I’ve written before about my particular love for short, short, short fiction. Their poignancy is sometimes so great that a story half a paragraph long will stick with me all day or longer. I had an entirely different topic planned for today’s blog post, but just before I sat down to write, I took a minute to read some incredibly brief, yet strangely powerful love stories, perfectly appropriate for a post-Valentine’s entertainment. Especially since I just checked, and you guys it’s true, there’s no more chocolate left from the box in the kitchen and I’m feeling a little blue about it already.
Available for your reading pleasure here on the Hairpin, are just four very slight tales of love and romance, ultimately lost, rejected or simply faded away. The strength in these stories is that there is so much, so very much left out of them. There are no character names, sometimes the telling is a very straightforward “this happened and then this happened and then that happened and so there.” But somehow, as readers, we’re able to create an entire narrative arc. We can visualize the lovers, feel their hope, joy, pain, and ultimate loneliness.
It’s not just about writing a barebones plot and not saying much about anything, limiting yourself to a hundred and fifty words or so. Anyone can do that—I’ve tried. There’s a certain space that must be created. A vast emptiness between the lines where the real story lies. A good writer of short fiction can give just the right amount of information and the right type of information so that the story doesn’t feel cheap or lacking, but instead creates the feeling in the reader that they know exactly what the writer meant to be happening in the spaces left blank.
Love stories—particularly those about lost loves—are exponentially more effective when less is told. The emptiness and longing, nostalgia and regret are there simply because they are physically not there on the page. They become haunting instead of merely sad. Their brevity means they can be read over and over again, searching for any more hints of story, clues to what really happened.
I’d be interested in seeing any stories you can come up with in the comments—keeping it under 200 words.* It’s more difficult than you’d think! Otherwise, do you have a similar take on the style, or would you much prefer a long, fleshed out novel instead?
*The writer of my favorite story will be showered in cash and prizes! Minus the cash, but there is a DGLM mug in it for the winning, and you’re welcome to fill it wish cash of your own if you like.
This contest is now closed and I am pleased to announce the winner of a DGLM mug is Jan O’Hara! Jan, please email me with your information at firstname.lastname@example.org and I’ll be in touch!