Longlisted for the 2014 National Book Award for Young People’s Literature

Andrew Smith’s 100 SIDEWAYS MILES

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New York Times Bestseller

Tammara Webber’s BREAKABLE 

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New York Times Bestseller

Suzanne Young’s THE TREATMENT 

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New York Times Bestseller

Colleen Hoover’s MAYBE SOMEDAY 

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New York Times Bestseller

Raine Miller’s RARE AND PRECIOUS THINGS 

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New York Times Bestseller

Molly Wizenberg’s DELANCEY 

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The 2014 Winner of the Boston Globe-Horn Book Award for Fiction

Andrew Smith’s GRASSHOPPER JUNGLE 

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James Beard Award Winner

James Ahern and Daniel Ahern’s GLUTEN-FREE GIRL EVERY DAY 

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USA Today, Wall Street Journal, and New York Times Bestselling Series

Abbi Glines’s SEA BREEZE SERIES 

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The Winner of the 2014 Pulitzer Prize for General Nonfiction

Dan Fagin’s TOMS RIVER

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The 2014 Winner of the William C. Morris Award

Stephanie Kuehn’s CHARM & STRANGE

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USA Today, Wall Street Journal, and New York Times Bestsellers

J.C. Reed’s SURRENDER YOUR LOVE, CONQUER YOUR LOVE, and TREASURE YOUR LOVE

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WEEKNIGHT WONDERS by Ellie Krieger

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DARK CURRENTS and AUTUMN BONES by Jacqueline Carey

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HOTHOUSE by Boris Kachka

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New York Times Bestseller

FALLING KINGDOMS by Morgan Rhodes

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“#1 New York Times Bestseller and Major Motion Picture

VAMPIRE ACADEMY by Richelle Mead

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#1 New York Times bestseller, Soon to Be a Major Motion Picture

THE MAZE RUNNER by James Dashner

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Wall Street Journal Bestsellers

THE SISTERHOOD and WAR BRIDES by Helen Bryan

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New York Times Bestseller

THE EYE OF MINDS by James Dashner

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USA Today, Wall Street Journal, and New York Times Bestseller

THE EDGE OF NEVER and THE EDGE OF ALWAYS by J.A. Redmerski

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New York Times Bestsellers

WAKE, FADE, and GONE by Lisa McMann

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#1 New York Times Bestseller

LOSING HOPE, FINDING CINDERELLA and HOPELESS by Colleen Hoover

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New York Times Bestseller

YOGALOSOPHY by Mandy Ingber

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MURDER AS A FINE ART by David Morrell

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0

Second Time Around

Have you heard of sophomore slump? A phenomenon that plagues authors, musicians, and artists of any stripe when their second thing is judged a disappointment by critics and/or fans.  Maybe because you’re going up against inflated expectations, created by the glory with which you first burst upon the scene. Because as hard as it is to live up to your heroes, it can be just as difficult to live up to yourself.

Throes of Creation by Leonid Pasternak

Throes of Creation by Leonid Pasternak

The other theory is that your first thing—book, play, album—is amazing because it’s been stored up in you for so long. You’ve spent years thinking it over, dreaming of it, honing your skills to bring it into the world. Your second thing may not have germinated in you as long, or your authentic inspiration may be altered by feedback to the first thing or by your own anxiety over meeting the world’s expectations. On the other hand, don’t you learn a lot in the process of creating the first thing? Authors get better with every book, if they’re doing their job right and if their agent and editor are doing their jobs right.

Whatever the causes and pros/cons of the sophomore slump syndrome, authors need all the support they can get for their second title. The first book might make a name for you but the second book is where you start to make a career. And one online publication is turning its eye to this overlooked corner: along with the Whiting Foundation, Slate is founding a prize especially for second novels.

Now, the Slate/Whiting Second Novel List might not be as prestigious an award as a MacArthur Genius Grant or a Pulitzer Prize (yet) – as Slate itself acknowledged. “It’s akin to being retweeted by your literary idol, or finding out that the classmate you have a crush on thinks you’re cute. A mash note from the cosmos!” But as an avid backlist treasure hunter, I love that they’re looking at the last few years of published books, not just moving into the future with this honor. As Slate’s culture editor Dan Kois put it, ”Books don’t have an expiration date like a carton of milk; we believe that it’s worth going back to the shelves to discover what we’ve missed.”

What do you think? Do authors get better with each book? Any favorite sophomore novels you recommend?

1

Read Your Work

Fall is upon us, my children are back in school, and I am actively looking for new material.

As ever, I’m on the hunt for plot driven literary fiction—think Ann Patchett’s STATE OF WONDER or David Mitchell’s THE BONE CLOCKS, but I’m keen to find more than fiction.  I represent a real range of narrative nonfiction, including but not limited to memoir, big-think economics, women’s issues, history, science (and history of science) and lots of other subjects besides.

Perhaps it is ironic (given that there are many writers who might rather give them up) but I am particularly interested in people’s day jobs.  If it so happens you are seated beside me at a wedding, I’m the gal who is happy to hear you go on and on about your job, so long as I can pepper you with questions. For me, shop talk beats small talk, and most people are better at discussing their work than the weather (unless you’re a meteorologist). This past month saw the publication of two books by clients of mine who were writing about their work: Judy Melinek and TJ Mitchell’s WORKING STIFF, about Judy’s training as a forensic pathologist, and BEHIND THE GATES OF GOMORRAH: A YEAR WITH THE CRIMINALLY INSANE by psychiatrist Stephen Seager.

Being an agent is usually regarded as a selling job–and it certainly is that.  But before the pitching can commence, ours is a listening job.  So if you’ve got an interesting career (vulcanologist, code-breaker, bike-messenger, rock-climber, epidemiologist, hostage negotiator, hotel manager etc. etc.) have a story to tell and the ability to tell it, I’d love to read your work.  Literally.

1

My Fall/Winter Reading List

I’m really excited for pretty much every upcoming fall/winter book, but I know I won’t have a chance to read everything I want to. I don’t have enough time. So I have narrowed my blog today down to the following selections that will take precedence on what looks to be a very ambitious reading list these next few months.

A debut novel from a talented writer about a young woman growing up in a poor Irish family with a stream of consciousness narrative. Definitely worth a look.

Howley’s year-long immersion following two MMA fighters sounds fascinating. A captivating narrative that analyzes the philosophy behind MMA fighting is sure to raise some eyebrows.

I love NPH. He’s extremely talented, not to mention the clever structure of this book. I expect great things, but then again, I never expect anything less from NPH.

Yes please, I’ll have a copy. She’s funnier than Tina Fey–don’t let anyone tell you otherwise. Parks and Recreation is hilarious.

Because how could I not read Louis Zamperini’s autobiography after Hillenbrand’s Unbroken?

A unique World War II story about the brutal murder of a Japanese family and those investigating it. Ellroy’s latest is receiving a lot of buzz. Color me intrigued.

Honorable mentions:

LACY EYE by Jessica Treadway

I’ve already read this book, but wanted to include it hear because I strongly recommend it. A suspenseful, haunting read.

TO RISE AGAIN AT A DECENT HOUR by Joshua Ferris

Published this summer so not technically a fall/winter book, but Ferris’s novel has been on my list for a long time and was recently shortlisted for the Man Booker Prize in 2014.

What are you most excited for this fall?

1

The name game

There’s nothing quite like starting off a new season with a book sale, particularly in Autumn, when the summer’s lethargy fades and it feels like everyone in publishing is back on the hunt for new work. And happily enough, I was able to place a middle grade novel that I absolutely loved, made even more gratifying by the fact that, full disclosure, it took quite a while to find its home. But back-patting aside, I wanted to share this story because it speaks to the importance of a really good title.

So, the first time I sent the novel around, it had what I thought was a snappy title—two words that rhymed, which seemed quirky and fun, plus it came from a line in the book, which is always a good thing. Yet, on the first round, despite some enthusiastic reports and near misses, we didn’t end up with a sale. And after enough passes, for which a lot of editors said the same thing, the author and I decided to table the novel for now and work on something new.

But then, a few months after we put it aside, the author came back to me and asked if we could try again with a new title. He just had a feeling that the original title wasn’t quite representing the substance and tenor of the book. Instead, he suggested a three-word phrase that was much more literary and ambiguous, though still taken from a line in the book. So, we gave it another shot, and lo and behold, the offer came in about a month later!

Now, there could certainly be many other variables here at play—the timing of the submission, not finding the right editor until late in the game, the holes in the editor’s list, etc. But I do think that the new title reframed readers’ expectations about what was inside and put them in a different mindset when reading it. Yes, titles can be a struggle, and since publishers almost always contractually control the title, the struggle can seem counterproductive at times. But I hope this story shows how important it is to find a title that truly reflects the book—and at the same time, if the title isn’t quite working but the content’s there, a title change just might be what the doctor ordered…

0

A list is a list is a list

Recently, I was challenged by a friend on Facebook to list 10 books that had “stayed with me.”   Normally, I enjoy those types of FB challenges as much as I do folding three weeks’ worth of laundry and I often decline to participate.  But, given my line of work, it feels churlish and ungenerous to refuse any opportunity to share what I consider to be one of my life’s  great passions, so despite the ambiguity of the challenge—“Stayed with me” how?  In a good way?  In a throw-it-across-the-room-in-a-fit-of-rage way?  I mean, I hated everything about The Scarlet Letter, but it stayed with me.  And don’t even get me started on The Goldfinch—I went ahead and posted my list.  

Thing is, I find listing books for any purpose—favorites, tree killers (those that are a waste of paper), recommendations, etc.—a trying activity simply because there is so much to choose from and there is such judgment implicit in every choice.    In fact, no one is as judgmental as a book lover.  Admit it, you have mentally demoted friends and lovers based on their book preferences.  You have gloated (internally or otherwise) about how much better your taste in literature is than anyone else’s.  You have shamed people publicly after finding out they’ve never read a certain author’s work (okay, maybe that’s just me…and, the rest of the DGLMers).  So, there’s no way to pick the best of any category of books without great screeches of dissent, anger, hostility, possible projectile throwing.

And the weird thing is that I love book lists.  Other people’s that is.  I love nomination lists, seasonal lists, lists about books featuring animal protagonists, whatever.  I will happily read lists about lists of books.  In fact, you can keep your Booker and Pulitzer and National Book Awards, just hand me their shortlists.   Given the proliferation of lists on the Internet, I suspect I’m not alone.

To that end, and because it’s back to school, time to get serious about reading again, here’s The Millions’ Lists page where you can get as lost as the kid from The Phantom Tollbooth.   Go crazy and then tell me what your favorite book of the year thus far is.

 

2

Coming Not-So-Soon

There’s nothing like the excitement when your favorite author announces the pub date of their next book. You can hardly wait! A year, or a year and a half, sounds so far away! You imagine yourself springing out of bed on pub date, running to the local bookstore, seeing the long-awaited cover sitting there on the NEW RELEASES table. Or maybe you set a pre-order alert online and then you’re crouched over your e-reader at midnight, eager for the new file to blip onto your screen.

Well, for Margaret Atwood fans, and the fans of other to-be-announced authors, that excitement is not to be. A library in Norway has announced a new, carefully curated collection of books affiliated with a newly planted forest. The books in this collection will be published on paper coming from the trees in the forest…starting in 2114. That’s right – a hundred years from now!

trees Margaret Atwood, always adventurous in her fiction, is excited to be a part of this experiment, loving the idea of the distance of time between her and the critical reception of the book. She noted, “When you write any book you do not know who’s going to read it, and you do not know when they’re going to read it. You don’t know who they will be, you don’t know their age, or gender, or nationality, or anything else about them. So books, anyway, really are like the message in the bottle.”

But this is most provocative part of this program to me: Its funding grant includes provision for the library to invest in a printing press, to be sure they’ll have the technology to print the books when the pub date finally arrives, next century. Which struck me as a little bit odd – isn’t the important part of a book the story itself? The words, the plot, the characters? If, (a BIG if) in a century, printing presses don’t even exist, and books don’t even use paper…but people are still reading, and still excited for a collection of books from last century’s great authors…isn’t that just fine?!

What do you think?

Is it important for libraries or literary organizations to preserve the technology of physical books printed on paper if society is outgrowing it?

How would you feel if your favorite author were selected for this collection – excited that they were so honored, or upset that you would never get to read this particular work?

How would you feel if you were invited to participate as an author?

 

5

Why we do what we do

With my kids finally back in school and my twins finally starting Kindergarten, I feel like a new chapter of my life is beginning. And it’s one I’m really looking forward to. The focus is more on things outside of the basic needs of keeping small children alive, which in addition to working full-time, has consumed me in big and small ways for the better part of almost 10 years.

The last couple of years as my kids have grown and our amazing nanny and my supportive husband have enabled me to step up my work schedule, I’ve talked so many times to my kids (not to mention interns, editors and authors) about what I do, answered questions about what I like about my job (a lot — the creative process; working with smart, talented people; developing projects I’m passionate about; business lunches; the flexibility of my work schedule), what I don’t like (admin; industry challenges which include great books not selling or not selling well; commuting to NYC when I go in for meetings). I’ve also had many discussions about what my kids want to be when they grow up (so far, we have a pop star, a writer, a mom or Kindergarten teacher, and an undecided). There’s so much clichéd advice out there about doing what you love and doing what makes you happy, but it’s all so subjective and hard to articulate.

Now that it’s a new school year and my thoughts are with new beginnings, I wanted to share this lovely piece of writing advice from Elizabeth Gilbert. It’s not new or groundbreaking, but so much of what she has to say about writing and the life of a writer resonated with me. I especially loved the idea that you can begin a writing career at any age. It’s so true and how many jobs can you say that about?

So, enjoy the read, get inspired, and get to work on something you love. Let us know what that might be and what you want to be when you grow up, or grow old.

2

Schoolday reading

With the summer season coming to a close (I know, I know, it’s a harsh reality, but we all have to accept it), I was thinking fondly on how excited I used to get to go back to school. Clean, fresh notebooks, brand new pens, new seat assignments and, of course, finding out what books we were going to be reading that year.

I remember in elementary school when there was a whole separate class called “Reading,” and that was amazing. I relished in having read a little ahead of the class and knowing what was coming next and learning about the culture surrounding each book. I think my favorite thing, however, was when we read aloud, a paragraph per student, which was excruciating when it got to those who didn’t care or couldn’t read as well (by “well” I meant with emotion as a performance because I also fancied myself a budding actress. Naturally.), but was empowering when it was my turn and I got an especially long paragraph to say.

Reminiscing about some of my very favorite books we read in grade school, my mind immediately went to Scott O’Dell’s Island of the Blue Dolphins which immediately led me to the rest of the books in the series and will forever be remembered initially as the first time I learned what a cormorant was.

Number the Stars by Lois Lowry is another one that struck me hard and I think was the catalyst for my fervent love of middle grade and young adult fiction that centered on WWII, the Holocaust and wartime in general. The memories are coming back to me in floods now and my next immediate thought is of The Endless Steppe by Esther Hautzig about a family exiled to Siberia. I don’t remember too much about the plot (though I did just look it up), but I do remember declaring that it was my number one favorite book for a while…and of course it turns out that it also took place during the early 1940s.

And then there are those books that I remember pieces of, but have no idea what they might be. Struck with a thought, I just searched “wearing broccoli around your neck,” and weirdly, that worked. Apparently a fourth grade favorite of mine was called Be a Perfect Person in Just Three Days by Stephen Manes. I should have known that searching “everything you touch turns to chocolate” would provide me with a book titled The Chocolate Touch by Patrick Skene Catling. Should have figured that one out, Rachel. I think I just liked that book so much because it’s actually a dream of mine to have chocolate whenever I want it.

It’s funny the way certain parts of stories, especially stories from childhood, stick with us even if the rest of the book doesn’t. Vivid scenes, like the making a cape of cormorant feathers in Island of the Blue Dolphins or the main character in In the Year of the Boar and Jackie Robinson learning how to play stickball (also when I learned what stickball was, myself). Is it because there is so much new information that we’re learning for the first time or because a kid’s imagination works in overdrive, much more easily able to relate fantastical stories to his or her own life?

Whatever the reason, it was a nice little trip down memory lane—and a relief that my images of broccoli necklaces and chocolate mailboxes were based on something real and not a sign that I’m going insane. What books immediately come to mind for you when you think back to grade school? Were there any that you remember hating? Loving? Maybe it’ll jog my memory, too!

1

Outlaw Pete

With the Labor Day weekend nearly upon us, I feel like the only books people are thinking about are which ones to take to the beach. But I did see this bit of book news on the Times site, and of course it made me sit up and take notice. Yes, the Boss, Bruce Springsteen, is diving into the picture book game, joining the ranks of many of his fellow dinosaur rockers. (Hey, that sounds like a picture book, too!)  Of course, “diving in” may be stretching it, since it sounds like Bruce pretty much just handed the lyrics to an illustrator, which is how these things usually go—though I do have dreams of Bruce waking up one morning and saying, ‘Gee I’d love to go to ALA this summer and pitch my book to all the teachers and librarians…”

What’s really weird about this one, though, and why it probably hasn’t been bigger news, is that the book is going to be published by the adult division. Which makes sense once you give the lyrics a read—yes, it begins with a cute image of a baby outlaw, but from there we get into guns, blood, death, knives, and a 25-year-old main character meditating on mortality and redemption. I’m not sure even Maurice Sendak could get away with all that!

So I’ll be curious to see how it plays out, but early signs aren’t encouraging. The cover image makes it look like a typical picture book, playing up the cute baby outlaw for kids who love cowboys, which seems like a bait-and-switch. Now, maybe it will be a wonderful book that will appeal to both adults and kids, and I’ll certainly reserve full judgment until it comes out. But on first glance, it does seem like the most cynical kind of celebrity/children’s publishing—let’s hope The Boss takes charge and gets it to that place where we really want it to go. And then we’ll walk in the sun…

 

1

Defining children’s categories

I often get asked what the differences are between a middle grade and young adult novel. I think with the success of the children’s category in general over the last decade or so, those answers have changed. There is a lot more overlap now between upper middle grade and younger young adult, and with older young adult to adult crossover. The books that work best in both categories are the ones that become widely read by boys and girls, children and adults. Think blockbuster series like Harry Potter, Hunger Games, Divergent and our own Maze Runner.

I found this article from my favorite source, writersdigest.com, about defining middle grade and ya fiction. While there is some really good basic beginner advice here, I do think that some rules were made to be broken. Don’t get caught up in word count to stick to category norms. Then again, don’t submit a manuscript that’s 150,000 words either. But straying 10k in either direction is totally fine.

Another important point to consider is that the majority of middle grade is third person, and the majority of young adult is first. You might think of this as children’s books 101 but I’ve had authors try to do third person YA and then find switching to first works a whole lot better for the book and the category.

I think that children’s books are opening up in many directions and kids today are able to digest a lot more than ever before. I see it with my own girls, two of whom are reading and two are about to be as they enter Kindergarten. Their minds are so open to the many adventures that await them in both middle grade and young adult novels. I can’t wait to share it with them! Please let us know about your favorite MG and YA novels, and if they follow the guidelines set forth by Writer’s Digest.