Category Archives: chat

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All you can read books

It’s been very interesting to watch the unveiling of Kindle Unlimited, Amazon’s new subscription-based e-book program. It’s not a new concept. In fact, entertainment and media industries have been heading this way for a long time. Netflix provides consumers with unlimited streaming of television and movies for a flat flee. Spotify provides the same for music. So why not books?

Kindle Unlimited isn’t even the first to offer the all-you-can-read buffet. Oyster and other similar companies have been around for some time; yet none have Amazon’s platform. Or its ability to stir up controversy.

Some of Kindle Unlimited’s critics have historically been Amazon’s staunchest supporters: self-published authors. They’ve claimed that they stand to be hurt the most from the program, in part because of the different royalty structure. Royalties will be allocated from a set fund divided across all borrowed units, which may mean lower royalty payments. Not only that, but self-published authors who choose to opt out of Kindle Unlimited so they can distribute to other vendors, such as Nook Press and Kobo, stand to drop in the Amazon bestseller rankings because Kindle Unlimited “sales” count towards those hourly standings. Pro Kindle Unlimited authors, on the other hand, argue that authors will benefit greatly from the discoverability that Kindle Unlimited and such rankings could provide. Unknown authors can potentially shoot up in rank, even if those “buying” their books never get around to reading them.

And what about on the consumer side? On the face of it, $9.99/month for an unlimited number of books seems like a great deal. But how many people subscribing to Kindle Unlimited actually read enough books every month to make it worth it? It’s one thing to binge-watch shows and movies on Netflix or binge-listen to music for hours on end on Spotify. But binge-reading is a whole different ballgame.

I’d like to hear what our readers think of Kindle Unlimited. Will you subscribe? If you’re an author, do you enroll?

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What makes it work?

I had an interesting conversation with a friend over the 4th of July weekend. The internet has been abuzz recently with speculation about when fans of George R.R. Martin’s A Song of Ice and Fire can expect to see the next book in the series.

And people have been freaking out. Practically trembling with excitement.

Now I’ve never read the books, but I love “Game of Thrones,” so my friend and I got to discussing how amazing it was that the books and television show seem to feed off each other. It’s generally accepted that movie adaptations of books drive book sales up, at least for a time, but we weren’t discussing sales. Rather, we were talking about the mania surrounding the whole series.

It’s really quite remarkable. The books compel readers to watch the show, and the show sends viewers to the bookstore. It’s been parodied, on talk shows, and all over the internet. So what makes it work?

There are many other instances of this phenomenon. Virtually every movie adaptation of a comic book seems to cause an uproar at Comic Con and comic bookstores across the nation. Harry Potter. The Hunger Games.  And the reverse is true too, if less frequently. Star Wars has countless comic books and novelizations with a wide readership—more than 30 years after the original film.

I think we can safely say that any of the examples above aren’t simply a series, but a franchise. So again, I’ll ask, only somewhat rhetorically: what makes it work?

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I like reading YA and I don’t care who knows

I’ve always felt secretly awkward of the fact that I love young-adult fiction. I mean, can you blame me? Just look at how the phenomenon of adults reading YA has been dissected.

With so much analysis aimed at those of us adults who read YA, we needed a hero, someone to stand up and say nay, it’s not weird. And then I came across this game changer from John Green. (Who else?) And now I’m not hesitant to admit it. I love reading YA. I want to shout it from a mountaintop.

Do you qualify as a YA addict? Gotta love the shout-outs to Richelle Mead and James Dashner…but don’t stop your YA reading list there! Many of our clients are doing awesome things in YA!

Now, to get to the point of this post, I’ve been searching for a series that can live up to the recent ending of, what is scientifically speaking, the best YA series of all time: The Wheel of Time. Any suggestions? Anyone? Bueller?

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An Immodest Proposal

My life changed forever when I came across this little piece.

Of course! It all clicked into place with this helpful little checklist.

Do I have a tendency to overanalyze things? You betcha!

Do new places and experiences give me anxiety? Uhuh.

Are my expectations too high? I’ll answer that question with one of my own. What’s wrong with holding out for that someone special who has the body of a supermodel and personality of a saint halfway through canonization, but, you know, who is still living?

Has it been said that I like neat resolutions? Well, sure. I mean, who doesn’t? The “How I Met Your Mother” series finale sent me into an absolute tailspin last night. How could they do that with

***SPOILER ALERT***

The next thing I knew it was 2 am and I was outside and cold and had apparently wandered into traffic. And I don’t even watch “How I Met Your Mother.”

How could it be, you ask, that someone as amazing as me has had a few dating problems? Simple: I’m a book lover.

Does any of this sound familiar? Has reading ruined your life or storytelling given you unrealistic expectations and the inability to cope with loose ends?

Then, for our own well being, I prescribe that we stop reading, starting now.

THE END

(Afterword for those still reading despite my proposal: if this doesn’t work we may have to eat our children. Let’s call that Plan B.)

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Best part of the holiday season

It’s Thanksgiving already. And it’s certainly cold enough to be winter. There’s no denying it: holiday season is upon us!


Happy Thanksgiving!

 

 

 

 

 

 

 

 

The holidays mean different things to different people, and I’d like to take this opportunity to tell you what I love the most about the season of giving.

Yep, it’s not the Thanksgiving turkey or the piles of gifts or even the general merry cheer that permeates the air, but the opportunity to relax and read a book. In fact, reading is how I bond with my family: my nose in a book and completely shut down from everything around me. They talk, I don’t listen. Call it a family tradition. And don’t get me wrong, I love my family, but the holidays are when it’s my time to get some serious reading done. In fact, I’ve read some of my favorite books by the Christmas tree.

 

So, that’s enough about me. What do you guys enjoy the most about the holidays? Oh, and by the way, not everyone loves Thanksgiving.

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Memorable characters

One of the greatest television shows of all time ended Sunday night. Breaking Bad wasn’t incredible because of its cinematography, its acting, or its storyline—though all contributed to the brilliance of the show. It was its characters, one in particular.

Walter White. Heisenberg.

It’s not a new story. Well, not completely. Breaking Bad is, at its core, the story of a man who, little by little, loses himself to the darkness within. The progression is always gradual, and the trick is making it seem natural, but some of the greatest (and by greatest, I mean my favorite) characters in literature wage this type of internal struggle. As readers, we love emotional turmoil. We can relate to it. It’s what defines us as human beings.

Some of my favorites:

Rand al’Thor from Robert Jordan’s THE WHEEL OF TIME series is driven insane as the series progresses.

Sir Arthur Conan Doyle’s Sherlock Holmes is literature’s greatest detective, yet Holmes is a struggling drug addict and habitual tobacco user, habits that threaten his trademark deductive capabilities.

LORD OF THE FLIES by William Golding. Pick a character, any character.

There’s a few. Let’s hear others. Who are your favorite characters?

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Behind the numbers

Looking at a royalty statement for the first time can be a little confusing. While the math is never hard, certain terms like “reserve against returns” and “subsidiary rights” can cause headaches where there needn’t be. The layout of a royalty statement is important too—an unorganized format can make reading a royalty statement ten times harder. Since there is no standard format though, I’ll just touch upon some basics.

Reserve against returns. Yes, most publishers don’t pay authors all the royalties they earn in the one period covered by a statement. The reserve against returns shows the amount withheld by the publisher for a limited period of time against the expectation of returns. This reserve is then released on later statements (assuming the book continues to sell).

Subsidiary rights. This is the section of the royalty statement that lists the revenue accumulated from rights that the publisher has sold to third parties. For example, this could include any earnings accrued by foreign editions of a book.

Unearned balance. An advance is simply that ladies and gentlemen. An advance. In order for a book to start earning royalties, it must first earn out the advance payment. Only then will an author see a positive balance. Negative balances are usually portrayed in parentheses.

Royalties earned. This amount depends on both the net units sold, as well as the terms stipulated in the author’s contract. Royalty rates range, but earnings are generally calculated based on the net or retail price of the book.

So those are some basics. Have more questions about royalty statements? Bring ’em!

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“She seemed to realize that she’d lost her right to knock.”

Were you with us on Twitter this past Tuesday, when Jim and I chatted with a bunch of folks about the first half of Rainbow Rowell’s Eleanor & Park?  As promised, we want to take the conversation to the blog as well, for those who couldn’t make it.  If you want to read it without the SPOILERS you might find below, why not give it a read in the next two weeks, then come back and check out part one’s conversation here, and join us on May 14th at 6 p.m. EST on Twitter (#EandPdglm)?

I’d say the subject that most dominated our discussion was the 1980s setting.  Jim and I both felt that though we love how it plays out in the book, it might have given us some pause as agents considering the book in the slush pile: as Jim asked, “Do kids care about the 80s?”  Fortunately, we had some researchers in the chat to uncover the answer for us.  Anecdotal evidence from Susanna Donato (@SusannaDonato) and DGLM client Brian Bliss (@brainbliss) suggests that teens didn’t mind the choice, might even have been intrigued by it, but would not have cared about the music referenced, which is the source of much of the bond between the two characters.  I was perplexed when Bryan reported that his teen creative writing students wouldn’t have bothered to look up the bands on Park’s mixtapes, until I realized that I didn’t bother to look up the comics that take up an equal amount of the narrative, if not more.  Of course, I’ve heard of them, but it doesn’t mean I fully understand the context.  In the end, I don’t feel like I’m missing anything.

After all, that moment where Park first realizes Eleanor is reading his comics along with him and stops to let her catch up has plenty of impact no matter what.  That was one of Kellie Lovegrove (@k_love671)’s favorite parts of the book.  Other favorite moments in the first half included: the very end of the first half, which made Susanna’s heart race.  She also loved when Park asked his grandmother for batteries for his birthday so he could give them to Eleanor.  Jim swooned over “You look like a protagonist…You look like a person who wins in the end.”  And for me, the line referenced in the title of this blog entry, which I loved so much I ran across the room to get a post-it to flag it.

So if you couldn’t make it, tell me, what was YOUR favorite part?  And what did you think of the time period?  Do you have the same sense of dread about whatever Richie reveal is coming our way in the second half?

On May 14th at 6 p.m. EST, Jim (@JimMcCarthy528) and I (@LaurenAbramo) will reconvene at #EandPdglm to talk with everyone about the rest of the book.  If you haven’t gotten started yet, please jump on in!  It’s a pretty quick, short, wonderful read.  (Though Jim and I were rooting for a contrarian to come along and mix it up—are you that person?  Come tell us why!)  I can’t wait to find out how the rest of the book will unravel.

And in case you want to catch up so you can join us next time, here’s a handy dandy widget with all the good stuff to come out of our chat under the #EandPdglm hashtag:


 

 

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Talk to me on August 2!

It’s that time, friends: time for another DGLM Chat Live, and this time, I’ll be answering your questions for an hour. I considered having a theme or focus to the chat, but then realized that sort of defeats the point of letting you direct the conversation with your questions. In other good news, the chat will start at 9:30 Eastern/6:30 PM Pacific time, which I hope is when most of you are home but not yet asleep.

The other difference this time around is that I’ll be holding the chat on Twitter, with the hashtag #dglm. (If you’ve never followed a chat on Twitter before, go take a look at TweetChat, which provides a really easy way to do it.) I’ll be moderating the chat myself, and the questions that have the best chance of being answered are the ones that apply to the most people. The more people will benefit from the answer, the more likely I am to pick the question. I’m really hoping that this will be helpful, informative and fun, and I’m looking forward to seeing your questions.

So, mark your calendars: 8/2 at 6:30 PM PDT. See you then! (Thanks for the suggestion, Jaclyn!)