Category Archives: book to film

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From book to stage, and beyond

I’m not sure if I’ve mentioned here before that in addition to books, I also love the theater (along with my colleague, Jim McCarthy, with whom I share stories of good and bad plays for sport). I think there’s something so magical about a good theatrical experience. I’m proud to say that I saw the original production of Rent off Broadway at The New York Theater Workshop in 1994. It was a profound experience that the few of us lucky enough to see the show with the original cast in that tiny space will never forget.

Rentpostera.jpg

It got me to thinking about books as plays. We often talk about books as films, but plays are so expensive to produce and so often don’t work that the number of shows from books is a lot more limited. What translates to the page doesn’t always translate to the stage. I’ve always loved Les Mis, although I’ve not yet seen the new production, and I recently saw and really enjoyed Matilda, both based on books.

Matilda

A lot of other Broadway shows I’m thinking of are based on films, like Rocky (couldn’t live up to the source material), Kinky Boots (loved the show, didn’t see the movie), and Billy Elliot (saw at a regional theater in Maine this summer). This is a lot more obvious a transition because it’s already a visual medium.

Image result for kinky boots

What books would you like to see adapted for the big stage? Would you turn your favorites into a musical or a dramatic adaptation? Gone Girl, the Musical! So many fun ideas to consider, I don’t even know where to begin!

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Before the camera rolls

There is a book. Well, not always. But the other day surfing Netflix I realized just how many movies are based on books. There was an entire category devoted to them. And most were movies I had never realized were based on books.

So what’s the process behind turning a book into a movie?

One of the cooler things we do here at DGLM is meet with people in the film industry—production companies, packagers—basically anyone in development. In other words, we meet with people in the film industry who are looking for ideas, which they then bring to the studio, producer, or actor they’re representing.

In a very broad sense, these meetings are always the same. The producer is looking for great storytelling, there is a brief pause, and then we hear what the producer is actually looking for. Memoirs written by ordinary people who’ve lived through extraordinary things. Something geared toward an audience of middle-aged women. Something with a lot of action that can be done on a budget under $X. We then go back and forth with the producer explaining the various projects we have that might be of interest.

My point is that most people would be surprised how much the market dictates which movies eventually get to the “roll the camera” stage. Market and monetary constraints are king. So if there is a book you really, really want to see get made into a movie, be loud about it. If there’s a market, there’ll be a movie.

If you need further evidence, take The Fault in Our Stars, The Giver, and If I Stay, all films which were developed, in part, because of fan support.

So how about it? What do you want to see on the big screen?

Why are the books always better?

I watched Gatsby the other day. Excuse me, let me clarify. I tried to watch yet another disappointing movie adaptation, another beloved-book-turned-train-wreck-of-a-movie. And I’ve never once gushed over F. Scott Fitzgerald’s magnum opus like so many do. No, I went in with reasonable expectations. Expectations even Leonardo DiCaprio with all his talent and all his movie-star swag couldn’t help the movie live up to.

So cheers to good books that can’t be experienced any other way than through the written word. Gatsby was flawed from the start. People have tried to make the movie before…and all have failed. Some other good examples of poor movie adaptations: