Category Archives: YA

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Reading then and now

Reminiscing with a friend the other day about books we loved growing up, I started to feel nostalgic for the times when I would vociferously race through a stack of books in a week—so much so that the librarian, who should have known me well enough by then, would eye my pile and ask, “you’re going to read all of these before they’re due?” YES, RHEA, I AM. (You should know, that my librarian as a child was named Rhea). And I did. Week after week.

I also re-read books much more as a kid and teenager. I don’t know what it is about being young that inspires the passion to go back and dive into the same story you have so many times you’ve had to tape the cover back on more than once (I’m looking at you, The Switching Well), but it’s something that I’ve lost as an adult. And something I wish I could get back.

While furiously looking up the entire oeuvres of Judy Blume, Carolyn B. Cooney, Kit Pearson and Jerry Spinelli, to name a scant few, my friend and I crowed and delighted when we found the exact covers that were the books that we had read back then.

Also fun was actually reading the book descriptions of titles remembered, but plots long since forgotten and wondering how in the heck we ever thought these plausible. Example: a book I remember loving called Running Out of Time by Margaret Peterson Haddix. In my memory, it was about a girl who grew up in a Williamsburg, Virginia-esque old timey reenactment town who had no idea she didn’t really live in the olden days and who one day figured it out and escaped to the modern world. I remembered there being a lot of things she thought were mirrors, but which were actually one-way glass. TURNS OUT, the book is actually about that, yes, but the reason she needs to leave the reenactment town is because all of the children are dying from diphtheria and no one is doing anything about it. Her mother sends her out to get real medicine.

I loved that book. To bits.

My point here is basically this: while I dearly love books that I read now, the passion I feel for them is much more subdued than the fiery fervor I had when I was younger. I remember books fondly, and might return to favorite passages, but rarely do I read them cover to cover, over and over. The amount of books, of course, has more to do with the vast spans of time I could give myself as a kid that are less accessible anymore. I miss it, sure, but that doesn’t mean my love of reading is any less today.

What were the books you read over and over? What were some of the best, but most out there plots that you loved?

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I like reading YA and I don’t care who knows

I’ve always felt secretly awkward of the fact that I love young-adult fiction. I mean, can you blame me? Just look at how the phenomenon of adults reading YA has been dissected.

With so much analysis aimed at those of us adults who read YA, we needed a hero, someone to stand up and say nay, it’s not weird. And then I came across this game changer from John Green. (Who else?) And now I’m not hesitant to admit it. I love reading YA. I want to shout it from a mountaintop.

Do you qualify as a YA addict? Gotta love the shout-outs to Richelle Mead and James Dashner…but don’t stop your YA reading list there! Many of our clients are doing awesome things in YA!

Now, to get to the point of this post, I’ve been searching for a series that can live up to the recent ending of, what is scientifically speaking, the best YA series of all time: The Wheel of Time. Any suggestions? Anyone? Bueller?

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Teenage Dreams

One of the most important things an agent or editor values in a work of fiction, and something you’ll hear talked about ad infinitum is a resounding and real “voice” to a novel. Able writing, beautiful imagery or ingenious plotting are all well and good, but if a reader can’t connect to the protagonist and his or her voice, then a novel is left feeling flat, distant and, well, forgettable.

In reading queries and even published books, I find that the voice authors most seem to struggle with is the teen narrator—and this, of course makes sense. Most published authors and hopeful queriers have left their teenaged selves behind some (or many) years ago and so a lot of the thoughts and dialogue are supposed, remembered or possibly observed if the writer is lucky enough to hang around teenagers with some regularity. (Oof, did I say lucky?) The most impactful YA novels are those that have really captured what it’s like to be a teenager, the feelings, the impulses and the intense passion that can arise from those years. The slang needs to be perfect and not overdone or cliché and the same can be said for the characters’ predilections, motives and inner thoughts.

The best and worst part of reading good YA writing always hits me when I’ve been cringing at some of the supposed thoughts of teen girls thinking, “oh, god, who does this person think teenaged girls are, this is ridiculous,” and then I realize that the author is right and that’s what makes it so hard hitting. I was visiting my hometown last weekend and dug around my childhood bedroom a bit, unearthing the journal (I was too cool to ever call it a “diary” even though that’s exactly what it was) I wrote in faithfully when I was sixteen. As much as I wanted to punch/hug/kick/shake/comfort/congratulate the girl who was writing those words, I also had to admit that god, sixteen-year-old girls are annoying sometimes and yes, they do write and think and talk like those characters I had been scoffing at only hours before.

Herein lie the dreams of a sixteen-year-old.

Herein lie the dreams of a sixteen-year-old.

With this artifact, a true relic of my teenaged years in my hands, I realized something like this could really help a writer capture the youthful voice that may be escaping them in a current work in progress—an unmanufactured, unedited transcript of high school. Is this something that any of you YA writers do? If not, and if you don’t happen to be the parent or teacher of a teenager, then how are you able to write in a voice that is so far removed and so easily, tritely overdone and keep it sounding real? It’s something I’ve always had difficulty with, myself.

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A few thoughts about writing YA

I’ve been working with a lot of authors the last few years on the adult side who are looking to publish on the children’s side. I know I’m not the only one, as the market has surged and become a destination for talented writers whose books can often cross over to the adult market. The obvious early megahits on the YA side like Twilight and The Hunger Games have made room for more recent realistic teen novels like The Fault in Our Stars and Wonder.

I thought it was worth sharing this advice column I found in Publisher’s Weekly from published author Seth Fishman. Now that I have a few young humans of my own, I love that he says: “You’re writing for young humans, people who are the most in need of answers, people who are the most curious.” And I like the way he positions his advice from a broad perspective. Rather than focusing on plot or characters, it’s about thinking and feeling and the emotion that is so critical for adults writing for teens to get right.

Take a look and see if you YA authors have anything else to add to his list. What do you do when you’re getting ready to channel your inner teen?

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Stumbling into YA

When I first started agenting, I was unsure what kind of books I’d be working on. I assumed there would be lots of commercial fiction because I loved reading it. I figured I’d do some offbeat literary fiction because, well, same reason. I had no idea that I’d end up working on young adult fiction. That ended up being a (very, very, very) happy accident.

The only reason I got into YA was that my client Richelle Mead sent me a young adult manuscript that became Vampire Academy. I loved the novel, so I figured I should probably learn about the category in order to be able to work on it. That book ended up doing preeeeeeeeetty well. Needless to say, more YA followed, and I fell more and more in love with the category and signed on more and more authors in that realm.

Tumbling into teen fiction has so far been the happiest accident of my career. Well…my career itself is somewhat of a happy accident. I landed an internship that I thought would last a few months, and DGLM just never managed to shake me.

But the most surprising fact of finding myself representing YA books is that I never really read them as a teen. Sure, I really dug R.L. Stine’s Fear Street series, but other than that, I didn’t read many children’s or teen books. Not because I was so sophisticated a reader that I barreled past them. I was actually just a bit of a late bloomer when it came to the love of reading.

I’m still trying to catch up on the classics. I grabbed The Giver a few months ago. I only recently read The Outsiders. I read my first Roald Dahl novel THIS YEAR (and you guys…he’s super amazing). I still need to get around to A Wrinkle In Time. And yet the more of these books I read, the more hooked I am on the category and the more thrilled I am to watch it expand and grow. It has been an unexpected ride, and a completely joyful one.

I will also add as a side note that I am not only looking for YA. I still adore commercial adult fiction, offbeat literary fiction, and I’d kill to find some amazing narrative nonfiction. The ONLY downside to my success with YA is that sometimes people forget I’m looking for other stuff too!

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A book can change your life

The title of this post might be overly dramatic, but if you look hard enough you will find some pretty incredible stories about people whose lives were changed by books and reading.

One of those amazing stories comes from YA author Matt de la Peña, whose piece this week in NPR is well worth your time. He touches on so many moments in his own life that were altered by books, and then when he goes into talking about his dad and how his life was changed by reading, well, I was in tears by that point so that tells you what kind of piece this is. In simple prose, he taps into why words and books and reading matter, and how the power of the written word can literally change your life. And I believe almost always for the better.

A love of reading doesn’t have to start early, either. Matt’s life-changing moment came in his second year of college. And you know what else I love about this article? That teacher. That amazing teacher who saw something in this young man and knew he had potential and needed a nudge so she gave him a copy of The Color Purple and asked him to read it before he graduated and then come talk with her about it.

I’m sorry for the way things go for Joshua, a tough young kid profiled here with a secret writing habit, and I hope that de la Peña or someone else can help him find his way through his writing, and through books. When I read pieces like this, it’s so validating to think that the work that we are all doing can make a difference, and in some cases, all the difference.

Do you have any stories to share about how a book changed your life, or the life of someone you know? Please share. And pass this article on too. It’s a great read, and an inspiring one.

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An author and editor chat

Like any relationship, the one between an author and his or her editor is nuanced and complex. We work in an industry that has a great deal of turnover on the editorial side and there are times when a multi-published author might have several editors within a house during their tenure. I actually have a client on my list that has done three books, and has had five editors!

So when I saw this interview on Slate with author Sarah Dessen and her longtime editor Regina Hayes (eleven books and counting), I thought it was pretty cool and worth sharing. I like Hayes’s thought on her role in the editing process: “To provide a fresh eye on the overarching story and to ask a lot of questions.” Since writing is a solo sport, it can become challenging to keep perspective on your work, and having another reader can be a really important part of the process. It doesn’t have to be a professional editor, although certainly if there is that opportunity it can be advantageous, but any number of beta readers who are good at reading and responding with constructive criticism can be helpful.

I also appreciated Dessen’s simple but important advice about writing: “Cutting is easy. Stretching is really hard. And just a bit of backstory can change everything.” In particular I’m in agreement on the part about backstory. You never want to be stuck asking why a character is motivated to act a certain way because something from their past has been left out of the story.

I’ve had the same intern the last few summers, and learned early  on in our working together that although she’s young, she has a good critical eye for material. Finding someone whose taste you can trust is a priceless commodity, and a good productive author/editor relationship is one to cherish. We’d like to hear your own stories of working with an editor and what that experience was like for you. Please share!

What I’m looking for now

With this October marking my third anniversary here at DGLM, I’ve been in a reflective mood. I’ve been thinking about how my client list has developed, how it’s changed over the years, and what kinds of projects I’d like to represent going forward. In that spirit, I took a gander at my old blogposts, and I realized it’s been almost two years since I published a wish list—yikes! I really didn’t mean to let it go that long, especially because last one I published drew plenty of interesting submissions, not to mention a few clients…

So, without further ado, here’s what I’m looking for now, by category:

PICTURE BOOK AUTHOR/ILLUSTRATORS: Picture books have always had a special place in my heart. In fact, they’re one of the main reasons I stuck it out in children’s publishing for so long. And to my great joy, it seems like picture books are cycling back into favor–we’ve had a couple of major picture book deals here at DGLM recently. So if there are any author/illustrators out there with a fun, character-based story to tell, I’d LOVE to see your work!

MIDDLE GRADE FICTION: More than any other category, it seems like children’s book editors are hungry for middle-grade these days in any form—realistic, fantasy, sci-fi, boy- or girl-focused, you name it—and I couldn’t be happier. Ever since HARRY POTTER ended, I think publishers have been searching for the next classic, and with YA in flux (more on that below), the search has become a top priority. Personally, I’m most interested in realistic, contemporary MG a la WONDER. (Can’t argue with those numbers!) However, I’m more than happy to look at anything fantastic that fits the category, so if anyone’s got a great 8-12 character (or a great YA character that can be aged down), bring it on!

YOUNG ADULT FICTION: YA has been a puzzle for the last year or so. On the one hand, we’ve got John Green waving the banner of realistic, issue-driven YA; on the other, there’s DIVERGENT and now STEELHEART fanning the flames of sci-fi/dystopia/fantasy. My feeling is the fantasy side will keep lumbering on, but the bar for originality has never been set higher. So while I’m certainly open to fantasy/sci-fi, it really needs to be something special to have a chance. At the same time, contemporary YA seems to be in demand, though again, originality is the key. But on both sides, strong characterization trumps all–without that, we won’t get anywhere.

ADULT NARRATIVE NON-FICTION:   As I said last time: “If there’s an amazing book-length true story out there, I want to hear it. History, memoir, sports, music, immersion journalism, popular science, health, animals—whatever the subject, if you’ve got the credentials to write about it, send it my way.” To this list, I’ll add military history and politics, as well as a request—whatever the subject, try to make it as expansive as possible without losing the main narrative. A favorite rejection line from editors is that a subject is too narrow… so go wide!

ADULT MEN’S FICTION: When I first started at DGLM, I signed a number of adult fiction clients without much understanding of the categories or market, and after a number of misses, I decided to steer clear of adult fiction for a while. Three years on, I think I’ve got a better handle of how things work, plus our independent publishing program provides a viable alternative for projects that can’t find a traditional home. So, once again, I’m on the look-out for high-concept, character-driven narratives, be they thrillers, suspense, literary, commercial, horror, what have you—happy to take a look.

Thanks for giving this a read. Can’t wait to see what comes in!

 

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It’s just 15 minutes

I’ve always been a big fan of Laurie Halse Anderson’s books (cover image below for her upcoming new novel, which looks amazing).

I was speaking with my client Debby Lytton recently who was telling me about  a great post she wrote for her blog about the seven things she wish she’d known, and in it she links to Laurie’s 6th annual Write 15 Minutes A Day Challenge. Always up for a challenge and one that can help our blog readers, I wanted to share the details of this exercise (which is a few days in so get started asap!) and see how many of you can keep up with the challenge.

I know we’re all so busy but anyone can find 15 quiet minutes a day, right? I think the harder part is focusing and making it a truly productive 15 minutes. So, give it a try, give us some tips that worked for you, and see how long you can keep it up! Before too long, you’ll have an entire novel written, or at least a short story or article to pitch.

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Cool publishing news

I’m always heartened to hear about books selling and new opportunities for authors. This week we’ve had a couple of stories in the news that speak to both of these things.

First, The Today Show, a longtime supporter of authors, announced a new book club this week that will be a wonderful way for new and old books to be exposed to a large audience. The first pick, Samantha Shannon’s The Bone Season, is written by a 21-year-old debut author! With the great press surrounding the new club, the book is sure to be a bestseller right out of the gate, a rare achievement in this market and especially remarkable for an author so young.

Then I saw this bittersweet piece about a successful word-of-mouth (the old-fashioned way) bestseller by another debut author which is being compared to last summer’s breakout hit Gone Girl. The Silent Wife has been climbing the lists since its release and unfortunately the author is no longer here to enjoy its success. She passed away from cancer in April, just weeks before the book’s release but the fact that a first novel by an unknown author can achieve this level of success is incredibly encouraging. And a piece of advice to you aspiring novelists – use “wife” in the title of your book because there have been a number of bestsellers recently that have done just that (The Paris Wife, The Time Traveler’s Wife and American Wife)!

I enjoy reading stories like this because it gives me renewed enthusiasm for the book business and the ways in which good books can be published well and find a large audience. If you have any positive publishing stories to share, please do. We’d love to hear them.