Category Archives: Stacey

15

A tale of a successful query

by Stacey

We have been talking a lot about what our blog readers are looking for and how we might be better able to give it to them. Insights into our selection process seem to be well received, so I thought it might be a nice exercise to share with you (with the author’s permission) a query letter for a YA novel I recently signed up from the slush pile. What I’ll do is paste the letter below in its entirety and then comment on the letter itself below that to try to describe to our readers why it grabbed my attention and why I think it worked.

Here’s the pitch:

Three years ago Lexi Strauss was an ordinary freshman girl at Covington High. She had a dramaholic, boy-crazy best friend that she adored. And her biggest dilemma was figuring out how to get Xander, her older brother’s gorgeous best friend, to see her as more than just “Little Lexi.”

All those normal pieces of her life were stolen from her the night her family was murdered.

Now she has gruesome nightmares every night—reliving the horrific crime that she witnessed. The man in black, all the blood and screams and that metallic wrong smell…. She can’t tell anyone what really happened that night because what she did is almost as bad as what she witnessed.

Those first two years after it happened she lived in constant darkness. Even Aunt Jenny—her inveterately cheerful guardian—couldn’t bring her back into the light. When Lexi reunites with Xander the summer before her senior year, she can feel herself slowly start to heal. But when she returns to her old high school, it seems her family’s murder isn’t the only lingering mystery in Covington Hills.

She should’ve known the healing was too good to be true. No one gets away with murder…for very long, anyway.

The Killing Breed, 69,800 words, is a young adult novel. Thank you for your time and consideration. Pasted below is a brief synopsis and sample chapter. The full manuscript is available upon request.

Here are my comments on the pitch:

Three years ago Lexi Strauss was an ordinary freshman girl at Covington High. She had a dramaholic, boy-crazy best friend that she adored. And her biggest dilemma was figuring out how to get Xander, her older brother’s gorgeous best friend, to see her as more than just “Little Lexi.”

First, let me start by saying that opening line is a grabber. It’s filled with descriptive elements without being overwritten or overly wordy. It also has the right tone for a YA query, the same tone that I’d want to see in the book itself, using words and phrases that will resonate with younger readers. The query letter needs to be indicative of what the book will be, and having the right tone is important.

All those normal pieces of her life were stolen from her the night her family was murdered.

Shocking revelation, simply stated. Gets the facts out clearly and concisely, and sets up a big part of the plot. This has all happened in just four sentences. A lot of information in a brief pitch. Brevity is good.

Now she has gruesome nightmares every night—reliving the horrific crime that she witnessed. The man in black, all the blood and screams and that metallic wrong smell…. She can’t tell anyone what really happened that night because what she did is almost as bad as what she witnessed.

Here’s some more plot description, and it’s intriguing. But more than that it really tells us a great deal about the story, and about the main character. Incredibly descriptive with clear, concise prose.

Those first two years after it happened she lived in constant darkness. Even Aunt Jennyher inveterately cheerful guardiancouldn’t bring her back into the light. When Lexi reunites with Xander the summer before her senior year, she can feel herself slowly start to heal. But when she returns to her old high school, it seems her family’s murder isn’t the only lingering mystery in Covington Hills.

This gives us even more detail about the timeline, about the key relationships in the book, and a bit more, but not too much, about the plot.

She should’ve known the healing was too good to be true. No one gets away with murder…for very long, anyway.

The voice is here again. It reads like what a kid going through this might think or say. Simply and matter of factly. Conversational.

The Killing Breed, 69,800 words, is a young adult novel. Thank you for your time and consideration. Pasted below is a brief synopsis and sample chapter. The full manuscript is available upon request.

Overall, this query works for me because it gives the reader a very clear picture of the tone of the book, and indicates that the voice is age appropriate. It offers enough detail about the plot to make it sound interesting and make the reader wonder what happens next. And it’s concise. There’s not one word or sentence that doesn’t have a pointful purpose. Think about flap copyif you can’t pitch your book in the amount of space on the inside of a book jacket, neither can your agent or publisher! If you really feel the need to go into greater detail about the fine points of the plot, you can always include a synopsis, but the initial pitch should grab your attention and give you just enough to make you want more.

One final point on things I like to see in a query that were not included here. It’s always helpful to see that an author has researched me and my books, and then indicate that his or her project might suit my list as a result. That type of personal attention goes a long way in making something stand out. Also, it’s a good idea if you can come up with a valid comparison to another book or books in the marketplace that might appeal to a similar audience. Finally, a bit of background information about the author’s personal life, and any previous writing experience or credentials. All of it should be brief, and professional.

Hope this has been helpful. If you have any questions, ask away and I’ll do my best to answer them!

4

People’s picks

by Stacey

My magazine pile has diminished the last few years as I’ve had less time to spend flipping through glossy pages. But I still like to keep up with the ultimate guilty pleasure, People, not only to follow the latest celeb gossip, but also to keep my finger on the pulse of what’s truly commercial as far as music, tv, and yes, even books. Their regular book coverage is such an unusual blend of titles, almost always paying attention to the books that everyone is talking about, the commercial ones at least. A few recent books reviewed or covered include the new John Grisham, Nora Ephron’s latest nonfiction, former White House communications director Nicolle Wallace’s first Washington novel, and Jessica Seinfeld’s second cookbook. Earlyword.com has a list of all the books they review each week. You can see the broad range of well-known and noteworthy authors, but I wonder if they don’t compromise on quality when considering what to highlight and if they don’t underestimate that their readers just might be interested in a more literary novel, or a more serious piece of nonfiction.

The coverage is limited to just a few pages per issue so there’s not a lot of room for lots of titles. Given that fact, I’m fascinated that they almost always give 3-4 stars (out of 4) to everything they review. So does that mean they only review books they think are really good? Or are they choosing titles they think their readers will enjoy? Or do they have really easy critics? Or is it just books that they know are the ones that will be getting the most publicity in other media? If the latter is the case, I’d be surprised that they are all so well reviewed. I don’t know the answers, and I think it’s probably some combination of all of these things, but I know I’m always curious to see what’s highlighted each week. And while I don’t always like their reviews or the books they choose to focus on, I am grateful that they still have a Books section at all in this difficult market!

I wonder what our readers think of People‘s choices, both in terms of what they are highlighting and reviewing, and if the reviews have any weight with consumers buying books. I’m not sure there’s much direct impact on sales, especially since so many of the titles are also covered in other media, but I do think the number of eyes the magazine gets is great publicity for any book that’s covered, especially since it’s bound to get a good review! Is People worth reading for book reviews and coverage, and have you ever purchased a book because you saw it in the magazine? Let us know, we’d love to hear from you.

6

Social networking means business

by Stacey

Everyone talks about how important social networking is for marketing and promoting your book, both before you’re published (especially for nonfiction, where without a sizable platform you’re dead in the water before you even begin) and after. That it’s important is not new news, but I found this piece in Publisher’s Weekly about a recent webcast about digital marketing interesting because it goes into detail on just how social networking influences consumer buying habits. This offers a small way to quantify its impact on selling books. And the numbers are pretty powerful — “consumers are 67% more likely to buy from the brands they follow on Twitter, 51% more likely to buy from a brand they fan on Facebook, and 79% more likely to recommend brands and products they follow on social media.” I also like the suggestion “Don’t spray and pray. Listen, reply and engage.”

To me this piece serves as yet another reminder that whatever your goals as a writer might be, it’s important to find those important connections to others both inside and outside the community. It all starts with talent, and sending out a message or a piece of writing that your audience can connect with in a meaningful way. The broader your reach, the easier time you will have finding agents and publishers to pay attention to you and the work you’re doing. The numbers prove it!

Books on food

by Stacey

I’ve been really into food and cookbooks lately, as I’ve mentioned, both because I represent a lot of them and because I love to eat (plus I’m trying to cook more, in my dreams at least). There is a lovely little indie bookstore in San Francisco, Omnivore, that a couple of my clients have done events at, and that I visited when I was in SF last spring. It’s totally adorable and they have a wonderful, eclectic, well-curated selection of classic and contemporary books about all things food and wine. They get great authors to visit, even though the store doesn’t hold more than a couple of dozen people and even then it’s tight quarters. It’s worth checking out if you’re in SF, or even if you’re not, you can subscribe to their newsletter, which is always a lot of fun to read. Enjoy!

5

Freckleface Strawberry Live!

by Stacey

Following up on my piece last week about book to theater adaptations, I was happy to learn that this type of thing is also taking place on the kid’s side. The actress Julianne Moore’s first children’s book, Freckleface Strawberry, has now been adapted as a stage play, with music! You can learn more about it at the website or read the review in today’s Huffington Post or New York Times. One thing I really love about this show is that they offer a Study Guide on the show’s website which talks not only about the book and its positive messages for children of all ages, but offers ways in which all of us can help kids develop their own self-esteem, and teach kids to appreciate each individual’s uniqueness. As the study guide says, “After all, differences are what make us individual and special.”

To me, this book to show adaptation illustrates another great way in a tight market to broaden a book’s audience, keep it relevant, and generate additional publicity for the book years after its release in bookstores. I’ll be ordering the book myself, and will definitely try to take my kids to see the show. If any of you have the book or have seen the show, let us know what you think and if it’s really as cute as it looks!

3

Gatsby personified

by Stacey

Before I had kids, I had time and money to go to the theater. I went a lot and really enjoyed it. I also read (and still read) a lot, both for work and in my personal time. I was pretty fascinated by two recent pieces in the New York Times about the new show, Gatz by Elevator Repair Service at The Public Theater, one by Charles McGrath and the other by Ben Brantley. Although McGrath has some criticism about the play’s approach, both pieces describe the show as such an interesting and experimental way to adapt a book, and I love the way Ben Brantley explains the connections between reading and watching a show. It sounds like this clever and contemporary retelling of a classic book brings on stage brings it to life in such a unique and exhilarating way. I like how Brantley explains it: “Books and theater are different arts, and they frame reality in different ways. This is the first time I have ever felt those frames become one.”

Our business is changing all the time, and with books seeing so many transformations in the digital arena, this feels more in my comfort zone, like a big bowl of mac and cheese. An interpretation of a classic and well-known book that’s played out live and in person, on a stage with actors and a simple set, using familiar words in an unfamiliar way. If any of you lucky readers have a chance to see the show, let us know what you think since I don’t think I’m getting there this time around.

2

Cookbook heaven

by Stacey

I love cookbooks. Mostly because I love food. Having worked on many amazing cookbooks over the years, I enjoyed seeing this eclectic list that Epicurious.com compiled for their 15th anniversary of their favorite cookbooks since 1995. It’s nice to see our own Alice Medrich’s Chocolate and the Art of Low-Fat Desserts, which Jane represents, as their #1 pick! There are some classics, and some familiar faces (no Rachael Ray?!), and of course it’s such a small sampling of the many wonderful books available. Enjoy looking at these, and I hope they inspire you to cook something fun and different, or at least to read some of the books listed, even if you don’t actually have time to cook — one of my favorite pastimes, especially with four little ones at home!

2

Advice from a published author

by Stacey

While reading today’s AOL headlines, I came across this concise summary about getting published written by Lisa Johnson Mandell, a published nonfiction author. I don’t think she says anything we haven’t heard before, but it still bears repeating, and she does sum it up pretty nicely for the novice author. Plus she offers some direct advice from her reputable agent, which is valuable and right on target. The title of her piece is a bit misleading since she talks at the beginning about self-publishing a book, which she’s right might be easier than you’d think, but the suggestion that going the more traditional agent and publisher route is easier than you think is a bit of a stretch. It’s harder than ever in many ways with the market being so competitive, and finding an agent and publisher requires a lot of things to go write (a pun, not a typo). Enjoy!

3

The parenting shelf

by Stacey

I get a newsletter from The Skinny Scoop about all kinds of parenting topics, and this post made me think about parenting books and how many we buy and either don’t read, or read a chapter of and file it away. In our new house which is sorely lacking bookshelf space (see Lauren’s photo of my book closet), I took a precious shelf and dedicated it to parenting books I’ve bought or received over the years. It runs the gamut from fertility books to pregnancy books to baby naming books to taking care of baby books, and finally (lucky us!) to books about having and raising twins. Many didn’t make a lasting impression, and some turned me off completely with their alarmist and ultra conservative advice, but there are definitely a few I’ve passed on (mostly about sleep training) like The Baby Sleep Solution, which helped us get our twins sleeping through the night in a flexible way, and Twinspiration, a smart, realistic guide for parents of twins which should get a prize for most clever title.

What are your favorite parenting books, and which ones did you hate?

2

Brand and platform building basics

by Stacey

We talk about a wide array of publishing topics on our DGLM blog, and in thinking about what to write for my longer entry, I looked back at our marketing and publicity posts and realized there was an opportunity to cover some new ground by discussing brand or platform building for nonfiction authors. I feel like so much of my time lately is spent speaking with and/or writing to nonfiction aspiring authors who are interested in writing a book, but are working on building their brand or platform to get to the point in their career where a book is viable. We are not branding managers, but helping authors to build their brands and platforms has become an important part of our job, in particular for nonfiction authors—advising, coaching, and making suggestions about ways in which an author can build their brand effectively and across multiple platforms. I’ve begun describing the process as akin to making a pizza, with the book project being one piece of the bigger pie. In order for the pie to be complete, all of the other pieces need to be in place. This is a different model than it used to be. When I first started agenting twelve years ago, many authors were able to build their brand by starting with their book project if they had a great new idea, or a fresh twist on an existing one. The book then gave them the credibility and opportunity to branch out into other areas. That is no longer an option for authors and publishers. Instead, authors must present publishers with a publicity and marketing plan in their book proposals that rivals a pr firm’s. It has to be professional, polished, and very, very thorough. It should list ways in which the author has established their brand or platform in three key areas: print, television, and online. Print consists primarily of magazines and newspapers; television can be anything from local or national tv segments (think the Today show) to hosting or co-hosting a reality show; and online has endless possibilities, from blogs to websites to Facebook, Twitter, and YouTube, there are countless online opportunities to be mined.

To give you a couple of examples of very different authors who have worked hard on their brand building, and done it with some measure of success, there’s Tori Spelling, who has a new book out, which talks on her book’s promo copy about being her own brand: “It’s not every Hollywood starlet whose name greets you on a Virgin Airways flight into la-la land. But Tori Spelling has come to accept that her life is a spectacle. Her name is her brand, and business is booming. Too bad when your job is to be yourself, you can’t exactly take a break.” She’s a celebrity (even if most would consider her C-list), so it’s easier for someone like her, but she’s still taken her celebrity and used it in a numbers of ways to expand her brand. Books, products, shows, etc. and she seems to be continuing to come up with new ideas all the time.

Another author who strikes me as having done effective brand building recently is Zac Bissonnette, author of Debt Free U. Here’s a brief piece about him and his book that describes how he has been doing financial writing since high school. I’ve been seeing him and his message in all three key categories in recent weeks since his book’s publication. He’s no Suze Orman yet, but he’s well on his way considering he’s still in college!

In my own personal experience, a mother-daughter memoir I recently sold was the result of over two years of hard work the authors undertook after a branding/platform building conversation we had when I explained to them that I thought their story had merit (it’s about the daughter’s diagnosis of bipolar as a young adult), but that they needed to begin to speak about their story, and become prominent figures in the mental health community. Because they are so compelling and hard working, in a relatively short time, they’ve been able to do just that, and are now really changing the face of mental health. Their book when it is released in 2012 will be another piece of their pie.

Another story from my own list illustrates the brand/platform building concept. Allison Fishman is a well-known and respected chef and cooking school instructor who I know from high school. For years we talked about building her platform and the best timing for a book project for her. While I was on one of my maternity leaves, I saw that she was co-hosting a Lifetime show, Cook Yourself Thin, and that the accompanying book had become a #1 New York Times bestseller. I contacted her and told her the time was right to get a book proposal out for her with that piece of the pie in place, and we ultimately found her a good home for her first solo effort, which will release next spring. Years of hard work and dedicated platform building finally paid off in a book deal.

If you find you need help to build your brand, there are resources out there and a new industry is emerging as this type of brand building becomes more important in today’s marketplace. Branding agents and managers, like publicists, work with not only authors, but celebrities and experts of all kinds, to help them manage the ways in which they can extend themselves into the marketplace in a positive and productive way, building on existing coverage and relationships without over saturating any one area of the marketplace. I’m hoping even more of these branding managers pop up because I think the need is there for these services, and from what I can tell, the pool of people out there doing this for authors is still pretty limited. I’d expect it to be a real growth area in the coming years. If there’s anyone any of our readers have worked with or know of who you can recommend, let us know.

To a certain extent, the brand building needs to be strategic, and looked at from a short term and longer term perspective. I often ask authors if they have a plan for the next year, three years, and five years. Once they develop their goals, the work to get there can begin. All of that said, it’s impossible to follow a straight path when things come up that could change the trajectory so it needs to be flexible. For example, if you are writing for several websites and blogs and get an opportunity to do a column at a national magazine, you jump at the chance, even if it means cutting back on other areas for a short time because the opportunity to gain major national exposure is an A-list brand building goal.

There are always a myriad of ways to get to where you want to go, and these are just a few basics for what to consider if you are embarking on this journey. We are always looking to find authors who have a positive, original message to share, and have managed to build their brand to a level that it can support a book. We’d love to hear about any brand building success stories out there if you’d like to share. There’s a lot to learn from those who have managed to do it successfully.