New York Times Bestseller

Tammara Webber’s BREAKABLE 

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New York Times Bestseller

Suzanne Young’s THE TREATMENT 

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New York Times Bestseller

Colleen Hoover’s MAYBE SOMEDAY 

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New York Times Bestseller

Raine Miller’s RARE AND PRECIOUS THINGS 

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New York Times Bestseller

Molly Wizenberg’s DELANCEY 

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The 2014 Winner of the Boston Globe-Horn Book Award for Fiction

Andrew Smith’s GRASSHOPPER JUNGLE 

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James Beard Award Winner

James Ahern and Daniel Ahern’s GLUTEN-FREE GIRL EVERY DAY 

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USA Today, Wall Street Journal, and New York Times Bestselling Series

Abbi Glines’s SEA BREEZE SERIES 

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The Winner of the 2014 Pulitzer Prize for General Nonfiction

Dan Fagin’s TOMS RIVER

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The 2014 Winner of the William C. Morris Award

Stephanie Kuehn’s CHARM & STRANGE

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USA Today, Wall Street Journal, and New York Times Bestsellers

J.C. Reed’s SURRENDER YOUR LOVE, CONQUER YOUR LOVE, and TREASURE YOUR LOVE

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WEEKNIGHT WONDERS by Ellie Krieger

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DARK CURRENTS and AUTUMN BONES by Jacqueline Carey

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HOTHOUSE by Boris Kachka

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New York Times Bestseller

FALLING KINGDOMS by Morgan Rhodes

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“#1 New York Times Bestseller and Major Motion Picture

VAMPIRE ACADEMY by Richelle Mead

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New York Times Bestseller, Soon to Be a Major Motion Picture

THE MAZE RUNNER by James Dashner

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Wall Street Journal Bestsellers

THE SISTERHOOD and WAR BRIDES by Helen Bryan

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New York Times Bestseller

THE EYE OF MINDS by James Dashner

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USA Today, Wall Street Journal, and New York Times Bestseller

THE EDGE OF NEVER and THE EDGE OF ALWAYS by J.A. Redmerski

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New York Times Bestsellers

WAKE, FADE, and GONE by Lisa McMann

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#1 New York Times Bestseller

LOSING HOPE, FINDING CINDERELLA and HOPELESS by Colleen Hoover

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New York Times Bestseller

YOGALOSOPHY by Mandy Ingber

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MURDER AS A FINE ART by David Morrell

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USA Today, Wall Street Journal, and #1 New York Times Bestsellers

FALLEN TOO FAR, NEVER TOO FAR, FOREVER TOO FAR, and THE VINCENT BROTHERS by Abbi Glines

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7

MG vs YA

Two weekends ago, I had the pleasure of attending the Pacific Northwest Writers Association conference in Seattle. At the opening Agent’s Panel, I gave my usual spiel of what I’m looking for–Adult nonfiction, a smattering of offbeat adult fiction, and the broad range of children’s projects–YA, Middle Grade, and picture books. After that, I settled into my seat in the ballroom for a long stretch of power pitching, where the writers line up for 4-minute pitch meetings one after the other in the hopes of getting a request to see a full MS.

As exhausting as power pitching can be, it does serve to give an agent a good idea of what writers are generally working on these days. Although we often recommend that writers NOT write for the market, it’s natural for writers to turn to what seems to be popular. And hence, I heard a ton of MG pitches, which makes sense, since a ton of editors seem to be focusing on it these days.

But what surprised me about these MG pitches is that a solid majority of them featured a main character who was 13 years old. Which, if you go by the traditional demarcations of MG as ages 8-12 and YA as 12 up, means that they’re really writing YA. At the same time, the stories seemed to be solidly MG–heavy on fantasy and school stories, light on teen issues and racy content.

So what gives? Do these writers not know the basic guidelines? Are they just trying to age down their YA novels for the market? Or has MG become more elastic and less constricted by age distinctions than in the past?

Frankly, I’m not exactly sure, so I was very interested to read this article from PW Children’s Bookshelf, which looks at how bookstores are struggling with how to shelve MG and YA. And from their survey, it seems that stores are making up their own rules–some are keeping YA and MG totally separate, some create overlapping sections of 8-12, 10-14, and 14 up, while others lump them all together. Different strokes for different customer bases, perhaps, but for me it seems like there’s just confusion all round about where books belong on the shelf.

So, what’s a writer to do? Well, like a lot of category distinctions in publishing, unfortunately, it doesn’t seem like there’s a clear answer. My personal feeling is that despite the shifting winds, a writer seeking representation is still better off adhering to the old guidelines–if your character is 12 or under, it’s MG, 13 and up, YA. Not that I’m trying to take the easy way out here, but the last thing I want to hear from an editor is that they love the book but aren’t sure where it would live on the shelf–that’s a classic rejection line.  So I’d much prefer an author adhere to what’s been done in the past when starting out and go genre-busting on book 2.

That said, others may have different ideas of what marks MG versus YA these days, so I’d love to know what you’ve been hearing. Are 8-12 and 12 up still recommended? If not, what are folks suggesting as new guidelines?

 

Have book, will travel

For me the hardest part of packing for a trip is making sure I have all the books I’ll need to get me through airport delays, long flights, pool lounging, and, of course, for bedtime reading when I’m too tired from a day of strenuous vacationing to fall asleep.  Then, there’s the tricky part:  leaving enough room in my bulging carry-on for the books I will be buying while abroad.  We all have these problems, right? Right?

Well, when I set off for France two weeks ago, I had the equivalent of my bedside table pile on my Kindle, the galleys I got at BEA five years ago of Jonathan Tropper’s This Is Where I Leave You, and a couple of back issues of the Oprah magazine. I congratulated myself on my light packing.

While in the beautiful Aquitaine region, I finished the Tropper and Jo Jo Moyes’ One Plus One (for my neighborhood book club) and I had queued up the Lily King novel that’s been getting so many raves for the flight back home.  Then, it was time to head back to the States.  We had five hours to kill in London and a large W.H. Smith store to browse in.  And they were having a “buy one get one ½ price”  sale on books that had made the British bestseller lists.  So…

Books

Having already logged quite a few miles that day and anticipating an exhausting journey home (frankly, the worst part of international travel is getting on the Van Wyck Expressway to and from JFK airport—it calls itself a road, but it’s really a parking lot), I opted for the lighter seeming of the two books to start.  And so, I dug into Letters from Skye, which feels like a cross between The Notebook and The Guernsey Literary and Potato Peel Pie Society and was not disappointed.  It’s a lovely, easy read with just the right mix of romance and sadness to keep you turning pages.  And, I’m really looking forward to diving into the Wyld book, which appears to be much darker and literary (a bit Gaiman-ish).

The best thing, though, is finding new voices as a result of my travels that I might not have ever stumbled on while on this side of the Atlantic.   Turns out both of the books I picked up in London are available in the U.S., but they were not on my radar.  The fact that they were prominently displayed and discounted at a busy airport store made it easy for me to part with the last of my Euros and take home what is to me the perfect souvenir of my European vacation.

How do you handle books and reading on your trips?  Are you literary over-packers?  Do you have to go into any bookstore you pass—whether in North Carolina or Marrakesh?  Do you jointly archive experiences, scenery, and the narratives you were immersed in while on the road?  What did you read on your last vacation?

 

1

Berry berry good books

This morning I picked up an oversize box of raspberries and a regular box of strawberries from the fruit stand on the corner by the DGLM office. berries

Both looked so bright and succulent and rosy and delicious! Then I proceeded to eat way, way too many of the raspberries, giving myself something of a sugar buzz and a slightly sick feeling.

It’s the same feeling I get when I finish a really amazing book. Ever heard of a book hangover? It’s when you find a book you absolutely love, that has everything – plot, characters, writing, it’s all perfect, and you read it in two or three big gulps. A berry berry good book that ruins all other books for you for a little while. Sometimes you just can’t get into the next book you read – it’s flat, overwritten, or too melodramatic. And sometimes you end up judging a book pretty harshly that you might have liked if you read it at a different time, not right after the berry berry good book.

There is no known cure for the post-berry berry good book malaise. I sometimes resort to re-reading something comfortable and well-loved that won’t need to compete with the berry berry good book. For example, a few weeks ago I read My Struggle Part I by Karl Ove Knausgaard. I unexpectedly loved this book of very little plot and very quiet, self-absorbed prose, and the next few books I started were just…lame. So I picked up an old favorite, I Capture the Castle by Dodie Smith, to reset my book appetite. And sometimes it helps to switch genres, like when I read Detroit by Charlie LeDuff after Sappho’s Leap by Erica Jong. Nothing like contemporary hometown journalism as a chaser for ancient mythological fiction!

I’m not complaining about berry berry good books, though – aren’t we all looking for all-consuming, unforgettable books, as readers and as agents?

What are some berry berry good books you’ve read recently? How do you get over the post-berry berry good book slump?

1

Little Free Library

Last month, when I was on vacation in Ohio (we publishing folks lead very glamorous lives) my son stumbled across a Little Free Library box—a brightly painted shelf with a plexiglass door, a peaked dollhouse roof that was filled with a random but charming assortment of books ranging from Rick Riordon to the Book of Mormon.  I’d read about Little Free Libraries before, but I’d never seen one, and they seem to me an absolutely lovely idea. My eight year-old was enchanted.  Free books—tucked into a small green space beside a modest community garden—for him it was a wish come true.  I know that the free exchange of used books is not so great for the publishing industry as a whole, but it seems to me—especially at this intimate, personal scale–a very good thing for the human race.  In a month in which the news from much of the world has been grim, this struck me as a bright note.

The train station in my town has a Give a Book, Share a Book shelf that I patronize regularly  in an effort to avoid becoming a a book hoarder—in Japanese known as a tsundoku (Thanks, LA Times) and I’ll bet you’ve got similar low-maintenance book swaps in your local coffeeshop, church, temple, or community center.   These are great, but there’s something special, almost magical about the Little Free Library boxes.

You can see a gallery and visit the Little Free Library site here, and there’s information on how to start a LFL in your town.

3

Boost your traffic

Today I bring some smart and simple advice on growing your website or blog traffic from the always entertaining Chuck Sambuchino. In his column for thewritelife.com he offers tips for growing your platform. This has become widely applicable not only for nonfiction authors, for whom a large following is mandatory, but also for writers of fiction who need to engage with their audience as well.

It’s also worth paying attention to the comments section of the piece because there’s some good additional advice scattered throughout there as well, both from the editors at thewritelife.com and from authors who’ve tried things not included in Chuck’s list.

From an agent’s perspective as we are considering a new author, it’s so helpful to be able to confirm that the author has a good sense of social media and how to effectively run a website or blog. Even if the numbers aren’t huge, a successful site is one that’s professional, informative, and provides consistently updated content. Good luck, and let us know if you have any tips not included here.

1

All you can read books

It’s been very interesting to watch the unveiling of Kindle Unlimited, Amazon’s new subscription-based e-book program. It’s not a new concept. In fact, entertainment and media industries have been heading this way for a long time. Netflix provides consumers with unlimited streaming of television and movies for a flat flee. Spotify provides the same for music. So why not books?

Kindle Unlimited isn’t even the first to offer the all-you-can-read buffet. Oyster and other similar companies have been around for some time; yet none have Amazon’s platform. Or its ability to stir up controversy.

Some of Kindle Unlimited’s critics have historically been Amazon’s staunchest supporters: self-published authors. They’ve claimed that they stand to be hurt the most from the program, in part because of the different royalty structure. Royalties will be allocated from a set fund divided across all borrowed units, which may mean lower royalty payments. Not only that, but self-published authors who choose to opt out of Kindle Unlimited so they can distribute to other vendors, such as Nook Press and Kobo, stand to drop in the Amazon bestseller rankings because Kindle Unlimited “sales” count towards those hourly standings. Pro Kindle Unlimited authors, on the other hand, argue that authors will benefit greatly from the discoverability that Kindle Unlimited and such rankings could provide. Unknown authors can potentially shoot up in rank, even if those “buying” their books never get around to reading them.

And what about on the consumer side? On the face of it, $9.99/month for an unlimited number of books seems like a great deal. But how many people subscribing to Kindle Unlimited actually read enough books every month to make it worth it? It’s one thing to binge-watch shows and movies on Netflix or binge-listen to music for hours on end on Spotify. But binge-reading is a whole different ballgame.

I’d like to hear what our readers think of Kindle Unlimited. Will you subscribe? If you’re an author, do you enroll?

0

Those other social media websites

Over the last few years I have counseled my clients to build and/or increase their social media presences.  It is, after all, what can really make a difference to the success or lack of success of one’s book.  When I was giving this advice though, I was more often than not talking about Facebook and Twitter.  We have found over time that the more friends and followers an author has, the higher their book sales.

Now though I have discovered the effectiveness of Pinterest.  My client Sarah Kiefer (http://www.pinterest.com/threadedbasil/) has a large following on the site, and it is building.  We are certain this is going to be effective in selling her new book THE VANILLA BEAN BAKING BOOK.  Stacey Glick represents several authors with big Pinterest followings as well, including Jamielyn Nye of I Heart Naptime and Jessica Merchant of How Sweet Eats.

Last week, I discovered my newest client Derek Krahn on Vine.  Here he is with a sneezing baby lion:

And here he is trying to take a selfie with a tiger named Levi:

His contributions are really effective and they attracted me immediately.  Right now, he has 420,000+ followers and growing, and I am certain this is going to help me sell his upcoming book BIG CAT.

I am sure in the months to come there will be newer and more innovative sites on which potential authors can and should promote themselves.  To that end, I would love to hear from you about any you know of and how effective you believe them to be.

1

Reading then and now

Reminiscing with a friend the other day about books we loved growing up, I started to feel nostalgic for the times when I would vociferously race through a stack of books in a week—so much so that the librarian, who should have known me well enough by then, would eye my pile and ask, “you’re going to read all of these before they’re due?” YES, RHEA, I AM. (You should know, that my librarian as a child was named Rhea). And I did. Week after week.

I also re-read books much more as a kid and teenager. I don’t know what it is about being young that inspires the passion to go back and dive into the same story you have so many times you’ve had to tape the cover back on more than once (I’m looking at you, The Switching Well), but it’s something that I’ve lost as an adult. And something I wish I could get back.

While furiously looking up the entire oeuvres of Judy Blume, Carolyn B. Cooney, Kit Pearson and Jerry Spinelli, to name a scant few, my friend and I crowed and delighted when we found the exact covers that were the books that we had read back then.

Also fun was actually reading the book descriptions of titles remembered, but plots long since forgotten and wondering how in the heck we ever thought these plausible. Example: a book I remember loving called Running Out of Time by Margaret Peterson Haddix. In my memory, it was about a girl who grew up in a Williamsburg, Virginia-esque old timey reenactment town who had no idea she didn’t really live in the olden days and who one day figured it out and escaped to the modern world. I remembered there being a lot of things she thought were mirrors, but which were actually one-way glass. TURNS OUT, the book is actually about that, yes, but the reason she needs to leave the reenactment town is because all of the children are dying from diphtheria and no one is doing anything about it. Her mother sends her out to get real medicine.

I loved that book. To bits.

My point here is basically this: while I dearly love books that I read now, the passion I feel for them is much more subdued than the fiery fervor I had when I was younger. I remember books fondly, and might return to favorite passages, but rarely do I read them cover to cover, over and over. The amount of books, of course, has more to do with the vast spans of time I could give myself as a kid that are less accessible anymore. I miss it, sure, but that doesn’t mean my love of reading is any less today.

What were the books you read over and over? What were some of the best, but most out there plots that you loved?

3

Stranger than life, larger than fiction

So, having spent close to a month as a sitting juror on a federal trial, I’m slowly recovering from the Stockholm Syndrome my fellow jurors and I experienced while cooped up in a courtroom every day, listening to lawyers drone on interminably, seemingly engaged in a contest to see who could make the most repetitive and tedious presentation of their case.

Sitting there day after day, trying to actively listen, even as my eyelids often felt like tiny weights were dangling from my lashes, gave me a new appreciation for legal dramas from To Kill a Mockingbird to The Firm to The Good Wife.  The fact that book and screen writers have been making trial proceedings as compelling and engrossing as they are (or can be in the right hands) is a testament to imagination and the ability to transform dull reality into if not art then entertainment.

A couple of days after the trial ended (with an acquittal in case you’re interested), Jane and I had dinner with David Morrell, who was shooting ideas for his new novel by us.  What struck me anew that night was that it is an alchemical process that transforms a snippet of a real story—whether historical or present-day—into the basis for a full-blooded work of fiction.  The mind of a gifted author takes that reality and spins a fantastic yarn out of it by picking and choosing elements  that are, in actuality, dramatic and entertaining, goosing action and motivation in the process.  The conclusion I draw is that real-life legal proceedings would benefit greatly from talented writers and skillful editors.  (I’m thinking that my trial would have been done in a week, tops, if it had been properly scripted.)

And, perhaps because I feel my lack of imagination would make for a sad fiction writing career, I always wonder how writers choose elements of real life and translate them into successful fiction.  Look at the current headlines in your local paper and tell me what novel you would write if you could rip one off for your fiction debut.   What are the nuggets that you would mine for a book that is more scintillating than my trial?

 

1

Follow the (Twitter) leader

Yesterday the pop culture blog Flavorwire published this list of The 35 Writers Who Run the Literary Internet. It’s a nice list, so if you’re looking for some new bookish folks to follow, click on through.

But clicking through the list got me thinking about how the internet is at once enormous and very cliquey. We have a world of information at our fingertips, and many of us broadcast details of our lives via one, two, three, or ten social media platforms. Yet, I bet most of us actually interact with a rather small and repetitive group on those platforms. And we are creatures of habit in our internet consumption, just as we are in our daily coffee shops and lunch orders, Netflix binges and Pandora stations. I read the same handful of blogs every day, rather than venture on to new ones. My Facebook field adapts itself to my “Like”ing habits, and I can’t remember the last time I followed someone new on Instagram.

So I wonder if Influencers lists like these actually influence the Literary Internet in its entirety, or if they merely reflect a certain corner of it? I ask this because I already follow so many of the folks on the Flavorwire list – my book club is reading Emily Gould‘s new novel this summer, and I loved Roxane Gay‘s debut AN UNTAMED STATE so much that I’m counting the minutes until her essay collection BAD FEMINIST comes out next month. I even follow the guy who compiled the list, for crying out loud. And many of these folks are constantly tweeting to each other, which is fascinating to digitally eavesdrop on, but also suggests there may be a lot of overlap between their circles of interest. So are we missing vast swatches of the Literary Internet? What if there are bookworms and aspiring authors out there reading totally different pop culture blogs,  and RTing a set of passionate writers that I’ve never come across? Who runs the Literary Internet in Australia? Or does John Green actually rule the world?

Who are your favorite literary people on Twitter? Any tips for making room in your internet habits for new discoveries?