Category Archives: Stacey

From page to screen, more ways than one

I have a few books I’m working on book-to-film deals at the moment, and for several years before I became an agent I worked in NYC in film and tv development. Which means I looked for books to be adapted into movies. So I guess you can say I got my start in books by reading to see what might translate to film. I still find I read this way, and relate to books that I can visualize as movies.

So I’ve been taking note of several recent book-to-film deals that have sort of interesting stories behind them. I’m fascinated that The Martian by Andy Weir, which was initially self-pubbed. This article from talks about its path from publication to big screen. It’s nothing short of amazing! He had no luck attracting an agent or publisher so he self-published the book and it started to gain some momentum. Eventually, publishers and film companies started approaching him and very lucrative deals were signed. He has a deep fear of flying so never met any of the people he was doing business with. The way he describes it, it was all so surreal he actually thought it was a scam.

Then I saw another piece about a bestselling YA book, 13 Reasons Why, that is now going to be turned into a tv series for Netflix starring Selena Gomez. That’s interesting because the book was initially published back in 2007 and then became a bestseller in paperback in 2011. It’s taken years to get it from page to screen!

Finally, there’s the much hyped adaptation of the bestseller Room, which was adapted by the book author. She drafted the screenplay even before she knew it was going to be optioned and made for film. An interview from Publisher’s Weekly about that process you can find here.

To me they all have interesting back stories and histories and the takeaway is that you never really know what’s going to happen with your book, or when. In each of these cases you have examples where a book property started life as something else and then went on to become not only a published book, but a film or tv show after the fact, in the case of 13 Reasons Why, years after the fact. Keep on writing and working toward success in your endeavors. You never know when someone will find your book and turn it into something else. If you have any other fun book-to-film stories, please share them with us!

Successful query breakdown via an author and her agent


I was recently asked by my talented client Kristi Belcamino to join her in a guest post for Writer’s Digest in Chuck Sambuchino’s “Successful Queries” series to share her query letter and my response. I shared why I was drawn to it and ultimately went on to represent and sell the book. I love this kind of thing because it feels so simple and yet I know for prospective authors looking for advice this kind of feedback, which includes a real life example, can be really useful.

Book publishing is obviously an inherently subjective business so what appeals to me is not necessarily what appeals to others. However, when I look at a successful query letter, I find there are certain things that are generally done well.

In Kristi’s case, she introduces herself and her background in a way that is intriguing. An actual female crime reporter? Bring it on!
Then we see a first line that sucks you right in: Gabriella Giovanni has never met a man more exciting than a murder. I’m beyond interested to know more about this character.

She goes on to CLEARLY and CONCISELY pitch the book in a way that makes you want to read more. My best advice for writers looking to pitch their books in a query letter is to try to write the jacket copy of the book. You can go into greater detail about the story and characters in a synopsis or follow-up email, but for me (and again, this is subjective), I want to see the elevator pitch because if you can describe your work in a clear, concise and compelling way, then I can too when I speak with editors on your behalf.

Finally, she offers additional information about her writing background which shows me that not only has she received good feedback from industry professionals for her work, but that she also has worked hard on her book and takes her writing seriously.

Take a look at our post and let us know what you think and if there’s anything else you see in Kristi’s query or my response that’s worth targeting. Happy querying!



To fiction or nonfiction, that is the question

I’m a big fan of Sloane Crosley. Her first collection of essays, I WAS TOLD THERE’D BE CAKE, offered a voice of a younger generation that was so distinct it set the stage for another collection of essays and now, a debut novel called THE CLASP. Good writing is good writing regardless of the category but it’s interesting to me to see authors who can go back and forth between fiction and nonfiction. There are many talented writers who try their hand at both successfully. Think Ann Patchett or Joan Didion; even J.K. Rowling had her Harvard graduation speech published in book form.

I have authors on my own list who have tried their hand at both. From my experience, they are usually better at one or the other and once they have some success with finding a publisher they stick with that. One of my most prolific fiction authors doesn’t seem interested in nonfiction, despite a few prods from me. And another who has only done nonfiction so far has teased me by talking about doing a novel at some point. I love the idea of this creative exploration.

I found this piece on Crosley’s publisher’s website interesting for aspiring or established writers because it goes into the psychological mindset of switching from one category to the other, or in her case the idea that many writers move seamlessly from fiction to nonfiction but it’s a different beast when it goes the other way. While the feelings Crosley has experienced crossing over are hers, I suspect there are some common threads that other writers would agree with. She feels fiction is a lot harder, she says that “publishing nonfiction feels like reading poetry on stage and publishing fiction feels like doing it naked while playing the piano.” I look forward to reading the novel and seeing how it compares to her nonfiction.

What do you think? Fiction or nonfiction or both? I say if you have the talent, spread it around!

The Clasp


Beauty and the book

There is so much talk in publishing about promoting your book. I recently had a conversation with a prospective nonfiction author and when I told him about the proposal process and what he’d need to put together in terms of a marketing and publicity plan, he asked me what the publisher does?! It’s a good point that publishers today look to the author for a lot more than producing a quality commercial book. They are expected to also prove that they can sell it. The publisher certainly has certain resources to support those efforts, but the greater the author’s ability to find their own audience the better the publishing process goes for all involved.

So I was tickled and a little appalled to find this hilarious piece in Time about what was expected of female authors promoting their books in the 1960s, or at least Jeanne Rejaunier, author of The Beauty Trap. The photos are so amazing and my personal favorite is the one of her in bed with her cat and her pencil under her chin making her look like a puppet on a stick. And then there’s the horses…

Let’s get real. A lot has changed (thank goodness) but looks still matter. It’s certainly not mandatory to be beautiful, but it helps! More important is the ability to network with other authors, connect and engage with fans, and produce quality work in a timely manner. Thankfully it is no longer required to take sexy photos in bed to promote your book (unless you’re Holly Madison writing about her time at the Playboy mansion, but even she has taken a less sexy approach to her story and the result is a huge bestseller!). So what works now? What gets you out to the bookstore to buy books? Reviews? Publicity? An author’s book on sale at Costco? Let us know how swayed you are by authors promoting their books.

Jeanne Rejaunier - Author - "The Beauty Trap", with cat

Jeanne Rejaunier – Author – “The Beauty Trap”, with cat



Behind the scenes of a bestseller

We are all looking for great books that will hit the bestseller lists. That’s the reality of being a book agent. There is nothing more exciting or rewarding than having a project you absolutely love be well supported by the publisher who acquires it and then subsequently embraced by the public who come out to buy it. In our dreams, this happens with every book we sign up. In our reality, it happens very, very rarely.

So, I like hearing about and sharing stories like this one about a nonfiction self-help book (a category I still do a lot of business in despite a very tight market for it) published in 2013 called YOU ARE A BADASS by life coach Jen Sincero that started off slow and has since become a surprise bestseller. It does illustrate that working hard throughout the publication process and beyond is critical for authors, as well as their publishers, if they want their books to be successful. Too often we see books come out of the gate slowly and never able to hit their stride due to a combination of the publisher withdrawing their support and the author slowing down their brand building and marketing efforts. I think that edgier books can really work in the current market, and I’m thinking about this one as well as the recent cookbook bestseller THUG KITCHEN: EAT LIKE YOU GIVE A F*CK, which also has profanity in its (sub)title!

I also think this approach translates to those who are seeking to be published in the first place. Often these roads are long and winding, and you need to be resilient and fierce in your efforts to both produce high quality work as well as your attempts to sell, market and promote it. Remember, you are a badass, like Ms. Sincero says, and clearly her message is resonating in a big way.






Keep your sense of humor

There has been so much attention on the new Harper Lee book released a couple of weeks ago that it prompted even me, a veteran publishing professional, to buy it as well as a new paperback edition of TO KILL A MOCKINGBIRD to re-read. GO SET A WATCHMAN came out to numbers that compare to Jurassic World for the book biz: over 1.1 million copies sold across formats in less than a week, over 3.3 million books printed according to Never have I seen in my almost 17 years as an agent such hoopla surrounding a book’s publication.

I know it’s a big deal, but it even surprised me with the scope of its coverage. I mean, last time we saw a book get so much attention was when the 50 Shades sequel was published in June (joke)!

So, it cracked me up when I came upon this piece recently in Publisher’s Weekly by (as it turns out, didn’t realize when I was reading it) Jane’s client Mardi Link about how her book’s publication fell on the exact same day. What are the chances? She has such a funny take on the whole scenario that I thought it would be fun to share.

As I’ve said on the blog before, so much in life is about timing. What do you think? Is she onto something by using her competition as a way to get publicity for her own book? I think it’s a very clever approach, and an entertaining one as well. Hope her book does a fraction as well as Harper Lee’s!



Fall fiction, and a few debut author stories

Not that I want to rush summer, which is my favorite time of year, but I did get a little excited when I saw this roundup of big fall fiction in Publisher’s Weekly, which really is right around the corner. Fall is always the time when big books are released, in both the nonfiction and fiction categories.

The list is pretty eclectic but the one common factor is that all the books are debuts. Someone took a chance and felt that these books could stand out in a very crowded and difficult marketplace. I’m always eager to get a sense of what publishers are excited about in terms of not only plots, but also writer backgrounds and pedigrees. Has their short fiction been previously published? Do they have an MFA from a prestigious program?

In the case of this list, it’s a mixed bag. There’s a lawyer from Reno, an MFA from NYU, and a former magazine book editor. But my favorite story is about an author who had been rejected by 60 agents (and that’s after getting her MFA from Columbia, people!) before sending her novel to a few independent publishing houses. Eight months later, a fellow student from Columbia was working as an editor at Soho Press and asked her if the manuscript was still available. INTO THE VALLEY by Ruth Gahm will be published this fall.

Check out all of these stories. They are interesting and fun, and look for the books this fall. If PW is profiling them, there’s a good chance at least a couple of them will do really well. Which ones do you want to read? Any other books you’re excited about for fall?

Unexpected authors

You know how I love to inspire our blog readers with success stories. After all these years, I still enjoy learning about how writers began their publishing careers because unlike doctors and lawyers and the like which require an advance degree and extensive training, writers can pursue their craft from anywhere at any time.

I was reminded of this from reading a few relevant stories recently. Publisher’s Weekly has a series called Flying Starts where they interview various (published) writers who share their stories of getting started.

So, speaking of doctors, this Flying Start looks at the debut of Pennsylvania surgeon Ilene Wong (pen name I.W. Gregorio). She fit her writing into her schedule in blocks while she worked full-time and her first novel about an intersex teen was recently published by Balzer + Bray, a division of HarperCollins. A dream come true for her!

MOSQUITOLAND is a recent YA novel by David Arnold that got a ton of great reviews and attention, and the author talks about how he was a freelance musician and stay-at-home dad before he wrote this book. How cool is that?

My own client, A.J. Hartley, is a renowned Shakespeare professor in his day job who in his other life writes highly commercial fiction across a myriad of categories. And Deborah Lytton was an actress and musician turned lawyer before she became a children’s author.

These stories give me hope that if you are destined to become a published author, you can achieve your goals no matter what else you are doing in your life. So, soldier on, keep writing and persevering and you will find your way. If you have any great publishing stories to share here, please do so in the comments.


Lessons from a ghostwriter

The work of a writer can take on many forms. Whether it’s articles, nonfiction, short stories, fiction or some combination of all of the above (thinking of Stephen King, Ann Pratchett, our own David Morrell and many others). But I think it’s safe to say all writers do one thing over anything else – they write.

So I found this article in PW interesting as it is written by a ghostwriter or collaborator who had worked with several authors on their own nonfiction projects, and then she decided to write her own memoir. It’s a bit of an unusual hybrid to have a ghostwriter penning a memoir, but it worked for her, and she learned some things about her own work from working with others. The lessons she offers are worth reading because she shares what she learned about her own life from writing about other people’s lives, and how she applied it to her own work.

I think there is takeaway here for writers in general. Especially her last idea that you are responsible for your own story, not other people’s reaction to it. That is such a widely applicable concept as a writer because so much uncertainty and fear exists in putting your work out there for others to see. Even seasoned authors sometimes complain that they can’t handle a bad review, or they feel terrible when they see a negative comment about their book on Amazon. We’re all just human, after all. And it takes real guts to write, and share your work with others. Bravo to Sarah Tomlinson and to all authors for overcoming their insecurities and sharing their work with the rest of us.

Take a look and see what you think. Any other tips you can share for improving your own writing from working with others?


One project at a time

I was flipping through and came across some writing advice from Henry Miller that I liked and thought I’d share with our readers.

Apart from the fact that he was a master at his craft, Henry Miller’s advice feels timeless and random in the best of ways. I also like the fact that his suggestions based on his own writing habits are positioned as Commandments, an authoritative approach to getting your writing life in order. Mostly, I really like that he indicates clearly that you should work on one thing at a time until it’s finished. The rest of the ideas support this, and it’s an interesting thought. In our current culture, there’s very little focus on one thing at a time. Multi-tasking is the (not so) new normal. So the idea of working on one thing at a time until it’s done feels daunting and refreshing. How nice to have just one creative project to think about until it’s finished! While it might not always be practical or even possible, it does make one think about taking a breath and paying attention in a different way that could enhance productivity.

I also like that he tells writers to keep human and see people, go places and drink if you want to. It does conflict with his advice in point 11 to write first and always while painting, music, friends, cinema come afterwards (at least the drinking is still allowed!).

What parts of his advice resonate with you? People are so fascinating. I love hearing what makes a brilliant writer tick. Don’t you?