Longlisted for the 2014 National Book Award for Young People’s Literature

Andrew Smith’s 100 SIDEWAYS MILES

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New York Times Bestseller

Tammara Webber’s BREAKABLE 

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New York Times Bestseller

Suzanne Young’s THE TREATMENT 

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New York Times Bestseller

Colleen Hoover’s MAYBE SOMEDAY 

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New York Times Bestseller

Raine Miller’s RARE AND PRECIOUS THINGS 

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New York Times Bestseller

Molly Wizenberg’s DELANCEY 

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The 2014 Winner of the Boston Globe-Horn Book Award for Fiction

Andrew Smith’s GRASSHOPPER JUNGLE 

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James Beard Award Winner

James Ahern and Daniel Ahern’s GLUTEN-FREE GIRL EVERY DAY 

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USA Today, Wall Street Journal, and New York Times Bestselling Series

Abbi Glines’s SEA BREEZE SERIES 

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The Winner of the 2014 Pulitzer Prize for General Nonfiction

Dan Fagin’s TOMS RIVER

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The 2014 Winner of the William C. Morris Award

Stephanie Kuehn’s CHARM & STRANGE

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USA Today, Wall Street Journal, and New York Times Bestsellers

J.C. Reed’s SURRENDER YOUR LOVE, CONQUER YOUR LOVE, and TREASURE YOUR LOVE

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WEEKNIGHT WONDERS by Ellie Krieger

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DARK CURRENTS and AUTUMN BONES by Jacqueline Carey

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HOTHOUSE by Boris Kachka

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New York Times Bestseller

FALLING KINGDOMS by Morgan Rhodes

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“#1 New York Times Bestseller and Major Motion Picture

VAMPIRE ACADEMY by Richelle Mead

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#1 New York Times bestseller, #1 Box Office Major Motion Picture

THE MAZE RUNNER by James Dashner

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Wall Street Journal Bestsellers

THE SISTERHOOD and WAR BRIDES by Helen Bryan

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New York Times Bestseller

THE EYE OF MINDS by James Dashner

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USA Today, Wall Street Journal, and New York Times Bestseller

THE EDGE OF NEVER and THE EDGE OF ALWAYS by J.A. Redmerski

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New York Times Bestsellers

WAKE, FADE, and GONE by Lisa McMann

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#1 New York Times Bestseller

LOSING HOPE, FINDING CINDERELLA and HOPELESS by Colleen Hoover

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New York Times Bestseller

YOGALOSOPHY by Mandy Ingber

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MURDER AS A FINE ART by David Morrell

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1

The name game

There’s nothing quite like starting off a new season with a book sale, particularly in Autumn, when the summer’s lethargy fades and it feels like everyone in publishing is back on the hunt for new work. And happily enough, I was able to place a middle grade novel that I absolutely loved, made even more gratifying by the fact that, full disclosure, it took quite a while to find its home. But back-patting aside, I wanted to share this story because it speaks to the importance of a really good title.

So, the first time I sent the novel around, it had what I thought was a snappy title—two words that rhymed, which seemed quirky and fun, plus it came from a line in the book, which is always a good thing. Yet, on the first round, despite some enthusiastic reports and near misses, we didn’t end up with a sale. And after enough passes, for which a lot of editors said the same thing, the author and I decided to table the novel for now and work on something new.

But then, a few months after we put it aside, the author came back to me and asked if we could try again with a new title. He just had a feeling that the original title wasn’t quite representing the substance and tenor of the book. Instead, he suggested a three-word phrase that was much more literary and ambiguous, though still taken from a line in the book. So, we gave it another shot, and lo and behold, the offer came in about a month later!

Now, there could certainly be many other variables here at play—the timing of the submission, not finding the right editor until late in the game, the holes in the editor’s list, etc. But I do think that the new title reframed readers’ expectations about what was inside and put them in a different mindset when reading it. Yes, titles can be a struggle, and since publishers almost always contractually control the title, the struggle can seem counterproductive at times. But I hope this story shows how important it is to find a title that truly reflects the book—and at the same time, if the title isn’t quite working but the content’s there, a title change just might be what the doctor ordered…

0

A list is a list is a list

Recently, I was challenged by a friend on Facebook to list 10 books that had “stayed with me.”   Normally, I enjoy those types of FB challenges as much as I do folding three weeks’ worth of laundry and I often decline to participate.  But, given my line of work, it feels churlish and ungenerous to refuse any opportunity to share what I consider to be one of my life’s  great passions, so despite the ambiguity of the challenge—“Stayed with me” how?  In a good way?  In a throw-it-across-the-room-in-a-fit-of-rage way?  I mean, I hated everything about The Scarlet Letter, but it stayed with me.  And don’t even get me started on The Goldfinch—I went ahead and posted my list.  

Thing is, I find listing books for any purpose—favorites, tree killers (those that are a waste of paper), recommendations, etc.—a trying activity simply because there is so much to choose from and there is such judgment implicit in every choice.    In fact, no one is as judgmental as a book lover.  Admit it, you have mentally demoted friends and lovers based on their book preferences.  You have gloated (internally or otherwise) about how much better your taste in literature is than anyone else’s.  You have shamed people publicly after finding out they’ve never read a certain author’s work (okay, maybe that’s just me…and, the rest of the DGLMers).  So, there’s no way to pick the best of any category of books without great screeches of dissent, anger, hostility, possible projectile throwing.

And the weird thing is that I love book lists.  Other people’s that is.  I love nomination lists, seasonal lists, lists about books featuring animal protagonists, whatever.  I will happily read lists about lists of books.  In fact, you can keep your Booker and Pulitzer and National Book Awards, just hand me their shortlists.   Given the proliferation of lists on the Internet, I suspect I’m not alone.

To that end, and because it’s back to school, time to get serious about reading again, here’s The Millions’ Lists page where you can get as lost as the kid from The Phantom Tollbooth.   Go crazy and then tell me what your favorite book of the year thus far is.

 

2

Coming Not-So-Soon

There’s nothing like the excitement when your favorite author announces the pub date of their next book. You can hardly wait! A year, or a year and a half, sounds so far away! You imagine yourself springing out of bed on pub date, running to the local bookstore, seeing the long-awaited cover sitting there on the NEW RELEASES table. Or maybe you set a pre-order alert online and then you’re crouched over your e-reader at midnight, eager for the new file to blip onto your screen.

Well, for Margaret Atwood fans, and the fans of other to-be-announced authors, that excitement is not to be. A library in Norway has announced a new, carefully curated collection of books affiliated with a newly planted forest. The books in this collection will be published on paper coming from the trees in the forest…starting in 2114. That’s right – a hundred years from now!

trees Margaret Atwood, always adventurous in her fiction, is excited to be a part of this experiment, loving the idea of the distance of time between her and the critical reception of the book. She noted, “When you write any book you do not know who’s going to read it, and you do not know when they’re going to read it. You don’t know who they will be, you don’t know their age, or gender, or nationality, or anything else about them. So books, anyway, really are like the message in the bottle.”

But this is most provocative part of this program to me: Its funding grant includes provision for the library to invest in a printing press, to be sure they’ll have the technology to print the books when the pub date finally arrives, next century. Which struck me as a little bit odd – isn’t the important part of a book the story itself? The words, the plot, the characters? If, (a BIG if) in a century, printing presses don’t even exist, and books don’t even use paper…but people are still reading, and still excited for a collection of books from last century’s great authors…isn’t that just fine?!

What do you think?

Is it important for libraries or literary organizations to preserve the technology of physical books printed on paper if society is outgrowing it?

How would you feel if your favorite author were selected for this collection – excited that they were so honored, or upset that you would never get to read this particular work?

How would you feel if you were invited to participate as an author?

 

5

Why we do what we do

With my kids finally back in school and my twins finally starting Kindergarten, I feel like a new chapter of my life is beginning. And it’s one I’m really looking forward to. The focus is more on things outside of the basic needs of keeping small children alive, which in addition to working full-time, has consumed me in big and small ways for the better part of almost 10 years.

The last couple of years as my kids have grown and our amazing nanny and my supportive husband have enabled me to step up my work schedule, I’ve talked so many times to my kids (not to mention interns, editors and authors) about what I do, answered questions about what I like about my job (a lot — the creative process; working with smart, talented people; developing projects I’m passionate about; business lunches; the flexibility of my work schedule), what I don’t like (admin; industry challenges which include great books not selling or not selling well; commuting to NYC when I go in for meetings). I’ve also had many discussions about what my kids want to be when they grow up (so far, we have a pop star, a writer, a mom or Kindergarten teacher, and an undecided). There’s so much clichéd advice out there about doing what you love and doing what makes you happy, but it’s all so subjective and hard to articulate.

Now that it’s a new school year and my thoughts are with new beginnings, I wanted to share this lovely piece of writing advice from Elizabeth Gilbert. It’s not new or groundbreaking, but so much of what she has to say about writing and the life of a writer resonated with me. I especially loved the idea that you can begin a writing career at any age. It’s so true and how many jobs can you say that about?

So, enjoy the read, get inspired, and get to work on something you love. Let us know what that might be and what you want to be when you grow up, or grow old.

2

Schoolday reading

With the summer season coming to a close (I know, I know, it’s a harsh reality, but we all have to accept it), I was thinking fondly on how excited I used to get to go back to school. Clean, fresh notebooks, brand new pens, new seat assignments and, of course, finding out what books we were going to be reading that year.

I remember in elementary school when there was a whole separate class called “Reading,” and that was amazing. I relished in having read a little ahead of the class and knowing what was coming next and learning about the culture surrounding each book. I think my favorite thing, however, was when we read aloud, a paragraph per student, which was excruciating when it got to those who didn’t care or couldn’t read as well (by “well” I meant with emotion as a performance because I also fancied myself a budding actress. Naturally.), but was empowering when it was my turn and I got an especially long paragraph to say.

Reminiscing about some of my very favorite books we read in grade school, my mind immediately went to Scott O’Dell’s Island of the Blue Dolphins which immediately led me to the rest of the books in the series and will forever be remembered initially as the first time I learned what a cormorant was.

Number the Stars by Lois Lowry is another one that struck me hard and I think was the catalyst for my fervent love of middle grade and young adult fiction that centered on WWII, the Holocaust and wartime in general. The memories are coming back to me in floods now and my next immediate thought is of The Endless Steppe by Esther Hautzig about a family exiled to Siberia. I don’t remember too much about the plot (though I did just look it up), but I do remember declaring that it was my number one favorite book for a while…and of course it turns out that it also took place during the early 1940s.

And then there are those books that I remember pieces of, but have no idea what they might be. Struck with a thought, I just searched “wearing broccoli around your neck,” and weirdly, that worked. Apparently a fourth grade favorite of mine was called Be a Perfect Person in Just Three Days by Stephen Manes. I should have known that searching “everything you touch turns to chocolate” would provide me with a book titled The Chocolate Touch by Patrick Skene Catling. Should have figured that one out, Rachel. I think I just liked that book so much because it’s actually a dream of mine to have chocolate whenever I want it.

It’s funny the way certain parts of stories, especially stories from childhood, stick with us even if the rest of the book doesn’t. Vivid scenes, like the making a cape of cormorant feathers in Island of the Blue Dolphins or the main character in In the Year of the Boar and Jackie Robinson learning how to play stickball (also when I learned what stickball was, myself). Is it because there is so much new information that we’re learning for the first time or because a kid’s imagination works in overdrive, much more easily able to relate fantastical stories to his or her own life?

Whatever the reason, it was a nice little trip down memory lane—and a relief that my images of broccoli necklaces and chocolate mailboxes were based on something real and not a sign that I’m going insane. What books immediately come to mind for you when you think back to grade school? Were there any that you remember hating? Loving? Maybe it’ll jog my memory, too!

1

Outlaw Pete

With the Labor Day weekend nearly upon us, I feel like the only books people are thinking about are which ones to take to the beach. But I did see this bit of book news on the Times site, and of course it made me sit up and take notice. Yes, the Boss, Bruce Springsteen, is diving into the picture book game, joining the ranks of many of his fellow dinosaur rockers. (Hey, that sounds like a picture book, too!)  Of course, “diving in” may be stretching it, since it sounds like Bruce pretty much just handed the lyrics to an illustrator, which is how these things usually go—though I do have dreams of Bruce waking up one morning and saying, ‘Gee I’d love to go to ALA this summer and pitch my book to all the teachers and librarians…”

What’s really weird about this one, though, and why it probably hasn’t been bigger news, is that the book is going to be published by the adult division. Which makes sense once you give the lyrics a read—yes, it begins with a cute image of a baby outlaw, but from there we get into guns, blood, death, knives, and a 25-year-old main character meditating on mortality and redemption. I’m not sure even Maurice Sendak could get away with all that!

So I’ll be curious to see how it plays out, but early signs aren’t encouraging. The cover image makes it look like a typical picture book, playing up the cute baby outlaw for kids who love cowboys, which seems like a bait-and-switch. Now, maybe it will be a wonderful book that will appeal to both adults and kids, and I’ll certainly reserve full judgment until it comes out. But on first glance, it does seem like the most cynical kind of celebrity/children’s publishing—let’s hope The Boss takes charge and gets it to that place where we really want it to go. And then we’ll walk in the sun…

 

1

Defining children’s categories

I often get asked what the differences are between a middle grade and young adult novel. I think with the success of the children’s category in general over the last decade or so, those answers have changed. There is a lot more overlap now between upper middle grade and younger young adult, and with older young adult to adult crossover. The books that work best in both categories are the ones that become widely read by boys and girls, children and adults. Think blockbuster series like Harry Potter, Hunger Games, Divergent and our own Maze Runner.

I found this article from my favorite source, writersdigest.com, about defining middle grade and ya fiction. While there is some really good basic beginner advice here, I do think that some rules were made to be broken. Don’t get caught up in word count to stick to category norms. Then again, don’t submit a manuscript that’s 150,000 words either. But straying 10k in either direction is totally fine.

Another important point to consider is that the majority of middle grade is third person, and the majority of young adult is first. You might think of this as children’s books 101 but I’ve had authors try to do third person YA and then find switching to first works a whole lot better for the book and the category.

I think that children’s books are opening up in many directions and kids today are able to digest a lot more than ever before. I see it with my own girls, two of whom are reading and two are about to be as they enter Kindergarten. Their minds are so open to the many adventures that await them in both middle grade and young adult novels. I can’t wait to share it with them! Please let us know about your favorite MG and YA novels, and if they follow the guidelines set forth by Writer’s Digest.

1

Before the camera rolls

There is a book. Well, not always. But the other day surfing Netflix I realized just how many movies are based on books. There was an entire category devoted to them. And most were movies I had never realized were based on books.

So what’s the process behind turning a book into a movie?

One of the cooler things we do here at DGLM is meet with people in the film industry—production companies, packagers—basically anyone in development. In other words, we meet with people in the film industry who are looking for ideas, which they then bring to the studio, producer, or actor they’re representing.

In a very broad sense, these meetings are always the same. The producer is looking for great storytelling, there is a brief pause, and then we hear what the producer is actually looking for. Memoirs written by ordinary people who’ve lived through extraordinary things. Something geared toward an audience of middle-aged women. Something with a lot of action that can be done on a budget under $X. We then go back and forth with the producer explaining the various projects we have that might be of interest.

My point is that most people would be surprised how much the market dictates which movies eventually get to the “roll the camera” stage. Market and monetary constraints are king. So if there is a book you really, really want to see get made into a movie, be loud about it. If there’s a market, there’ll be a movie.

If you need further evidence, take The Fault in Our Stars, The Giver, and If I Stay, all films which were developed, in part, because of fan support.

So how about it? What do you want to see on the big screen?

1

Mentoring – giving and receiving

Last week marked the end of our summer interns’ time with us and I spent a while with a couple of them answering their questions about our business and, actually, about life in general. Spending time doing this—mentoring—is something I really enjoy and even learn from.

When I think of the subject of mentoring I realize I come by it honestly.  My father was my biggest mentor.  He did this all of his life and though I wasn’t always open to his advice, I have never forgotten it.  Several of my bosses as I was moving forward in my career also advised and mentored me in ways that proved invaluable.  As I think about this I can remember their advice and how I have implemented it over the years.

I began to mentor with my children—first with my daughter who is now a successful financial reporter for Reuters and of whom I am very proud—and then for my son who, having just graduated college, is just starting out on his career.  Watching them grow gives me enormous pleasure.

The same is true for the people with whom I work.  I try to mentor each and every one of them, although it seems at times there are too few hours in the day.  Still I find this one of the most satisfying parts of my job—sharing the wisdom I have been given is enormously gratifying.

Then there are my clients.  Much of what I do as I help them develop their ideas and sell their books is a kind of mentoring.  That, of course, often results in a financial as well as an emotional  payoff.

Ultimately though, for me, advising young people about our business is what I like to do best—even when I am not aware that I am “mentoring.”  Their success reflects back on our efforts.

I’d love to hear about your mentoring experiences—both the giving and the receiving.  Please share them with me.

5

The dead zone

This time of the year in publishing is affectionately known as the dead zone.  Everyone is either on vacation or too busy catching up on the piles that grew while they were beachside somewhere to return phone calls or e-mails, the normally swollen river of queries slows down to a babbling brook, and offers are all pending the rubber stamp of a boss who’s in some foreign land drinking copious amounts of wine.  A kind of lethargy sets in during the hazy month of August and it feels like the whole industry has been crop-dusted with Xanax.

For me, this lethargy translates into a kind of reading fatigue.  I find the idea of diving into a new book vaguely exhausting while simultaneously wishing for that reading experience that will act like a jolt of espresso to snap me out of my summer doldrums.  Instead of excited about starting the next book on my list, however, I’m feeling like it’s a chore.   I think that those of us who define ourselves through our crazy, passionate love affair with literature occasionally find ourselves muttering bitterly, “more words, words, words”  at the sight of a shiny  new hardcover 23 people have recommended.  This too shall pass I know from long experience.

When I found myself starting three different books, flipping through a few pages, and putting them down to play Candy Crush this week, I decided I needed a break.  So, I’m reading blogs, magazines, and newspaper articles, Tweets, FB posts (you didn’t think I’d stop reading altogether, did you?).  I’m watching House of Cards and the Little League World Series.  And, I’m processing the coverage of Robin William’s tragically premature passing.   (Here are a couple of sobering and interesting perspectives on the sadness at the core of Williams’ brand of creative genius:  A great essay in Cracked and Russell Brand’s eloquent print eulogy.)  In fact, as in all good relationships, a little time away from the object of one’s affections can be salubrious.

And, of course, during this book sabbatical, I’m making lists of the titles I’m going to dive into when my energy levels pick up.  I’m thinking big biographies might be in my future….

Tell me, how do you guys get over book fatigue?  Or do you never experience such a thing?