Happily, since 2007, I have kept a list of everything I read.

For me, reading is a great individual pleasure, and there’s something exceedingly exciting about finding a novel on your own that you just tumble head over heels for. But there is something equally invigorating about finding yourself in a community of readers. I thank everyone who took part for sharing what they’ve read and entering that community for a moment. It was also an exciting opportunity to mentally revisit my own reading habits, and I can say that I’ve been browsing my bookshelves quite a bit over the past week. I was surprised to find that I didn’t recommend anyone read Prague by Arthur Phillips, a novel I adore and have tried to convince many people to read over the years. For some reason no one ever takes me up on it. So I’ll offer it as a group suggestion. It has one of my favorite openings ever, and there’s a small scene on a funicular over the river between Buda and Pest that thrilled me so much I can still remember the first time I read it.

One of the most interesting comments (I thought) came from Michael who noted: “Too lazy to check for myself but of all the books mentioned in the last five read list, has any book been mentioned by more than one reader? So much for the idea we all are reading today’s ‘Bestsellers’.”

Good question! I went through all the lists and counted. Five books were read by three people. They were:
Laurie Halse Anderson’s Wintergirls
Kathryn Stockett’s The Help
James Dashner’s The Maze Runner (repped by our very own Michael Bourret)
Gail Carriger’s Soulless
Carrie Ryan’s The Forest of Hands and Teeth (repped by yours truly)

Soulless totally surprised me. Two books that agents here represent makes sense since our readers might share an interest in…you know, us. Wintergirls and The Help are great big books that have gotten tons of attention. Soulless doesn’t seem to have those characteristics, which makes it kind of exciting. Are we seeing a book in the process of really breaking out? Go Gail Carriger!

And then one series truly set itself apart: seven people had read either The Hunger Games or its sequel Catching Fire. Rock on, Suzanne Collins. I haven’t loved a YA series more since Harry Potter. I root for the success of these books as a reader and a fan.

But let’s get to the MOST exciting part of my suggestions: the ones people have already taken! Three people have been in touch so far to let me know that they read what I suggested. How’d it go? Well…two hits and a miss.

Kristi had this to say: “I don’t often read books involving male protagonists but I absolutely loved “Someday This Pain Will Be Useful to You.” It was a quick read but has stayed with me for several days and I love it when books do that to me.” Yay! This makes me happy.

About We Have Always Lived in the Castle, Joan offered this: “I loved it from the first page: “Everyone else in my family is dead.” And the magic continued throughout the book where she’d drop in little bombs like that… To me it felt like a mix of two of my favorites, Diane Setterfield’s Thirteenth Tale and Sarah Waters’ Little Stranger. I’m sure you’ve read them, but if not, I don’t think you’ll be disappointed.” Hurrah! Success AND other recommendations. I’ve read the Setterfield but not the Waters. Add it to the list!

Peggy was less thrilled with her suggestion. “It was… OK…I’m glad I read something by de Maupassant, though, since he’s one of those authors I was probably supposed to read in high school and never did. I have found, as I have read those sorts of books through the years that most of them are disappointing. I suppose the moralistic tales that can teach us what to be – or not to be – in high school don’t have much effect on us years later.” Drat! Ah well, you can’t win ‘em all!

To wrap it all up, I got a lot out of this exercise and hope others got a bit of fun out of it as well. And I hope that if any more people do read the books I recommended, they let me know what they think, good or bad!

13

Sisters on pages

by Rachel

I have an older sister I keep in constant contact with–daily phone calls, emails, texts–it’s a relationship only other people with sisters can understand. I hear, “You’re calling your sister again?” on a regular basis. We’re sisters, we’re close! So being a sister makes me incredibly interested in reading about the different sisterly relationships out there.

Thanks to Lauren, I’ve come across a list of the five most memorable portraits of sisters from Zoe Heller’s article in the Wall Street Journal. A great list, I’ve got to say. But where is The Color Purple? Sense and Sensibility? Do you agree with her top five? Do you have further sisterly recommendations that might bump her chosen titles?

109

Jim will tell you what to read

by Jim

A few days back, John Warner, one of the commentators for The Tournament of Books, offered up a service. If you listed the last five books you had read, he would tell you what you should read next.

It sprang from a discussion about how we decide to choose what we read when we each know darn well that we’ll never get through every book out there. So a lot of folks stick with what they expect to like and might miss out on some great reads.

Unable to turn down something like this, I listed the last five books I had read (that weren’t work related). Warner suggested I read Await Your Reply by Dan Chaon. I groaned a bit since I had read a collection of Chaon’s short stories a few years back and was underwhelmed. I wouldn’t have picked his new novel up on my own without the recommendation, but I grabbed it that night and finished it this weekend. It’s a literary whodunit that is enervating and upsetting, beautiful and bleak. I loved it.

All of this said, the Tournament of Books commentators and readers seem to have a distinct literary fiction bias. The proportion of readers who included Sam Lipsyte’s The Ask in their past five was very telling (which is not an insult—it was in mine!). Knowing that we have readers who write across genres and for very different target audiences, I’d love to try to recreate Warner’s experiment here and see what the results are. What I’ll try to do (and I have no idea how this will work in practice) is recommend a little outside the box. Maybe an adult novel to someone whose last five reads were YA. Or a thriller to someone who skews more romantic. Or maybe there’s another book just like the ones you list that I’ll think you absolutely have to read. I will try to recommend only books that I have read but may have to turn it over to colleagues or our readers if I feel stumped. So let’s see if this works: just promise that you’ll let me know if and when you actually read the book—y’all can find my email address!

Update: A little confusion–sorry for my lack of clarity! Post the titles in the comments, and I’ll give the recommendation there. You should email me if you read the book and/or want to chat about my choice!

12

Thrills and thrillers

by Miriam

I struggled to get past the first 50 or so pages of Stieg Larsson’s The Girl with the Dragon Tattoo, thinking, as I dutifully turned the pages, “this is boring and the writing (or translation) is flat.” I’m almost embarrassed to admit this because it seems that everyone I know has been urging me to read this book (people speak of it with the kind of reverence I usually reserve for the likes of Ian McEwan and Toni Morrison) for months. I’m about 150 pages in now and I’m definitely more engaged, but I’m frankly (don’t yell at me) still at a loss as to why this book has been such a huge global success.

And that leads to the subject of Alexander Nazaryan’s piece in the Daily Beast about the decline of the American thriller now that the category has been hijacked by foreigners. Mr. Nazaryan wonders, “Will the American thriller go the way of the American automobile? Will even this small part of our superiority cede to another part of the world?” My response is “Does it matter?”

In fact, it seems to me that anything that revives this rather tired category is a good thing. The problem, as I see it, is not that the foreigners are taking over, it’s that readers have become so used to the big, bloated franchise writers who dominate the bestseller lists (I’m looking at you Dan Brown and James Patterson) and publishers so unwilling to nurture the more daring and intriguing entries into the field that it takes an international Cinderella story to make American readers pay attention once again.

I’m a big fan of intelligent, well-written, well-plotted thrillers with iconic protagonists and thorny moral issues. And it’s always seemed to me that, like jazz, the thriller is a quintessentially American literary form (no disrespect to Dostoevsky and Hugo). Like all things American, however, in order for this genre to evolve and prosper, it needs to allow and be allowed new influences and styles.

What are your favorite contemporary American thrillers?

2

The future of the written word

by Jim

Peter Miller has been logging interesting reports from the South by Southwest Interactive festival in Austin. This one in particular amuses me.

We in publishing are obviously concerned with the future of epublishing and where the ebook will take us. But those folks who seem to think we’re all on the Titanic after it hit the iceberg are all a bit too panicky for my taste.

No matter how many twits are tweeting or how many people buy the unbelievably badly named iPad; whether books will develop interactivity in the electronic age or formats actually become open, this remains a business about the written word.

It’s so now to be convinced that the industry is outmoded and to cast about blame rather than looking for actual solutions. It’s nice to see someone at SXSWi with an open mind toward the potential developments of the future who also isn’t about to ignore the fact that publishing has already survived other potentially crushing developments like movies and television.

I’m excited to see whatever the future looks like, as long as I can keep reading.