Category Archives: Michael


What I’m Looking For

I’m always on the hunt for new and exciting projects, but what I’m looking for does shift and change a bit based on what I already rep, the market, and whatever I’m personally ruminating at the moment. Right now, that’s:

  • YA and MG novels that deal with faith, loss of faith, and other “big questions” kinds of books. I remember my teen years being about questioning and figuring out exactly what I believed in. I’d also love to see a novel about a kid exploring political issues, and perhaps how one’s political identity contrasts with one’s parents’.
  • I’d love to see some more ghosts. Ghost stories have always been a favorite of mine, and while there have been so many, I’d love to see something new and original. MG, YA, adult—it’s all good!
  • I’m still eager to find a great tennis novel. I’ve seen some good books over the years, but nothing that I connected with enough to take it on.
  • On the nonfiction side, I’m still very eager to find more pop science. I’d love a Sixth Extinction or a What If? I’d really love a book about the space program, particularly women involved with it.

That’s just a brief list of the things I’m most interested in at the moment, but as usual, if you’ve got something brilliant, I’d love to see it!


The Times it is a-changing, part deux

Back in 2012, I blogged about the New York Times making a significant set of changes to their children’s bestseller lists. At the time, the picture books and series lists remained, but what had been “chapter book” and paperback lists were instead replaced with middle grade and YA lists. The bigger change, though, was that these lists would combine sales across formats, counting hardcover, paperback and e-book sales. My concern in that first week of the new lists focused mainly on the middle grade list, which was dominated by non-fiction—which includes all sorts of tie-in publishing. Frankly, we were all sick of seeing the list full of Lego books, and the shift only seemed to make that worse. What wasn’t clear in that first week, however, was just how bad combining sales of all formats into one list would be. Yes, I had questions about how ebook sales would affect the lists (and past-Michael: those ebook price drops are not weighted differently, so dropping the price does get books on the list), but what I hadn’t taken into account was how “new” backlist would go on to dominate the lists.

If there has been one steady complaint about the children’s bestseller lists for the past couple of years, it’s been John Green. Not that anyone begrudges his success—the man works hard for it. But with four of his books pretty permanently in the top 10, there were only 6 slots for other books. And, putting Green aside, it became clear that the list was mostly made up of “new” backlist. Paperbacks are cheaper than hardcovers, and they sell in greater numbers. The ebook editions of those same books also become cheaper when a book goes from hardcover to paperback. So, the list became skewed very heavily towards long-running bestsellers in paperback and ebook. And I think this frustrated just about everyone. It seemed nearly impossible for a new book in hardcover to hit the list, which meant less discoverability. On the adult side of lists, with formats broken out, the hardcover lists typically feature new titles that are just out, changing considerably from week to week, while the paperback lists show which books have long-term staying power. Readers, authors and publishers all benefit, with both new books being highlighted and backlist titles getting recognition for their ongoing sales.

Yesterday, the good news came down that once again, the lists would be changing. And this time around, the changes are huge. In this PW interview, Pamela Paul explains the changes, the rationale for those changes, and the reasons these changes didn’t happen earlier (though I am still curious what the “technical challenges” are that she refers to). Goodbye format agnostic lists, and hello hardcover, paperback and ebook lists—one each for both middle grade and YA. Yet again, the picture book and series lists remain the same. In general, I think this shift is a really good one. Each format will now only compete with other books in that format, which should create a more level playing field. As on the adult side, I think we’ll see a fair amount of change and movement on the hardcover list, while the paperback list will likely feature well-established bestsellers. The ebook list (which is oddly only five slots) will be an interesting one to watch. Will books show up there that aren’t on either the hardcover or print list? Will publishers game their pricing to get books onto that list, eager to have the “NYT Bestseller” on their book? Time will tell, but in the first week, the ebook list looks an awful lot like the paperback list, which reflects, I think, the price-sensitive nature of ebook sales.

Some interesting smaller items:

  • The paperback and ebook lists will be online only, not in print. This means that the books that have dominated the printed lists for the past few years have fallen off the printed list. Does that matter? Likely not, but it does feel like a demotion.
  • As with the last change, “Weeks on List” has been reset. The Book Thief is once again at week 1 on the list. I’m not sure what the solution is, but this doesn’t seem right to me.
  • While there’s some tie-in on there, the middle grade list seems to reflect the breadth and depth of the category. Exciting stuff going on in that space.
  • The paperback list does not feature a single female author. The hardcover list has eight. Will this new formulation feature more women? (Much has been said about the male dominance of the children’s bestseller lists.)

Overall, I’m quite pleased with the changes. The conceit behind these lists makes much more sense—the adult side has been doing it this way for an awfully long time, and it’s worked well there. I’m eager to see how this plays out over the next few years. Any thoughts on the changes, dear readers?

UPDATE: It turns out the series list has changed, albeit slightly. Erin Stein, publisher at Imprint, pointed out that tie-in titles for properties will now be combined and added to the series list. This explains why the Descendants moved over to the series list this week, which had been a point of discussion amongst us list-watchers on Twitter the other day. While I think this is a good move, as it’ll eliminate the MG list being dominated by Frozen tie-ins, it’s going to make the series list even more competitive than it was for authors. I’ll be keeping a close watch on this one.


Out-Amazoning Amazon

Let’s face it: Amazon is convenient. I try hard not to shop at Amazon, just as I avoid Wal*Mart and the like. I shop local and like to support independent business owners. DGLM is a small business, too, and supporting other small businesses is important to me. But I’d be lying if I said I didn’t go to every day. I use it for book research and to track clients’ sales; I’ll also use it to comparison shop prices on other goods. It’s impossible to avoid, even if I rarely purchase anything there.

One of Amazon’s most annoying tactics has been to try to capitalize on other retailers’ brick and mortar stores—releasing apps that allow consumers to go shop for something in the real world, scan the item with their phones, then buy the item for less money through Amazon. Amazon avoids pesky rent in expensive commercial areas, but gets the advantage of the showroom. This, understandably, drives business owners crazy. But now they have a way, of sorts, to retaliate: a Chrome plug-in that allows Amazon UK users to search on Amazon, but gives you the price of the book at your local shop—reverse showrooming, or some such! It’s completely genius! On the one hand, it almost works as a piece of criticism, making the shopper think twice before clicking the buy button. And on the other, it’s actually a great shopping tool, seeing as books are sometime cheaper at your local store than they are at Amazon. Here’s hoping someone gets this to work in the US, too.


We’ll Have Fun, Fun, Fun

Here we are again, my favorite time of the year: the LA Times Festival of Books! People will try to convince you that we Angelinos aren’t book people (I’d say the box office would argue differently), but the festival always reminds me just how much we love our books. With attendance of 150,000 people, it’s the largest book festival in the US—and it’s even survived a move from UCLA to the USC campus, a location with better access to public transportation and freeways, encouraging even greater participation.

This year’s festival is an exciting one for me, with Andrew Smith’s Grasshopper Jungle a finalist in the YA category of the LA Times Book Prizes (an award A.S. King won in 2012 for Ask the Passengers), and it’s always great to have authors come see me in my still-somewhat-new city. I plan to slather on a bunch of sunscreen and spend the weekend hearing some amazing authors speak. Will I see any of you there?


The I-Bet-You-Think-This-Blog-Is-About-You Burger


If you follow me on Twitter, you’ve probably gotten a sense of my interests: cats, bran muffins, books, tennis, the Muppets, typos, fighting against Verizon, and, of course, my favorite TV show, Bob’s Burgers. Not only is it the funniest show on TV, it’s also a touching portrayal of familial love. For the uninitiated, it’s an animated show about the titular Bob, his family, and their burger restaurant. Economically, they’re barely scraping by, but they’ve got more love for each other than any family on TV (save for possibly Leslie Knope and Ben Wyatt on Parks & Rec, but I digress).

You’re wondering what this has to do with books. Today, a friend pointed me to this article about an upcoming Bob’s Burgers cookbook, which is one of the best tie-ins I’ve ever seen. The show has a long-running gag with punny burger specials written on a chalk board. Some favorites: “Pepper Don’t Preach Burger,” “Olive and Let Die Burger,”  “Hit Me With Your Best Shallot Burger,” and “Blue is the Warmest Cheese Burger.” As someone whose sense of humor is pretty much the same as Fozzie Bear’s, the names of the special burgers are endlessly appealing. But some of them have also sounded really, really good. Until this article today, I was unaware of the Bob’s Burger’s Experiment blog, where Cole Bowden has been documenting his cooking based on the specials from the boards, which is a genius idea. It got the attention of the show’s creator, who loved the blog, and then led to the blog becoming a book with Rizzoli. It’s fantastic to see something fan-created turn into something officially sanctioned instead of shut down by lawyers, and I cannot wait to start making these burgers at home!


What I’m Looking for Now

Happy 2015, everybody! (Though with everything going on in the news, maybe just “Let’s get through 2015, everybody!” But I’m a sensitive type.)

It’s been a while since I’ve written about what I’m looking for, in part because I haven’t been signing much up over the past couple of years. It’s been a great time for my authors, and they’ve kept me rather busy! But after a bit of a hiatus in signing new clients, I’m eager to find some fresh talent.

I continue to look for exceptional children’s projects at all age levels. Despite representing some of the best authors writing YA, I want more. What can I say? I’m greedy! I continue to appreciate challenging, convention-defying, inventive fiction. I’ve said it before, and will say it again: if someone has told you, “you can’t write that for teenagers,” then I want to see it. If you’ve got something that subverts expectations or thumbs its nose at YA conventions, send it my way. I think I best represent the kinds of books about which I can say to an editor, “You’ve never seen this before.”

That said, I do love “commercial” books, too. I love a high-concept page-turner, whether it’s contemporary, historical or fantasy. While it’d be tough to get me to take on anything with a whiff of dystopia, I wouldn’t mind seeing a more grounded ghost story or something—dare I say it?—paranormal. It still needs to be brilliantly written and executed, of course.

In middle grade, my tastes are quite broad, and my list is much less full. I’m still waiting to see something that comes close to capturing the feel of John Bellairs’s books, which I devoured as a kid. It’d be great to get something as terrifying as A House with a Clock in Its Walls, which had me sleeping with the lights on when I was a kid. The right combination of humor and horror is always great. And it would be good to see more exciting, adventure novels that can get kids interested in history. Little-known events, overlooked heroes/heroines, and underserved minorities (we do need books with diverse themes, characters, settings, etc.) are all subjects I’d be particularly interested to see.

On the adult side, I’m really hankering for some science narrative, particularly in the realm of space and physics. Scientists or science journalists who can explain complex ideas to the masses are some of the people I admire most. I believe that science education for the general public is one of the greatest ways we can improve the world in which we live. The more we understand who we are, where we come from and our place in the universe, the better we can make decisions about our collective future. So bring on the science books!

While this is what I’m currently jonesing for, that doesn’t mean I’m not open to other things. My tastes are broad and I love to be surprised by submissions. I don’t really handle adult Sci-fi or fantasy, and I’m not really a picture book expert. And though I am always on the lookout for good food narrative, I’m no longer representing new cookbook authors.

Remember, too, that if I’m not right for your work, surely there’s another great DGLM agent who might be, so be sure to look at everyone’s bios. Get to querying, authors!



It’s been a very crazy year for me, one that brought film adaptations for not one, but two of my clients’ books; Gayle Forman’s If I Stay and James Dashner’s The Maze Runner. I can say that seeing books you know and love made into films is a very surreal and emotional experience, and I feel lucky that both authors wound up with movies that so perfectly bring their books to life. Music is a key component in any film, but in If I Stay, both the original music and pop songs were an huge part of the experience, while the orchestral score in The Maze Runner amped up the tension and excitement in each scene.

And though I didn’t represent the book (clearly), I’m so excited about Paul Thomas Anderson’s upcoming adaptation of Inherent Vice. I’m a huge PTA fan, whose There Will Be Blood ranks in my top 5 movies of all time, and which features a fantastic score that anchors the film. I was excited when Sharon tweeted a link to the soundtrack listing for IV, and I’m listening to the songs to get ready to see the movie.  I’m fascinated by the selection, and I’m eager to see how they fit into the film.

Any movie adaptation or soundtracks you’re looking forward to this fall?


Tumblr cults

There’s a fun piece over at Huff Post about surprising Tumblr fandoms for books. When I clicked the link, I was expecting something a bit different, maybe more obscure. But I’ve read all but two of the books listed, and I can see just how they’d inspire a cult following. I think we all know about my love of Donna Tartt (despite what Miriam says, The Goldfinch is a fantastic book that’s worth the time it takes to read it!) and especially The Secret History. It’s probably good Tumblr didn’t exist when I read the book in college, or I would have most likely had multiple Tumblr pages dedicated to the book. And I can’t even look at the pages dedicated to Sideways Stories from Wayside School or I’d likely lose hours of productive work. Because when it comes down to it, I’m obsessed with obsessives.

So, dear readers, what book would you Tumbl for?

At year’s end

I’m finding it very hard to believe that 2013 is already coming to a close. It’s been quite the year, and I’m thankful to all of my clients, the dedicated editors and other publishing professionals with whom we work, and most of all my colleagues at DGLM, who always welcome me with open arms (and loads of snark) on my trips back East.

Though I’m sad to see 2013 go, I’m also looking forward to what promises to be a very interesting 2014. My clients have some amazing books coming out, and I’m eager to see the first feature film based on one of my author’s books.

So what’s missing from my 2014? Some new clients! Though I have a fantastic roster of authors who keep me busy, I’m always on the hunt for the new and undiscovered. As always, I’m on the hunt for middle grade and young adult books, the more challenging, daring, unique and spectacular, the better. If you’re flouting conventions and pissing people off, I’m in.

But I’d also love to see more narrative nonfiction submissions, particularly in science, technology and cultural studies. If you’ve got something on space or physics, that’s probably at the top of my list. I’m fascinated by the recent discoveries related to the Higgs boson, as well as experiments trying to prove that the universe is actually a hologram. If you can make my brain hurt but also teach me something, I’m in!

I hope all of our blog readers have a lovely holiday, and I’m looking forward to seeing you all again in 2014!