Category Archives: advice

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Big in Japan (and Germany)

A career in publishing typically involves a lot of twists and turns, both for the professionals like editors and agents, as well as for writers themselves. This weekend, the Times magazine shared the amusing story of David Gordon, a (sorry, David) midlist author who suddenly found that his novel The Serialist was a huge hit in Japan, culminating in a trip to Tokyo where he got the royal treatment from an adoring press.

Reading Gordon’s story, it put me in mind of an author I used to work with at Putnam, Royce Buckingham. Like The Serialist, Royce’s debut novel, Demonkeeper, did well enough to get a second book signed up, but for some reason, the book became a huge hit in Germany. In fact, Royce was commissioned to write two sequels for Random House Germany, which they duly translated into German–at their cost.

So, what’s the takeaway here? Well, for one, I hope it explains why we agents fight to retain foreign rights as much as we can. But I think the larger point is that for authors, you never know where you might find an audience, and in the age of Globalization, it’s a good idea for authors to have the international market in mind–even if the results might feel a little Spinal Tap-ish at times…

 

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Stalagmites of Books

This morning I was browsing Twitter while waiting for my coffee to kick in, as usual, and this tweet caught my eye:

“I am making a very important New Year’s Resolution for 2014: read more books and own fewer of them.” –@doughtylouise http://t.co/bKHxs8Jzx2

— Book Keeping (@FSGBookKeeping) 

I’m totally on board with the first half of that resolution, but own fewer books?? This I gotta read.

So I clicked the link and read on to discover the author describing a very familiar predicament:

 

“All around my house – in the bedroom, the spare room, the sitting room – there are interesting geological features.  This is nothing to do with the fact that I live in a Victorian townhouse in North London, nor to do with the clay soil on which it is built.  It’s because I don’t have enough shelves.

These interesting features consist of stalagmites of books – great wobbly pillars of varying heights constantly threatening to come crashing down.”

 

This is a problem I can relate to. Books are stacked on every surface in my apartment, two rows deep on the actual bookshelves, taking over endtable space where normal other people have framed pictures of loved ones, and fighting for position on top of cabinets that more rightfully belong to wine glasses and board games. Like the blog post author, I too can blame my mountains of books on my career – but perhaps it would be more honest to blame my career on my greedy love of books?

It doesn’t help that I’m an inveterate producer of marginalia. Sure, I could check out more library books, or borrow from my friends with similar bibliophilic afflictions. But I love scribbling all over my books – asterisks and exclamation points in the margin, long rambling (and obviously brilliant) thoughts and comparison on the back pages at the end. They frown on writing in library books, I’m pretty sure. And if I start marking up my friends’ books, well, soon I’ll find myself with no friends, just tons of free time on my hands to read…hmmmm, on second thought, that doesn’t sound so bad.

Anyway, you should read the whole blog post, because the author offers a nice and logical plan for accomplishing her read-more-own-fewer book resolution. Have you ever tried to cut down on your own book collection? Any success stories to share?

If all else fails, you can always loan your unwanted/unwritten-in books to me!

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Writing tips from 2013 to help you in 2014

I hope you all had good holidays. I personally did a lot of celebrating since my birthday falls right between Christmas and New Year’s. One highlight was seeing Kinky Boots on Broadway. I loved it! After so much fun, I feel ready (even if my piles don’t) to be back at work and motivated to work with my authors to sell lots of great books.

I like at this time of year to regroup, look at the big picture, and try to come up with a strategy for a successful year ahead. I find this approach to be effective, even if I can’t always keep all of my annual goals.

I love this list of best-of writing articles from 2013 compiled by Writer’s Digest because it covers so many bases in the writing process. And it’s especially useful since it’s broken down by categories like Writing Better Characters, How to Get Published, and Inspiration for Writers. One of my favorites is the 2001 interview with Tom Clancy and his quote: “I do not over-intellectualize the production process. I just keep it simple: Tell the damn story”. That’s definitely keeping it simple, and direct!

I wanted to share it with our blog readers who are hopefully feeling like I am – motivated, energized, and ready to work hard to be as successful as we can be. Starting out by reading these articles just might help get you on the right track for the year ahead.

Enjoy and please let us know which articles from their list you find to be the most helpful. Now, let’s all get to work!

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Happy Sisyphus

We here at DGLM are big believers in helping authors develop their work.  That means that  all of us spend a significant amount of time reading, evaluating, and editing proposals and manuscripts so that we can get them in shape for submission.  Oftentimes, for myriad reasons, our input extends beyond the selling stage and we get involved in the editorial process after the book is sold.   In other words, we spend a lot of time observing the creative process in all its (painful) glory.

Revising seems to be most people’s Achilles heel.  I’ve seen even the most confident, successful, unflappable, hardworking authors melt into puddles of insecurity, denial, and rage at the thought of tackling a revision of a work they’re convinced is perfection (or as good as it gets).  For every author who loves to roll up his/her sleeves and get to work polishing, adding, restructuring, and (perish the thought) cutting, there are dozens, nay, hundreds who are thrown into existential despair at the thought of revising.

Which is why this piece in the Atlantic is so wonderful.  From Khaled Hosseini’s fatalistic “it’ll never be as good as you imagined” to Fay Weldon’s “F—k it! Just start again!” I love the advice and the insights into the writing process, so much of which involves watching the rock rolling downhill after you’ve used every ounce of strength to get it to the top, pausing a moment to feel sorry for yourself, and then taking a big breath and starting the uphill climb again. 

I agree with Hosseini that perfection can’t be attained, that all you can do is the best you possibly can and hope that your work strikes a chord and means something to someone.  But, to get the thing as good as it can be requires a lot of rewriting, reconceptualizing, reevaluating, all the re’s, including restarting after you think you’re finished.  And, in order to do that you need to be mentally and creatively tough.  Just because it’s not perfect yet doesn’t mean it’s not good or it can’t be.

What are your thoughts on revising?  Is it as horrific a process as many authors make it out to be or is there zen in the art of taking your work apart and putting it back together?

 

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A techie holiday wish

Hey folks, I could really use your thoughts on this one…

As Sharon noted below, we’ve been doing a lot of work on our computer systems here at DGLM–brand new server, new webmail system, even a new postal meter. And with that, I’ve been trying to figure out what computer configuration makes the most sense for me when I need to do work at home–because I am waaaay out of date.

Right now, I’ve got an ancient Macbook (one of those white ones with the chipped casing not-so-affectionately known as a “crackbook”) that I use for writing, editing, and the internet. The webmail system is fairly good for email, but it’s still a lot clunkier than even my iphone (a 3GS, but can’t do much about that until the contract runs out next summer). And for reading MSS, I use a 2nd generation Kindle, which I’d love to replace as well.

For MS reading, I’m thinking an ipad is the way to go. And from Michael Bourret, I gather that email will be a lot more functional on an ipad than webmail. Certainly the ipad will be better for web surfing than what I have now. But when it comes to writing and editing, it’s hard to imagine using an ipad, even with an external keyboard–so maybe a new laptop makes more sense? I’ve never had problems reading on a laptop, and I guess I could suck it up with the kindle when I’m on the subway. But I’m also a total cheapskate when it comes to tech, so I’d really rather not invest in a laptop unless it’s a vastly superior solution.

Well, since I’m sure you writers out there have similar computing needs, what’s your set-up? Do you use multiple devices? If so, what? Any PC users out there? Ever since my old Dell got overtaken by viruses, I’ve steered clear of PCs, but Mike Hoogland’s been singing the praises of the new Microsoft tablet/computer combo–anyone else tried one of those?

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The psychology of writing

I have a very strong interest in psychology that goes back to when I minored in it in college. My list has been peppered with titles over the years that explore various issues in this area and I am always interested in seeing new ideas with a psychological bend.

I enjoyed this article in authormagazine.org by published author Jennifer Paros about the psychology of writing. She used her son as a jumping off point, describing how as a young teenager he decided he had an interest in writing. He was then hampered by a fear of failure, essentially. My 8 year-old has recently expressed a similar interest, so I told her the only way to become a writer is to actually write but when I ask her if she wants to, the answer is usually no. I’m  not yet sure where her reluctance is coming from, but I’m going to keep an eye on it and try to encourage her to keep working on it.

Ms. Paros talked with her son about what was holding him back to get him past his stumbling blocks and the writing became easier and more natural. Eventually the process of writing outweighed the insecurity of worrying about a possible negative reaction in sharing his work.

This is likely a common stressor for writers and everyone else. We all worry, some more than others, about what people think of us or if they will react negatively to something we’ve said or done. It’s the people who use their mental strength to overcome these fears that will likely have the most success in writing or anything else they choose to do, a topic generating a great deal of interest following my client Amy Morin’s recent piece about mentally strong people and things they avoid.

What’s your biggest fear as a writer? Have you been able to overcome your insecurities to find a successful path? Share your stories. There are lessons to be learned for all of us.

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What to expect when you’re expecting to be published

Having your book published is a dream come true, right? You’ve probably imagined what it will feel like since before you even finished a first draft of the book, and you just know that everything will change. You’ll be smarter, handsomer, more popular, and most certainly richer. Right? RIGHT?!

The truth of the matter is that for most authors, all that changes is that you’re now published. It doesn’t make your hair shinier, and it doesn’t address all of the other ills in your life. I actually speak about this quite a bit at conferences, because I think it’s important to have perspective and realistic expectations. But, you don’t just have to take my word for it! (Because really, I’m not an author—what do I know?) This fantastic post from author Alison Cherry is honest and real and, I think, greatly helpful for others suffering postpartum book launch depression. Go check it out now!

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A book can change your life

The title of this post might be overly dramatic, but if you look hard enough you will find some pretty incredible stories about people whose lives were changed by books and reading.

One of those amazing stories comes from YA author Matt de la Peña, whose piece this week in NPR is well worth your time. He touches on so many moments in his own life that were altered by books, and then when he goes into talking about his dad and how his life was changed by reading, well, I was in tears by that point so that tells you what kind of piece this is. In simple prose, he taps into why words and books and reading matter, and how the power of the written word can literally change your life. And I believe almost always for the better.

A love of reading doesn’t have to start early, either. Matt’s life-changing moment came in his second year of college. And you know what else I love about this article? That teacher. That amazing teacher who saw something in this young man and knew he had potential and needed a nudge so she gave him a copy of The Color Purple and asked him to read it before he graduated and then come talk with her about it.

I’m sorry for the way things go for Joshua, a tough young kid profiled here with a secret writing habit, and I hope that de la Peña or someone else can help him find his way through his writing, and through books. When I read pieces like this, it’s so validating to think that the work that we are all doing can make a difference, and in some cases, all the difference.

Do you have any stories to share about how a book changed your life, or the life of someone you know? Please share. And pass this article on too. It’s a great read, and an inspiring one.

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What you need to know about querying agents

I came across this piece from thewritelife.com by the always interesting and entertaining Chuck Sambuchino from Writer’s Digest.

I think all of the advice is meaningful and generally right on, but I must say my favorite is number 1. Can you query multiple agents at the same agency? As he suggests, and speaking at least for our agency, the answer is no. Just today I got a query referred by a colleague that was submitted to me as well. This is something that can be extremely frustrating for us when we request something that another agent in-house has requested as well. He’s absolutely right that within our agency we have a great sense of each other’s interests, and if there is something that we feel isn’t right for our list, but might be a better fit for someone else, we will share it.

The other point that jumps out at me is number 6. When should you query? When is your project ready? He goes on to talk about beta-readers and making sure you have your work read and re-read before you start the submission process. It should be clean and edited and ready to go.

Number 9 about simultaneous submissions is also helpful. We always assume it’s simultaneous unless you tell us otherwise. And that’s ok, just as long as it’s not simultaneous within our own agency J.

I have a question I’d add to this list. Should you personalize your query? The answer to this is yes. The more research you do on agents and their lists, the more likely you are to get the response you are looking for. If you can cite a book that is similar to yours that the agent you’re querying represented, that’s a small personal touch that can really make a difference.

Let us know if you have any other pieces of advice not covered in this list. There is no right or wrong answer, but there are many things you can do to make your query stand out from the others.

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Learning to deal with “no”

A couple of weeks ago I had lunch with a colleague and friend who was thinking of going back to a previous agenting career.  This person had once been an agent and had the reputation of not being able to take rejection well.  When he told me what he planned to do, I said I thought that his choice sounded great but that he had to learn to handle the word “no.”  His response was that he simply couldn’t deal with a young, inexperienced person on the publishing side of the business turning down one of his clients’ ideas.  All, I could think was, “That’s just too bad.”

Over the last many years since I have been an agent, I have been handed rejection many, many times. When I was starting out, I actually took the turn downs personally, but then, after about six months, I realized that people really weren’t rejecting me, they were passing on the proposals I was presenting.  And so, I decided to learn what I could from the rejection and move on.  It hasn’t always been easy – I am still disappointed when an editor rejects one of my clients’ proposals – but over the years, I really feel that through rejection, I have become a better agent.

Looking for material on how to handle rejection, I happened upon this blog post.  There is, indeed, much here that is instructive not only to those of us who represent writers but also for authors who must steel themselves to handle rejection, for editors who want to buy a project but are turned down by their bosses and colleagues, for publishers who are rejected by accounts and consumers when they go to sell their books, and on and on and on.

I really believe that if we try to benefit from being turned down, and learn from it, we can more easily move forward.  And perhaps using what we have learned from a previous rejection will enable us to experience success with the next project we set out to sell or get published.

I would love to hear what your experience has been dealing with “no” and whether you agree or disagree with my take on this.