New York Times Bestseller

Tammara Webber’s BREAKABLE 

webberwebber

New York Times Bestseller

Suzanne Young’s THE TREATMENT 

youngyoung

New York Times Bestseller

Colleen Hoover’s MAYBE SOMEDAY 

hooverhoover

New York Times Bestseller

Raine Miller’s RARE AND PRECIOUS THINGS 

millermiller

New York Times Bestseller

Molly Wizenberg’s DELANCEY 

wizenbergwizenberg

The 2014 Winner of the Boston Globe-Horn Book Award for Fiction

Andrew Smith’s GRASSHOPPER JUNGLE 

smith_grasshoppersmith_grasshopper

James Beard Award Winner

James Ahern and Daniel Ahern’s GLUTEN-FREE GIRL EVERY DAY 

ahernahern

USA Today, Wall Street Journal, and New York Times Bestselling Series

Abbi Glines’s SEA BREEZE SERIES 

glines_seabreezeglines_seabreeze

The Winner of the 2014 Pulitzer Prize for General Nonfiction

Dan Fagin’s TOMS RIVER

fagin_banner_2fagin_banner_2

The 2014 Winner of the William C. Morris Award

Stephanie Kuehn’s CHARM & STRANGE

kuehn_charm_strangekuehn_charm_strange

USA Today, Wall Street Journal, and New York Times Bestsellers

J.C. Reed’s SURRENDER YOUR LOVE, CONQUER YOUR LOVE, and TREASURE YOUR LOVE

reedreed

WEEKNIGHT WONDERS by Ellie Krieger

krieger_weeknight_wonderkrieger_weeknight_wonder

DARK CURRENTS and AUTUMN BONES by Jacqueline Carey

carey_dark_hothousecarey_dark_hothouse

HOTHOUSE by Boris Kachka

hothousehothouse

New York Times Bestseller

FALLING KINGDOMS by Morgan Rhodes

falling_kingdomsfalling_kingdoms

“#1 New York Times Bestseller and Major Motion Picture

VAMPIRE ACADEMY by Richelle Mead

vampire_academy_movievampire_academy_movie

New York Times Bestseller, Soon to Be a Major Motion Picture

THE MAZE RUNNER by James Dashner

dashner_mazerunner_moviedashner_mazerunner_movie

Wall Street Journal Bestsellers

THE SISTERHOOD and WAR BRIDES by Helen Bryan

bryan_warbrides_sisterhoodbryan_warbrides_sisterhood

New York Times Bestseller

THE EYE OF MINDS by James Dashner

dashner_eye_mindsdashner_eye_minds

USA Today, Wall Street Journal, and New York Times Bestseller

THE EDGE OF NEVER and THE EDGE OF ALWAYS by J.A. Redmerski

redmerski_edge_of_neverredmerski_edge_of_never

New York Times Bestsellers

WAKE, FADE, and GONE by Lisa McMann

McMann SeriesMcMann Series

#1 New York Times Bestseller

LOSING HOPE, FINDING CINDERELLA and HOPELESS by Colleen Hoover

hoover_hopelesshoover_hopeless

New York Times Bestseller

YOGALOSOPHY by Mandy Ingber

ingber_yogaingber_yoga

MURDER AS A FINE ART by David Morrell

morrell_murdermorrell_murder

USA Today, Wall Street Journal, and #1 New York Times Bestsellers

FALLEN TOO FAR, NEVER TOO FAR, FOREVER TOO FAR, and THE VINCENT BROTHERS by Abbi Glines

glines_vincent_too_farglines_vincent_too_far
1

Defining children’s categories

I often get asked what the differences are between a middle grade and young adult novel. I think with the success of the children’s category in general over the last decade or so, those answers have changed. There is a lot more overlap now between upper middle grade and younger young adult, and with older young adult to adult crossover. The books that work best in both categories are the ones that become widely read by boys and girls, children and adults. Think blockbuster series like Harry Potter, Hunger Games, Divergent and our own Maze Runner.

I found this article from my favorite source, writersdigest.com, about defining middle grade and ya fiction. While there is some really good basic beginner advice here, I do think that some rules were made to be broken. Don’t get caught up in word count to stick to category norms. Then again, don’t submit a manuscript that’s 150,000 words either. But straying 10k in either direction is totally fine.

Another important point to consider is that the majority of middle grade is third person, and the majority of young adult is first. You might think of this as children’s books 101 but I’ve had authors try to do third person YA and then find switching to first works a whole lot better for the book and the category.

I think that children’s books are opening up in many directions and kids today are able to digest a lot more than ever before. I see it with my own girls, two of whom are reading and two are about to be as they enter Kindergarten. Their minds are so open to the many adventures that await them in both middle grade and young adult novels. I can’t wait to share it with them! Please let us know about your favorite MG and YA novels, and if they follow the guidelines set forth by Writer’s Digest.

0

Before the camera rolls

There is a book. Well, not always. But the other day surfing Netflix I realized just how many movies are based on books. There was an entire category devoted to them. And most were movies I had never realized were based on books.

So what’s the process behind turning a book into a movie?

One of the cooler things we do here at DGLM is meet with people in the film industry—production companies, packagers—basically anyone in development. In other words, we meet with people in the film industry who are looking for ideas, which they then bring to the studio, producer, or actor they’re representing.

In a very broad sense, these meetings are always the same. The producer is looking for great storytelling, there is a brief pause, and then we hear what the producer is actually looking for. Memoirs written by ordinary people who’ve lived through extraordinary things. Something geared toward an audience of middle-aged women. Something with a lot of action that can be done on a budget under $X. We then go back and forth with the producer explaining the various projects we have that might be of interest.

My point is that most people would be surprised how much the market dictates which movies eventually get to the “roll the camera” stage. Market and monetary constraints are king. So if there is a book you really, really want to see get made into a movie, be loud about it. If there’s a market, there’ll be a movie.

If you need further evidence, take The Fault in Our Stars, The Giver, and If I Stay, all films which were developed, in part, because of fan support.

So how about it? What do you want to see on the big screen?

1

Mentoring – giving and receiving

Last week marked the end of our summer interns’ time with us and I spent a while with a couple of them answering their questions about our business and, actually, about life in general. Spending time doing this—mentoring—is something I really enjoy and even learn from.

When I think of the subject of mentoring I realize I come by it honestly.  My father was my biggest mentor.  He did this all of his life and though I wasn’t always open to his advice, I have never forgotten it.  Several of my bosses as I was moving forward in my career also advised and mentored me in ways that proved invaluable.  As I think about this I can remember their advice and how I have implemented it over the years.

I began to mentor with my children—first with my daughter who is now a successful financial reporter for Reuters and of whom I am very proud—and then for my son who, having just graduated college, is just starting out on his career.  Watching them grow gives me enormous pleasure.

The same is true for the people with whom I work.  I try to mentor each and every one of them, although it seems at times there are too few hours in the day.  Still I find this one of the most satisfying parts of my job—sharing the wisdom I have been given is enormously gratifying.

Then there are my clients.  Much of what I do as I help them develop their ideas and sell their books is a kind of mentoring.  That, of course, often results in a financial as well as an emotional  payoff.

Ultimately though, for me, advising young people about our business is what I like to do best—even when I am not aware that I am “mentoring.”  Their success reflects back on our efforts.

I’d love to hear about your mentoring experiences—both the giving and the receiving.  Please share them with me.

4

The dead zone

This time of the year in publishing is affectionately known as the dead zone.  Everyone is either on vacation or too busy catching up on the piles that grew while they were beachside somewhere to return phone calls or e-mails, the normally swollen river of queries slows down to a babbling brook, and offers are all pending the rubber stamp of a boss who’s in some foreign land drinking copious amounts of wine.  A kind of lethargy sets in during the hazy month of August and it feels like the whole industry has been crop-dusted with Xanax.

For me, this lethargy translates into a kind of reading fatigue.  I find the idea of diving into a new book vaguely exhausting while simultaneously wishing for that reading experience that will act like a jolt of espresso to snap me out of my summer doldrums.  Instead of excited about starting the next book on my list, however, I’m feeling like it’s a chore.   I think that those of us who define ourselves through our crazy, passionate love affair with literature occasionally find ourselves muttering bitterly, “more words, words, words”  at the sight of a shiny  new hardcover 23 people have recommended.  This too shall pass I know from long experience.

When I found myself starting three different books, flipping through a few pages, and putting them down to play Candy Crush this week, I decided I needed a break.  So, I’m reading blogs, magazines, and newspaper articles, Tweets, FB posts (you didn’t think I’d stop reading altogether, did you?).  I’m watching House of Cards and the Little League World Series.  And, I’m processing the coverage of Robin William’s tragically premature passing.   (Here are a couple of sobering and interesting perspectives on the sadness at the core of Williams’ brand of creative genius:  A great essay in Cracked and Russell Brand’s eloquent print eulogy.)  In fact, as in all good relationships, a little time away from the object of one’s affections can be salubrious.

And, of course, during this book sabbatical, I’m making lists of the titles I’m going to dive into when my energy levels pick up.  I’m thinking big biographies might be in my future….

Tell me, how do you guys get over book fatigue?  Or do you never experience such a thing?

3

New York, New York, It’s a Helluva Town!

Sheep Meadow at Central ParkI am unabashedly fond of New York City.  I was born in Manhattan, to parents from the Bronx, where ¾ of my grandparents were from as well and where I lived as a child.   Since I grew up in the suburbs in New York State and moved back at 18 (other than a year-and-a-half stint at an Irish grad school I’ve been in NYC ever siWater Towers Near Union Squarence), I wouldn’t quite go as far as to call myself a New Yorker, but I love the place.  It has its flaws, but there’s nowhere else I’d want to live for more than the short term.  Conveniently, it’s also the center of the industry I’m planning to work in for the rest of my career and within driving distance (not that I know how to drive) of nearly everyone in the world I love.  You can tell me that it’s not the center of the universe or that there are far better places out there, and I will pretend to believe that is a perfectly reasonable opinion, but I’m not going to mean it.

Green-Wood Cemetery, the Prettiest Place in New York CitySo of course I was a sucker for Charlotte Jones’s blog post over at the Guardian on New York in books.  New York plus books?  Who could ask for anything more?  I haven’t read all of her selections, but am eager to pick them up.  Readers followed up with their own picks, which also helps add to my list.  From these, The Great Gatsby, The Amazing Adventures of Kavalier & Clay, and Let the Great World Spin are not just among my favorite Bright Lights, Big CityNew York books, they’re some of my favorite books period.  I’ve never quite realized that their New Yorkness might be part of the reason why.

I’m actually currently reading Meg Wolitzer’s The Interestings, which I’m really loving for how much it reflects my own adolescent feelings about New York (for better or worse).  And my splurge on last The Big Blue Whale at the American Museum of Natural Historyweekend’s sleepover at the American Museum of Natural History was partially informed by my childhood adoration of E.L. Konigsburg’s From the Mixed-Up Files of Mrs. Basil E. Frankweiler (about a different NY institution, of course, but my childhood love was reserved for the big blue whale and the brontosaurus more than anything you can find in the Met*).

I loved Rebecca Stead’s gorgeous When You Reach Me for its loving, complex depiction of city childhood.  The Wonder Wheel at Coney IslandNot to mention Patti Smith’s Just Kids, Siri Hustvedt’s What I Loved, Louise Fitzhugh’s Harriet the Spy, so many things by Judy Blume, Nicole Krauss’s The History of Love, and probably countless others I’m not thinking of. And it’s at least part of what drew me into my client Wayne Gladstone’s Notes from the Internet Apocalypse and Jane’s client Michael Callahan’s forthcoming Searching for Grace Kelly.

Don’t get me wroLady Liberty Salutes the Sunsetng, I love reading about other places, too, but when someone captures NYC just right, it fills my heart with joy and fond feeling.  What are your favorite NYC books?  I mean, my reading piles haven’t actually toppled over to kill me yet, so clearly there’s room for them to grow.  We like to build things up high here in New York City.

*Except for the Temple of Dendur, because of this other glorious locked-in-the-Met story from my childhood.

 

The Brooklyn Public Library    Prospect Park

 

 

 

3

Countdown to Publication

 

Like Miriam, I am an inveterate NPR listener (read: geek), and nothing makes me happier when two of my favorite things come together—my clients and my radio habit.

Tomorrow my client Judy Melinek, co-author of the memoir WORKING STIFF: Two Years, Two Hundred and Sixty Two Bodies, and the Making of a Medical Examiner, will be on NPR’s Science Friday. To kick it off, there’s a medical mystery to solve The Pink Eye of Death (is the cause of death natural or otherwise? You decide) up on the website.

Publication is always thrilling, particularly for first-time authors, and it’s especially exciting when good things are afoot. Reviews for the book have been glowing, there’s a TV option in place, interviews and features are in the works, and I’m counting the hours ‘til 2pm tomorrow. The book officially publishes on August 12th, but this is an excellent lead-in.

Scribner, the publisher, has been terrific.  Editors Shannon Welch and John Glynn worked on numerous drafts of the book—again, disproving the canard that editors “don’t edit.” The design team created an arresting cover, going so far as to correct their initial draft, which featured a blue gloved hand holding a scalpel as a surgeon might.  According to Judy, who is a forensic pathologist, both glove (too thin) and grasp (too delicate) were incorrect, and Scribner actually photographed Judy’s hand to get it right.

The book is also a labor of love; Judy wrote it with her husband TJ, a Hollywood screenwriter turned stay-at-home dad whose literary gifts nicely balance Judy’s scientific mind.  This was my first time representing a husband and wife writing team, and it seems that collaborating on a book, like never going to bed angry, makes for a happy marriage.  In any case, I’m thrilled for both of them.

As agents, we play many roles: we may be midwives, advisers, advocates, editors, but we are also, at heart, fans.  Undergirded as it is by genuine admiration, ours is a job that rarely grows old.  It is also significantly less hair-raising than forensic pathology.  Which–since I can live vicariously through my clients– is just fine by me.

Writer’s Digest x2

Coinciding with my turn to blog this week, I was fortunate to realize that one of my wonderful clients was kind enough to write a guest blog post on Writer’s Digest about the author-agent relationship, and share her experience at finding an agent and publisher.

There are a couple of reasons I wanted to link to the WD piece. First, I thought this post might be useful to aspiring authors. I think it gives a unique perspective that is just that – personal and individual. I always find stories of how authors got their start fascinating because they are all so similar in terms of the process but so different in terms of how it plays out. And there is something to be learned from each and every story. Beth talks here about how she got 32 rejections before she got to me. Persistence can certainly pay off, but so can paying attention to your rejections and learning from the feedback. She also talks about researching agents before you submit, a very important part of the process if you want to target an agent that is right for you and your work.

Second, I spent most of the day this past Saturday at the Writer’s Digest annual Pitch Slam conference at the Roosevelt Hotel in NYC where the several hundred attendees took turns pitching the many agents who volunteered to be there. Each author waited in line for the agent they wanted to pitch to, and then had 3 minutes to share their story. The day was broken up into 3 one-hour pitch sessions where they split up the attendees to make the room less crowded (I’m told it was the first time they did it this way, and it worked really well).  I really enjoy meeting aspiring authors in the trenches and seeing motivated people who are looking to improve their craft and network with professionals. It was a very fun, productive, exhausting day for authors and agents alike!

2

What do I read next?

It’s a question we’ve all asked ourselves. I often talk with friends, coworkers, and scour the internet looking for my next great read, but one avenue I almost never turn to is, perhaps, the most obvious: book reviews. Book reviews serve a variety of purposes, but their main objective is to help readers choose what to read next. I frequent the book review sections in papers, such as The New York Times, USA Today, and Wall Street Journal, as well as the “Briefly Noted” section in The New Yorker, but I can’t recall one instance in which I ever actually read a book recommended from one of these reviews.

So I’m wondering, am I alone in this tendency? Do others do the same thing: read book reviews but never actually pick up the books being reviewed? For some opinions on the matter, I turned to our interns. And I couldn’t have said it better myself.

When I’m trying to figure out what to read next, I don’t take reviews into great account. At bookstores, I make selections based on covers and jacket copy, but don’t pay much attention to endorsements and praise unless it’s coming from someone in whom I already have an interest (typically, authors whose books I have enjoyed.) On my iPad, I usually select from whatever Oyster recommends based on other books I’ve rated. A lot of other books I read come recommended by my grandmother and her gal pals. When I do look at reviews, it’s usually on Goodreads or Amazon, because many of those users post plot synopses that are more detailed than what the publisher offers. In the end, I try to make my own judgments and not let them be swayed by what others may think about a story. Weirdly, despite the fact that I don’t use reviews as a deciding factor in my reading choices, I still have made a point recently to post reviews of books I’ve read to my personal blog. 

As much as it pains me to admit, I primarily rely on Amazon when I am looking for book reviews. Generally, I don’t frequently read the reviews posted by users, but I do look to see how many stars a book has received. Anything less than three stars, and I get nervous about purchasing the book. But while I do look at the ratings, I primarily decide on what books to read based what my friends suggest. I trust that my friends will know more about my likes and dislikes when it comes to books than some random Amazon reviewer. For example, a book may have three stars on Amazon, but if my friend recommends it to me, chances are, I will still purchase the book. When I do read Amazon customer feedback, I generally read the one or two star reviews. I find those to be much more honest and entertaining. I also will use Publisher’s Weekly for suggestions and reviews, as well as some blogs.

Let’s face it: Amazon’s library and Barnes & Noble’s shelves are overwhelming. I can easily spend more time reading reviews than I’ll spend on the novel itself, and it’s hard to be sure reviewer K.Reader978 has more discerning taste than Good_Books4U. I solve this by starting my book hunts with someone’s personal recommendation. While that someone is often an enthusiastic friend, I found some of my recent favorites through a blogger’s musings, or buzz on my Twitter feed about upcoming debuts. It’s rare for a book to be a total flop if someone’s taken the time to rave about it for four paragraphs. Before buying, though, I get some groupthink insurance by scrolling through Amazon reviews. Weirdly, long-winded three-star-awarding purchasers are the most accurate. Fellow essay-trained humanities majors unite?

So now I’ll ask our readers: how do you decide what to read next? Do book reviews play a major factor? Sound off in the comments.

3

Those wide open spaces

Many years ago, before I was an agent, I directed all book and magazine publishing for a large newspaper syndicate.  While those of us who didn’t work directly in editorial for the syndicate—publishing, licensing, sales and the executive suite—had our individual offices, some of them very spacious, the heart of the staff worked in an open bullpen.  There, they communicated easily with each other as they edited the writers with whom they worked.  In fact the editorial staff who worked in my division also worked in an open bullpen-like area, writing and editing material and sharing their ideas with each other.

Last Tuesday, many, many years later, Miriam and I attended a party held by HarperCollins to celebrate the relocation of their offices from Midtown to the Financial District downtown. The layout was open and airy with people sitting in bullpen-like settings.  Some, who previously had window offices still had offices with glass walls so that they could see out and those passing by could see in.  This layout, we were told, was meant to foster a spirit of collaboration.  In addition, I would guess that there was an overall downsizing in terms of the number of square feet the company now occupies, which will enable the publisher to spend money on the titles they are publishing rather than on rent and maintenance of the many floors they took up at 10 East 53rd Street.  Bottom line, my general impression was a very positive one.

Fostering a spirit of collaboration and cooperation in this publishing climate can produce nothing but solid results, in my opinion.  Sure, there is some resistance to this layout—those who previously had privacy don’t have it any more, certainly not as much.  But the benefits include a sense of team building and a  collegial environment.  I think growth will be the ultimate result here and I think this kind of organizational layout will become the norm in the years to come.

Of course, I am always curious as to what you, our readers, think of this idea and I look forward to your comments.

1

Silent fans

Of course you all know that yesterday was Harry Potter’s birthday. I mean J.K. Rowling’s birthday. If you want to get technical about it since Harry Potter is not actually a real person (spoiler alert). In any case, this is a fact that I was fully aware of, among many, many other pieces of Harry Potter trivia and minutiae.

This is because I love the series—I grew up with it, read the first book in 1999 and didn’t stop. I’ve actually lost track of how many times I’ve reread those books, but I can tell you it’s an embarrassingly high number, particularly for the earlier ones (even though Chamber is my least favorite of the series, but I had a penchant for having to read the series all the way through every time a new one came out).

What I miss most about the books, I think, is the pure speculation between each release. I lived on Muggle Net and pored over predictive books in Borders for hours, debating with friends about what tantalizing secrets would be revealed, who would die next, who the new Defense against the Dark Arts teacher would be. I went to every midnight release and finished every new book in under 36 hours. Argued about which Weasley brother was the best (George, obviously) and scoffed and derided the films for getting EVERYTHING WRONG.

However, unless you actually talked to me about the books, I bet I never came off like a die-hard fan. I’ve never once dressed up, never gone to a themed party, I have no deathly hallows or lightning bolt tattoos. I couldn’t tell you what butterbeer tastes like, never having tried to make it or order it in a bar. I don’t visit message boards now that all the books are out. Sure, I joined Pottermore over a year ago, but haven’t looked at it since.

Does that make me less of a fan? Culture today is so enmeshed in publicly avowing your love for a particular series, character or phenomenon and sometimes I feel I have to prove myself against those who are much louder and more obvious about their passion. I once went to a Harry Potter trivia night and did very well, plainclothesed and silent in the corner. That, I felt, was a victory for me—don’t doubt me just because I’m unassuming!

However much I really feel no need to do any of those aforementioned things, it’s true that I wonder if I’m missing out in some way. What’s your opinion? I personally feel like I love the books just as much or more than anyone with a scar drawn on their forehead, and that’s enough for me. What’s your favorite book to get totally immersed in the culture of fandom of?