Evidently, it’s music appreciation week here at DGLM–believe it or not, I actually had this music-themed blog post in the works Wednesday morning before I saw Miriam’s post. But rather than scrap it, I think it dovetails with Miriam’s question about lyrics and books, so here we go:
As book publishing is considered a media industry, you’ll often hear comparisons drawn between the book business, the music business, and the film industry. And you’ll often hear about the common problems they share–declining sales, disappearing retail outlets, fragmented audience, technological challenges, and so on. But as much as people carp about the state of book publishing, I think it’s always good to remember that when you compare books to other media–especially the music biz–things could be worse. A lot worse.
And to that point, I wanted to share this post from Wired by the musician Aloe Blacc yesterday morning, where he points out the criminally small royalty that songwriters are paid by streaming music services like Spotify and Pandora. The idea that Blacc has earned less than $4,000 for a song that has been streamed 168 million times seems crazy. Yet on the whole, the complaints about royalties for streaming services have been fairly muted–as Blacc notes, streaming provides more exposure for listeners than ever before, and it seems like artists to this point have been willing to trade earnings for that exposure.
Now, compare those muted complaints to the noise surrounding Amazon vs Hachette. With all the hue and cry about Amazon screwing authors and publishers, one might assume they’re being ripped off as badly as Blacc–and of course, it’s nothing even remotely close to that bad, partially thanks to the agents who established standard eBook royalty rates early on. But credit also goes to publishers for defending their author’s right to earn–a right that has never been recognized properly by the big music companies who’ve been screwing artists out of royalties since the beginning of the industry. And as much as I hate to admit it, credit goes to Amazon when it comes to self-pubbed authors, for whom a loose analogy can be drawn to indie musicians on services like Soundcloud and Bandcamp–again, Amazon is making indie authors millionaires, Soundcloud not so much.
So while our business has its problems, and while writers have legitimate complaints about earning power, take heart–apparently it’s better to be even a struggling writer than a famous songwriter. Though movie stars seem to have it pretty good…