Category Archives: about us

6

I’ll Begin With A Question

Hello.

First of all, I want to say how honored I am to be a part of DGLM. Jane, Miriam, and Co. have been amazing during my first week; extremely welcoming and immensely helpful. I can’t wait to see where this will take me, and I can’t wait to share it with you as I go along.

Which brings me to the second thing:

This blog is for you, not me. I’d certainly like to rant and rave about the nuances of comic book art and the artistic nature of video games, but I’m here to talk about the things YOU want to talk about, not the things I want to talk about.

So let’s talk. You start.

What do you want to talk about?

PS: I noticed someone asked about what kind of Judaica I’m interested in. If it is philosophical and rooted in Maimonides, send it over.

Welcome, Morris Shamah!

I am delighted to welcome Morris Shamah as the newest member of  the Dystel & Goderich Literary Management team.  Morris joins us today as our royalties manager. He is also going to begin building his own list of clients.

Morris graduated from New York University and previously interned at two literary agencies where he acquired some well rounded experience in our business.  He is interested in thrillers, mysteries, men’s fiction, mainstream super hero illustrated novels and up-market graphic novels.  He is also interested in Judaica.

Please join me in welcoming Morris to our “family.”  And be on the lookout for his first blog post which will be up later this week.

4

As these things go

It’s time for the one blog entry I have dreaded writing (well, okay, dreaded more than the others).  I’m sad to say that this will be my last blog post, coming at the end of my last week with DGLM . I’ve decided, after much consideration, to pursue a new opportunity elsewhere in publishing. It wasn’t an easy decision to make—I love the people I work with and I love my clients. I’ve spent the past two years learning from incredibly talented and hard-working individuals, and I’ve had the opportunity to immerse myself in an industry that continues to interest and fascinate me.

I often think about what would’ve happened if Lauren had never hired me as an intern (i.e., ignored my pestering) or if Jane and Miriam hadn’t extended the offer of a full-time position to me. I’m deeply indebted and grateful to the three of them—they each gave me the opportunities and tools necessary to put my career in motion.

I’ve always said that when moving forward, it’s crucial to remember where you came from and where you’ve been. And I intend to do just that. As I move on to a new challenge, I’ll take with me the lessons learned and the memories shared—DGLM will always be the place where it all started for me.  Finally, thank you, blog readers, sincerely, for the lively discussions, funny comments, and most of all for faithfully reading.

1

DGLM Update!

I have just returned from the river that is the sidewalk, my feet are soaked and my hair, I’m sure, resembles that of a bedraggled cat or something, so what better time than to update you on what’s been going on at DGLM these past couple months! (Somehow, that line of thought makes sense.)

Jessica started this round off with Kate Samela’s. GIVE PEAS A CHANCE: The Foolproof Guide to Feeding Your Picky Toddler. The subtitle says it all. This went to Shana Drehs at Sourcebooks.

Alexandra Lapierre’s IN THE NAME OF HONOR, the true story of the son of a Chechyan Imam, kidnapped from his village at the age of ten, raised as foster son of Czar Nicholas II, and whose desire to wed a Christian princess sets off a chain of events that forces him into an impossible choice between love and honor set against the splendor of the Russian Imperial court, was also sold by Jessica to Gabriella Page-Fort at Amazon Crossing.

Next up, A SCREAM AT MIDNIGHT by Shirley Damsgaard, writing as Jess McConkey, tells the story of a city girl struggling to fit in on her new husband’s farm where she encounters not only a different kind of life, but a ghost from long ago, and a murder that will shake her to the core. Stacey sold this to Emily Krump at Morrow.

Jane then sold Eric Taub’s DOES THIS PLUG INTO THAT?, which demystifies and provides a straightforward approach to the complex and often convoluted world of technology, to Chris Schilling of Andrews McMeel.

CANARY, Rachele Alpine’s debut YA novel, about a girl struggling to fit in with the popular crowd now that her father is the coach of the big-time basketball team, was sold by John to Emily Steele at Medallion Press.

Dr. Paul Linde’s WHEN QUEER WAS CRAZY, a peek behind the scenes of the colorful history of the Diagnostic and Statistical Manual of Mental Disorders, the putting together of the DSM’s most recent edition, and how the federal government, insurance companies, and corporate interests shaped modern psychiatry, went to Naomi Schneider at the University of California Press, sold by Jane.

Stacey sold the first cookbook from the founder and creator of the popular RecipeGirl.com. In THE RECIPE GIRL COOKBOOK, Lori Lange,  will feature over 150 recipes and ideas for entertaining and every day meals for the home cook that are accessible to all skill-levels of cooking, to Justin Schwartz at John Wiley & Sons.

Matthew Algeo’s PEDESTRIANISM: WHEN WATCHING PEOPLE WALK WAS THE WORLD’S MOST POPULAR PASTIME, about the rise of pedestrianism, a competitive-walking craze that, by the middle of the nineteenth century, was the most popular spectator sport in the English-speaking world, the reasons for its broad and enduring appeal, its profound impact on American and British culture, and its continuing influence more than one hundred years later, was sold by Jane to Jerry Pohlen at the University of Chicago Press.

Michael sold SMELLS LIKE PIRATES by Suzanne Selfors—a rollicking third adventure in the SMELLS LIKE DOG series, following ordinary farm boy Homer and his treasure-sniffing sidekick, Dog, as they race to outsmart an old enemy and find a long-lost pirate treasure—to Julie Scheina at Little, Brown Books for Young Readers.

Next comes DANDELION HUNTER, by Jane’s client, “Wild Girl” blogger and urban forager, Rebecca Lerner. Pitches as a Walden for the 21st century, DANDELION HUNTER interweaves stories of an urban forager with reportage and philosophical insight, unlocking the many secrets of the wild plants around us. This went to Mary Norris at Globe Pequot at the end of August.

Adam Lazarus’s MONTANA VS. YOUNG: The Greatest Quarterback Controversy of All Time, the first book to chronicle the heated rivalry between Joe Montana and Steve Young for the starting quarterback position of the San Francisco 49ers, a rivalry that drove both players to Hall of Fame careers and Super Bowl wins, was sold by John to Jonathan Crowe at Da Capo Press.

INDELIBLE INK, the first novel in a new YA series by Dawn Metcalf, features a heroine who is accidentally marked by a mysterious boy, which places her in the midst of a dangerous, otherworldly plot to end the Age of Man. Michael sold two books to Natashya Wilson at Harlequin Teen.

Michael also sold the first three books in J. Scott Savage’s The Grimville Case Files series, about three monster-obsessed boys who must solve fiendishly funny mysteries in their hometown, including an amulet that turns its bearer into a zombie and a football team that’s “stitched together” by a body-snatcher, to Andrew Harwell at Harper Children’s.

Lastly, Jessica sold INNOCENCE AND WAR to Chris Kuppig at Signal Books. The author, Lord Ian Strathcarron, a British travel writer who lives aboard his sailboat, the Vasco de Gama, recreated Mark Twain’s colorful voyage to and through the Holy Land, which became the basis for Twain’s first major bestseller, The Innocents Abroad. Strathcarron’s own modern day adventures in the politically volatile, hotly contested lands are a counterpoint to and resonate with Twain’s sly observations about faith, chicanery and politics.

It’s been a busy end-of-summer around here and if the past couple weeks have indicated anything, it’s only going to continue. I may complain about the weather, but with so many new books being sold and published, it’s a blessing in disguise—more time to stay inside and read!

3

Musings on the library

As I floated through the Twitterverse today, I came across this great link I want to share with everyone. Apparently, for the past several months, there have been mysterious discoveries at libraries throughout Edinburgh, Scotland—delicate, intricate creations that are carved from paper, mounted on books, all of which form small yet fascinating works of art. These complex pieces have been left at places such as the Scottish Poetry Library and the Central Lending Library completely anonymously. My favorite is the most recent, which includes a small note: This is for you in support of Libraries, Books, Words, Ideas…LIBRARIES ARE EXPANSIVE.

Looking at these creations and their deeper meaning brought me back to my days within library walls. Throughout my college years at NYU, four to be exact, I worked at the school library. I began at the very bottom of the totem pole—shelving books and assisting harried (and usually rude) graduate students—and worked my way up to a research assistant in the course reserves and archives department. Besides meeting and working with some of the best people whom I now consider my second family, my time there exposed me to so many different elements of academia and taught me skills I couldn’t have learned elsewhere. I’ll never forget shelving first edition copies of books—printed in 1896—and marveling at the fact that they still existed and were accessible to anyone if only they knew where to look. Likewise when I worked in archives, searching through row upon row of microfilm reels, holding documents from all over the world that were several centuries old. The large majority of my fellow students probably never even knew these things existed.

In an age where articles, and sometimes entire books, can be found on the internet, libraries are becoming increasingly necessary. I think of how much material could potentially be lost to digitizing and it makes me concerned for the future of libraries. I certainly hope that discoveries like those made in Edinburgh will remind people of the importance of places like these.

18

The optimist sees the doughnut; the pessimist the hole*

As John and Stephanie have suggested in their blog posts this week, we at DGLM have been slightly beset by mid-year doldrums.  Maybe it’s because it’s a quiet time of year and we’re all either desperate to get away on vacation or sad that vacation is fading in the rearview mirror.  Maybe  it’s because we’ve come all the away around from complaining bitterly about the cold to whining about the relentless heat and humidity.  Or maybe it’s because rejection is a downer and we agent types get rejected more than math geeks at a cheerleader convention.  Whatever the causes I think we’ve all been a little less joie-filled than usual and we’ve noticed that our clients are also exhibiting more signs of existential pain than is normal even for some of the more extreme nutcases among them (and I say that with love).

So, as therapy, I decided to look at the things that make me happy about what I do.  In no particular order here are my top 10 (for the moment):

1.  I work with supremely talented people who make me laugh, cry and grind my teeth (sometimes all within the same conversation).

2.  I am engaged daily in a world of ideas.  Nothing is too un-PC, too scandalous, or too weird for us to consider in the kind of intellectually lively environment that makes my banker friends jealous.

3.  I can justify my addiction to tabloids and thoroughly embarrassing knowledge of what the Kardashians are up to as being “part of my job.”

4.  I get to read for a living.

5.  Books.

6.  I learn fascinating things about science, art, history, politics, etc., almost every day—courtesy of our brilliant clients.

7.  I wear jeans to work on Wednesday or any other day.

8.  I get to see my name printed in the acknowledgments of books.

9.  I like my colleagues.

10. I like that, directly and indirectly, what we do has the power to influence minds, shape opinions, and occasionally change the world.

There, I feel better.  How about you guys?  What’s on your list of what makes you happy about being writers (despite the frustrations, rejections, and setbacks)?

*Oscar Wilde

3

DGLM Update: Summer Edition!

Coming to you from the blazing hot (this is actually a little bit of a lie as we’ve had a respite the past couple of days) middle of July, here’s a little look at what’s been happening at DGLM these past couple of weeks. Like we’ve been telling you, summer doesn’t mean all work comes to a screeching halt! As dedicated, dutiful agents are wont to do, there’s been a lot of selling going on around here.

First since we last convened is The Panini Happy Cookbook, by Stacey’s client, Kathy Strahs, who is a food blogger and creator of the Panini Happy website as well. This cookbook filled with over 200 fun and delicious recipes was sold to Dan Rosenberg at Harvard Common Press.

Next, Jim sold the YA anthology, Defy the Dark, compiled and edited by Saundra Mitchell to Anne Hoppe at Harper Teen. As the title might suggest, this collection centers on those stories that could only happen at night.

As June began, Jane sold New York Times reporter Joe Berger’s The Pious Ones, depicting the fabric of everyday Hasidic life and exploring how it has allowed them to re-establish themselves as a burgeoning community, while also unflinchingly examining the conflicts between Hasidim and the wider society to Claire Wachtel at Harper.

Paul Gude’s debut picture book, Giraffe and Elephant, about a silent giraffe and a lovable elephant was sold by John to Kevin Lewis at Hyperion.

Richard Gropp’s Bad Glass is up next. Jim sold this sci-fi horror novel about a young photographer who travels to the barricaded city of Spokane, Washington, in the hopes of gaining attention of his work by photographing the bizarre incidents occurring there.

Jane sold Tayari Jones’ latest, Dear History, which is a multi-voiced novel chronicling three generations of the Washington family from 1930 to the present day and is a sweeping account of American history chronicling events which act as anchors for the deeply personal narrative of a family that struggles to stay together in an ever-changing world to Andra Miller at Algonquin.

National Book Award finalist Sara Zarr’s The Lucy Variations, about a former prodigy’s developing friendship with her younger brother’s new piano teacher, one that brings as much confusion as it does happiness, was sold by Michael to Julie Scheina at Little, Brown.

Ericka Blount Danois’ SOUL TRAIN’S MIGHTY RIDE: Behind the Scenes of America’s Favorite Dance Show, represented by John, is the first book to chronicle both the glitz and glamour as well as the social and civil rights importance of the longest-running, first-run, nationally syndicated program in television history. This went to Mike Edison at Backbeat.

A new paranormal series by Alesia Holliday, The League of the Black Swan is a vampire set for young adults sold by Jim to Cindy Hwang at Berkley.

Michael’s client, Suzanne Selfors, rounded out her middle grade adventure trilogy that began with Smells Like Dog. This third and final installment was sold to Julie Scheina at Little, Brown.

New York Times bestselling author of So Easy and The Food You Crave, as well as host of the Food Network/Cooking Channel show Healthy Appetite, Ellie Krieger’s revised and updated edition of Small Changes, Big Results was sold by Jane to Emily Takoudes at Clarkson Potter at the end of June.

Saundra Mitchell’s next two books, Mistwalker, about a local legend in a lobstering town in Maine and the girl who becomes entangled in its mysteries, and Aetherborne, the conclusion to Mitchell’s series of alternate histories were sold by Jim to Julie Tibbot at Houghton Mifflin Harcourt

Fathomless, a modern Little Mermaid retelling in which a young mermaid wants to leave the sisterhood of dark, soulless creatures and regain her humanity—which she can only do by convincing a mortal to love her and stealing his soul, was written by Jim’s client Jackson Pearce and went to Julie Schiena at Little, Brown.

Jessica’s most recent deal is an as of yet untitled illustrated wedding guide written by Piage Appel and Kelly Harris of the California-based event planner and design team, Bash, Please went to Kathleen Jayes at Rizzoli.

Lastly, Jane sold Blue Chair Fruit Company owner Rachel Saunders’ follow-up cookbook on jam and marmalade, with 150 original recipes–a mix of savory and sweet, to Kirsty Melville of Andrews McMeel.

Now. What are you doing sitting inside at the computer? It’s absolutely GORGEOUS outside!

0

World enough and time

The journey from concept to actual book is an interesting one, in large part because of just how long the road really is—a book sold tomorrow could be scheduled for publication as many as three years in the future. This means, for the author, that a book you are querying right now might not appear in bookstores for at least two years, but could take as many as five or more years.

There are plenty of reasons why this time gap is an important thing to consider for an author looking to find the right agent and/or editor.  Catching a genre trend early, or covering an important political or historical event requires a certain amount of foresight and predicting the unpredictable. Seems simple enough, no?

The point is, as agents we have to do the same amount of predicting when deciding what projects to take on. We can’t necessarily choose a project that is just like what’s on bestseller lists right now, but rather something that we believe will be there in two or three years from now.

So for authors, alternating between being hard at work and waiting on everyone else must become the norm. I certainly don’t envy you—I’ve said many times before that I don’t think I would have it in me to do the same work you all do.

So this is yet another reason why I have a considerable amount of respect for the process, especially the part that writers and authors must endure, and the craft to which you all devote your time.  In the end, it’s not just the writing, but also the journey from the written work to the published book that makes it all worth it.

2

What inspires us

In our line of work we hear a lot about what inspires people to write.  We also hear a lot about when inspiration takes a hike and authors are left with a bad case of writer’s block.  I’m pretty sure we all agree that the state of feeling inspired is a wondrous and energizing thing and that feeling devoid of inspiration is tantamount to sitting in a dark room on a sunny day.  What is interesting to me is that we agents are seldom asked about what inspires us.  Everyone wants to know why we pick the projects we do, sure, but I don’t think anyone has ever accosted me at a conference and asked me what I’m inspired by.

Well, even if you don’t ask, I’ll tell you.  Like our clients, we’re inspired by great writing and storytelling, of course (as well as art, music, and drama that makes you sit up and take notice).  We’re inspired by people who are able to turn personal pain and suffering into art.  By those who can lucidly and entertainingly explain scientific principles and those who write movingly and convincingly about intangibles like faith.  Personally, I can find inspiration in everything I’m curious about—from medicine to cocktails, black holes to macramé, steampunk to quiet literary fiction.  In every category, a smart, thought provoking, well elucidated book inspires me to seek out more about the subject, or read more of that author’s work, or go out and try to find something similar that will become someone else’s inspiration.

We often tell our clients to find models for their work. Whether it’s a bestselling novel or a piece of contemporary art, someone out there has undoubtedly grappled with some creative problems similar to yours with inspiring results.   As agents we take our own advice.  We sign up projects because we just saw a play we loved that dealt with a similar topic or because we’re currently wearing out the new Adele CD and want to read the literary equivalent.  We digest a newspaper piece that gets us thinking and the next thing you know we’re looking for a writer to shape it into a full-length nonfiction narrative.  And so on, ad infinitum.

Lately, I’ve been inspired by Dr. Seuss and Patti Smith.  How about you?  What’s inspiring you these days?

1

The Latest at DGLM

As tradition would have it, it’s time again to fill you all in on what’s been going on here at DGLM. In a new, never-before-seen development that will surely knock your socks off, bowl you over with a feather and land you on your seat, I’m the one who will be letting you in on all the recent book sales instead of Lauren. How’s that for a plot twist? You never really do know, do you? Oh stop it, don’t get too nervous, calm down. I won’t do anything too crazy. Before we all lose our nerves, let’s just get started.

Michael kicked things off with author and E! Executive News Editor Ken Baker’s Fangirl, a very modern love story about a girl with a knack for songwriting meeting and falling for the pop star she idolizes, which he sold to Lisa Cheng at Running Press.

Bestselling cookbook author Steve Raichlen’s The Hermit of Chappaquiddick, a story of love, loss and redemption followed, which Tor’s Bob Gleason bought from Jane.

Then Jim sold Shannon Jamieson-Vasquez at Berkley a book called The Devil I Know by Jackie Barrett, the true story of a psychic medium’s correspondence with convicted Amityville murderer Ronnie DeFeo, which leads her into an investigation of what really happened the night he killed his family.

Noted chef and entrepreneur Debra Ponzek’s The Modern Cook’s Survival Guide, a cookbook that highlights the go-to favorites of the American palate and provides seasoned advice on how to perfect those foods, was sold by Jane to Kristin Wiewora of Running Press.

John came in next with Shandy Lawson’s debut YA novel LOOP, set in New Orleans, about two teen lovers desperately trying to break out of a time loop that always ends with them being killed in a botched robbery, which he sold to Emily Meehan at Hyperion.

Jane’s next sale went to Kate Hartson at Center Street forA Funny Thing Happened on the Way to Adulthood by Marion Grodin. The daughter of actor/comedian Charles Grodin, Marion struggled growing up in the shadow of celebrity and faced down a number of demons during her bumpy road through adolescence. Her book captures Grodin’s “addiction-laden, hilarious, heartbreaking, and ongoing journey toward standing on her own two feet and stepping, finally, into her own light.”

Joe Oestreich’s memoir Hitless Wonder: A Life in Minor League Rock and Roll, which details him coming to grips with age and realities while on a two-week tour with his long-running band Watershed, was also sold by John, this time to Mary Norris at Globe Pequot.

Following the successful Fresh from the Vegetarian Slow Cooker, Stacey sold Robin Robertson’s new cookbook, Fresh from the Vegan Slow Cooker to Dan Rosenberg at Harvard Common Press. Robertson’s latest will feature over 200 recipes.

Stephanie sold Anita Porterfield and Marie Sprague’s In the Crosshairs, an investigative piece of narrative non-fiction that recounts the events of the Fort Hood massacre and raises questions regarding the shooter, government cover-ups, and military work environments, to Hilary Claggett at Potomac Books.

Stacey’s next sale went to Mary Norris at Globe Pequot press for Peyton and Diane Goddard’s I am Intlgent, which is an inspirational memoir written by a nonverbal autistic woman and her mother, describing their experiences of the girl’s difficult and abusive childhood, her eventual ability to communicate with the outside world, culminating in her graduation as valedictorian of her class from college, and her work now as an advocate for disabled individuals without a voice.

Suzanne Young’s The Program, in which teen suicide is an epidemic and a girl struggles to stay out of the Program—a preventative treatment that will erase her memories—in order to save herself and the boyfriend who’s already forgotten her was sold by Jim to Jennifer Klonsky at Simon Pulse.

Expanding on his work in Strategic Intuition, Bill Duggan’s Creative Strategy turns that concept into a method and plan that strategists can use. Michael sold this to Myles Thompson at Columbia University Press.

And finally, Jane sold author of Writing Tools, The Glamour of Grammar, and the forthcoming Help! for Writers, Roy Peter Clark’s How to Write Short, a book on communicating effectively in short form writing to Tracy Behar at Little, Brown.

As you can probably see, it’s been a pretty busy month here at DGLM and we really have no intention of stopping any time soon. And if you read the list above in a booming orator’s voice espousing the newest great ideas and innovations, then you’ve matched perfectly how it sounded in my head as I was writing. It’s BEA this week, so everyone’s more excited than usual about new books, new writers and new ideas—I encourage you to also proclaim your work below just as proudly as we have here.