Category Archives: nonfiction


Between the World and Me

As most of you know, the 2015 National Book Awards winners were announced this week. I did a quick skim of the list and was incredibly pleased to find that Ta-Nehisi Coates had won the non-fiction category. I had read his book in short bursts on the subway to and from work—a small volume, but one that I could only read in small doses. Reading his work, I was reminded of a class I had taken my senior year in college, titled “Black Apocalyptic Fiction.” We had discussed a question similar to what Coates asks in Between the World and Me: “What is it like to inhabit a black body and find a way to live within it?” My final paper for that class focused on art and scholarship and how so much art and literature was focused on eventually creating a kind of scholarship that people used to dehumanize African American bodies.

So I was particularly interested when I noticed Coates’s answer to the question that the NBA posed to each finalist and winner: “In the process of writing your book, what did you discover, what, if anything, surprised you?”

Coates answered, “I discovered how hard it was to make the abstract into the something visceral. My goal was to take numbers and stats and make people feel them with actual stories. It was to take scholarship and make it literature.” (emphasis mine)


I have immense hope—despite everything—that scholarship will continue to emerge through literature created by people of color and that a new art will emerge as a reclamation of the body and self.

Watch Ta-Nehisi Coates’s acceptance speech:

What did you think of this year’s winners? What do you think about the future of diverse authors?

The long and winding path to great writing advice

I think is a wonderful resource for so many things. A couple of years ago I discovered my remarkable client, Amy Morin, who’d written an article called 13 Things Mentally Strong People Don’t Do that went viral after it was picked up by It went on to become one of their most viewed articles in history and I later sold the book version of the piece which has done very well.

Product Details

Through that connection, I also met another client. A dynamic author and career success coach named Kathy Caprino who followed her passion to find a career she loves and helps others to do the same. She is also a contributor for and writes about women, work, female empowerment and all of those great topics we love.

Product Details

When I spoke with Kathy recently about her column, I mentioned yet another client, a very talented and prolific author named Cecilia Galante whose first adult novel, THE INVISIBLES, had just been released. I knew from speaking with Cecilia and hosting a book club at my house with her where she inspired everyone in the room that she would be someone who might be of interest to Kathy and her column so I introduced the two of them and this compelling interview on is the result.

Product Details

There is a lot to digest here, and much of it is advice we’ve heard before because it works. But Cecilia has such a way with words that it feels fresh and important. Some of it I’ve even talked about here on the DGLM blog before. But not quite in this way: “I’d tell other writers that if they want to write, they need to sit in the damn chair every day and write.” Same goes for the realities of making a living as a writer: “Betting on a lucrative career as an author is like waiting for lightening to strike.”

What’s your favorite bit of advice from Cecilia? Anything else to add to her pearls of wisdom? She’s definitely doing something right because while the lightning bolt might not have hit just yet, she’s under contract for another adult novel and two more middle grades!


To fiction or nonfiction, that is the question

I’m a big fan of Sloane Crosley. Her first collection of essays, I WAS TOLD THERE’D BE CAKE, offered a voice of a younger generation that was so distinct it set the stage for another collection of essays and now, a debut novel called THE CLASP. Good writing is good writing regardless of the category but it’s interesting to me to see authors who can go back and forth between fiction and nonfiction. There are many talented writers who try their hand at both successfully. Think Ann Patchett or Joan Didion; even J.K. Rowling had her Harvard graduation speech published in book form.

I have authors on my own list who have tried their hand at both. From my experience, they are usually better at one or the other and once they have some success with finding a publisher they stick with that. One of my most prolific fiction authors doesn’t seem interested in nonfiction, despite a few prods from me. And another who has only done nonfiction so far has teased me by talking about doing a novel at some point. I love the idea of this creative exploration.

I found this piece on Crosley’s publisher’s website interesting for aspiring or established writers because it goes into the psychological mindset of switching from one category to the other, or in her case the idea that many writers move seamlessly from fiction to nonfiction but it’s a different beast when it goes the other way. While the feelings Crosley has experienced crossing over are hers, I suspect there are some common threads that other writers would agree with. She feels fiction is a lot harder, she says that “publishing nonfiction feels like reading poetry on stage and publishing fiction feels like doing it naked while playing the piano.” I look forward to reading the novel and seeing how it compares to her nonfiction.

What do you think? Fiction or nonfiction or both? I say if you have the talent, spread it around!

The Clasp

Children’s Nonfiction

One of the more interesting and unexpected developments in the children’s book industry over the past year or two has been the rise of nonfiction. Publishers Weekly recently ran an article that surveys the landscape, and how publishers are having success with the kind of MG and YA nonfiction that, until recently, was thought to be going the way of the dodo. Who would have foreseen that in 2015, guidebooks for a video game would be bestsellers?

(Then again, if anyone can explain the appeal of Minecraft in the first place, please do!)

But while video game tie-ins are all well and good, obviously those are licensed products, and for the average children’s book writer, writing for a licensor is a hard gig to land. So how can writers take advantage of this NF “moment” and capitalize on the momentum?

Well, from my seat at the agent’s desk, books like BOMB and RAD AMERICAN WOMEN are the way to go–titles that can fit with Core Curriculum standards while having the kind of adult-market trade appeal that will catch parents’ eyes in the bookstore. Biographies are also attractive, particularly those of living figures (for instance, Hillary Clinton) recently deceased figures (Steve Jobs) or historical figures that are back in the zeitgeist (Alexander Hamilton). And if you’re a published adult writer whose book can be reworked for MG or YA, that’s a great way to further your reach, too.

I’ll also add that on the picture book end, nonfiction is in demand as well. Of course, the topics naturally skew younger than MG or YA–lots of animal stories and bios that can sidestep most controversy. Multicultural topics are also a plus at this level, as they can often be paired with the kind of highly imaginative artwork that editors love.

And here’s another plus on children’s NF–submission guidelines tend to be somewhat squishy. So while picture books submissions do require full text, often you can write longer than the 500-1,000 word limits that frustrate a lot of PB writers. And for MG and YA, my experience is that most editors will review a proposal in lieu of a full manuscript, and a fairly brief proposal at that.

So, for any children’s book writer who’s contemplating NF, this is the time to do it–and when you’ve got your MS or proposal together, send it to me!


A Fantasy Craft Book You’ll Actually Want to Read

Wonderbook_Case_r2.inddI usually shudder at the thought of reading another writing craft book. I’ve read countless in my time as an MFA student. I learn something new every time I read one, so of course I’ll continue to read them, but after a few they all start to sound the same. They drone on like an eighty year old professor teaching ancient history—they lack imagination, soul. But when I heard about Wonderbook by Jeff VanderMeer, I was thrilled. It’s illustrated nonfiction filled with brilliant writing knowledge that’s presented in an enjoyable, easy to understand way. This book not only makes craft fun and colorful, it makes it something you want to put on your coffee table and show to all your friends. The art is unique all on it’s own, and it will stimulate rather than stifle your creative juices. You’ll also find inspiring essays from some of the most important authors in fantasy today, like George R.R. Martin, Lev Grossman, and Neil Gaiman to name a few. I would recommend checking it out at least, if the colorful diagrams don’t draw you in, you’re probably soulless—I mean, hard to please…


Weather or not…

This piece in Salon about how rain is often used in literature and film to create or punctuate a mood, advance the story, or simply provide an arresting backdrop to the goings-on, tickled me because it immediately led me to run a mental list of rain-filled books and movies.  And, sure enough, rain as metaphor and plot device is everywhere, in ways big and small.

Of course, I’ve been railing for years about writing, imploring authors not to open their work with long descriptions of weather or geographic conditions.  While I get how irresistible it is to set about capturing in words/images the awesome power of nature, very few authors can make non-catastrophic meteorological events compelling over a large span of narrative. 

That said, there’s no denying that weather is great for atmosphere (tautological pun intended).  From the foggy moors of Emily Bronte’s Wuthering Heights, to the feverish heat of Lily King’s Euphoria, skillful depictions of weather conditions help make literary works unforgettable.  Many years later, you may not remember other details of a story, but you probably recall the sense of humid discomfort in the bayous or the crispness of a spring day in southern France. 

What are your favorite weather sequences?  And, which authors do you feel use weather most effectively?



The non-fiction book proposal

Most writers who are hoping to sell a non-fiction book know that in order to do so it is necessary to create a book proposal. This document can be critical not only to the sale of the book but to the size of the publisher’s offer.  I often tell prospective clients that doing the proposal is an unnatural act—it can actually be more difficult to create a good one than to write the book itself.  Our website describes exactly what is required to be in the proposal clearly and concisely (see “Nonfiction Proposal Guidelines”).

These days, I am consistently trying to push writers to create proposals that are well focused and that clearly define the different readerships, both demographically and statistically.  Inevitably, as I learned last week, a writer will try to “game” the system—describing his or her book as neither fish nor fowl and thus confusing the reader (the editor).  The result is a rejection letter instead of an offer.  So I am stressing here that it is extremely important for the writer proposing a work of non-fiction to clearly define exactly what he or she wants to do in his or her book in a keynote sentence or two. That keynote is so very important!  If a sale is made, the proposal goes from the writer, to the editor who buys the book, to the publisher, to the person who creates both the catalog and cover copy and, finally, to the sales person who is selling the book in to the accounts.  It has to be right.

And, sometimes, for it to be “right” takes time.  The other thing that was brought home to me again this last week is that rushing a book proposal never pays.  It results in shoddy work which can be misinterpreted by the editor considering the material.  I use the saying “better late than lousy” so often these days—and it is very important to remember.  Doing the proposal the right way can make all the difference in the world.

Of course, as always, I would be interested in hearing your thoughts and experiences on the subject of proposal writing.

Music in the air

Maybe it’s due to the long-awaited thaw here in NYC, but everywhere I turn this week it feels like music is in the air. And books about music are demanding to be heard…

First, the other night, my son Henry brought home PLAY, MOZART, PLAY by Peter Sis from school for his assigned reading. I adore Peter’s Sis’ MADLENKA and some of his other titles, but I didn’t know this one. It’s a very sweet (and bittersweet) depiction of Mozart the child prodigy, who spent his early years playing for kings and queens but missed out on being a kid. Not only did Henry ask to read it together, but since his class recently started writing book reviews, he asked me to write a blog post about it this week.

Since I obviously can’t refuse a request like that, I’ll just say that if you can find a copy, it’s worth a look as a fine example of how to write about music for kids. So many picture books with musical themes simply present song lyrics, and while there are some successful titles (THIS LAND IS YOUR LAND, for example), too often they fall flat without the musical accompaniment (sadly, Bob Marley’s ONE LOVE comes to mind immediately). With PLAY, MOZART, PLAY, Sis sidesteps any direct citation, instead letting Mozart’s imagination reflect the mood and themes of his music. It’s a much more successful technique, and one that I think registers strongly with readers, even if they don’t know Mozart’s music at all.

Then, on Wednesday night, I had the honor of attending the National Jewish Book Awards to support my client James A. Grymes, whose VIOLINS OF HOPE had won the award in the Holocaust category. VIOLINS OF HOPE chronicles the stories behind several violins that were played by Jewish musicians during WWII, mostly in concentration camps, and how these instruments eventually made their way to Amnon Weinstein, a violin restorer in Israel, who fixed them up for a travelling exhibition. A sobering subject, no doubt, so it was all the more enjoyable to toast Jay’s success last night.

Now, one of the many things I love about this book is that it a great example of using physical objects to tell a much larger story—throughout, the violins are used as a jumping-off point to discuss bigger themes, such as the treatment of musicians in concentration camps, the partisan movement, emigration to Israel, and so on. Taking a small element or story to tell a larger one is a narrative style that I personally love, and it can make for very successful popular nonfiction—Michael Lewis, anyone? So if anyone out there is working in that vein, especially with a musical connection, I’d love to see your work…

Finally, what were two of the big publishing stories this week? The sale of Chrissie Hynde’s memoir and Kim Gordon’s GIRL IN A BAND hitting #2 on the NY Times bestseller list. Seems like the musician memoir is still a hot commodity, and it’s especially exciting to see Gordon’s success, given how non-commercial so much of Sonic Youth’s output was. And it’s got an awesome jacket, too!

So, to paraphrase the Bard, “If music be the food of books, write on.” Let’s see what you can do!


Two New Books

When Mike Hoogland wisely used his post to solicit feedback on our blog posts, readers responded with some good ideas, including Anthony Pacheco’s excellent suggestion to post cover reveals and new releases. I’m pleased to oblige.  Nothing is more exciting, in fact, than having the opportunity to trumpet news of our clients’ work.  And this last week has given me two terrific titles to tout.

Country western singer turned sustainable food expert Liz Carlisle has just published Lentil Underground: Renegade Farmers and the Future of Food in America.   A good while back I posted her pitch letter as an example of a successful nonfiction pitch, and now months later, amid celebrations, workshops alongside bestselling author Michael Pollan and wonderful food created by chef Claudia Krevat, her book is making its debut.   Her book trailer is above.

Another work of  narrative nonfiction is also just out, this by veteran reporter and journalism professor Joseph Coleman.  UNFINISHED WORK:  The Struggle to Build an Aging American Workforce is a smart, story-driven analysis of a quiet revolution that is even now underway—people are living longer and the social and economic implications are vast.  For better and worse, retirement is changing, and the stories of the men and women who are working into their seventies and eighties make for an eye-opening and provocative read.  Happily, agenting is a career that has no mandatory age of retirement, so my hope is to represent authors for the next forty or so years, when I can commute to the city by jet-pack.



Although lentils and eighty-year old Japanese artisans might appear to have little in common, these two disparate books do provide a kind of snapshot of the projects I represent: narrative non-fiction that blends brainy, big-ideas with the human stories of men and women who are the heart of any good book.  I look for writing that can deliver both fine-grain, immersive prose about people and places and then back up to furnish context and analysis.  Finally, these books are excellent examples of unlikely or overlooked topics that have a great deal to tell us about the world in which we live.


What I’m Looking for Now

Happy 2015, everybody! (Though with everything going on in the news, maybe just “Let’s get through 2015, everybody!” But I’m a sensitive type.)

It’s been a while since I’ve written about what I’m looking for, in part because I haven’t been signing much up over the past couple of years. It’s been a great time for my authors, and they’ve kept me rather busy! But after a bit of a hiatus in signing new clients, I’m eager to find some fresh talent.

I continue to look for exceptional children’s projects at all age levels. Despite representing some of the best authors writing YA, I want more. What can I say? I’m greedy! I continue to appreciate challenging, convention-defying, inventive fiction. I’ve said it before, and will say it again: if someone has told you, “you can’t write that for teenagers,” then I want to see it. If you’ve got something that subverts expectations or thumbs its nose at YA conventions, send it my way. I think I best represent the kinds of books about which I can say to an editor, “You’ve never seen this before.”

That said, I do love “commercial” books, too. I love a high-concept page-turner, whether it’s contemporary, historical or fantasy. While it’d be tough to get me to take on anything with a whiff of dystopia, I wouldn’t mind seeing a more grounded ghost story or something—dare I say it?—paranormal. It still needs to be brilliantly written and executed, of course.

In middle grade, my tastes are quite broad, and my list is much less full. I’m still waiting to see something that comes close to capturing the feel of John Bellairs’s books, which I devoured as a kid. It’d be great to get something as terrifying as A House with a Clock in Its Walls, which had me sleeping with the lights on when I was a kid. The right combination of humor and horror is always great. And it would be good to see more exciting, adventure novels that can get kids interested in history. Little-known events, overlooked heroes/heroines, and underserved minorities (we do need books with diverse themes, characters, settings, etc.) are all subjects I’d be particularly interested to see.

On the adult side, I’m really hankering for some science narrative, particularly in the realm of space and physics. Scientists or science journalists who can explain complex ideas to the masses are some of the people I admire most. I believe that science education for the general public is one of the greatest ways we can improve the world in which we live. The more we understand who we are, where we come from and our place in the universe, the better we can make decisions about our collective future. So bring on the science books!

While this is what I’m currently jonesing for, that doesn’t mean I’m not open to other things. My tastes are broad and I love to be surprised by submissions. I don’t really handle adult Sci-fi or fantasy, and I’m not really a picture book expert. And though I am always on the lookout for good food narrative, I’m no longer representing new cookbook authors.

Remember, too, that if I’m not right for your work, surely there’s another great DGLM agent who might be, so be sure to look at everyone’s bios. Get to querying, authors!