Category Archives: about us

Tell us how we’re doing

A while back (a year, maybe more—my conception of time is shockingly horrible, bordering on nonexistent), Sharon did a blog post asking for feedback from our readers. What we heard was eye-opening to say the least.

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All of it was informative and very helpful—and I believe it led to a better year in blogging for DGLM and our readers. So I will do so again here. Let’s call it our year-end review.

What do you guys enjoy about our blog? What keeps bringing you back for more? What would you like to see us do differently, do better?

This is your chance for some input. Our readers are important to us, and we want to blog about what you want to read about. So please, don’t hold back. What’s on your mind?

1

The job of a literary agent

Last week I began thinking about what the technical responsibilities of a literary agent are compared to what we at DGLM do for our clients.  I researched the subject and I also asked our staff what they thought.  The results are interesting and I wanted to share those with you, our readers.

First, I found this definition of the responsibilities of a literary agent online:

Literary agents represent authors in the publishing world. Authors rely on literary agents to manage the business aspect of publishing for them. Agents negotiate contracts regarding publishing rights, advances and royalties. They represent authors to book publishers and other companies that may be interested in publishing an author’s work.

It turns out that this is a good definition but it doesn’t cover nearly all of the things we do for our clients at our agency.

This weekend for example Miriam and I have been working on amending an exciting movie/TV contract for one of our clients who had previously committed to this project without really realizing what she was getting into.  In fact, working with our clients on weekends and after office hours is something we do all the time.

We also do many things that other agencies do not do:

  • We send out  adult and childrens’ book  newsletters three times per year announcing the books we will be selling in the following four months and those we have sold in the previous four months.
  •  We have a digital book program with its own manager whereby we help clients self-publish their work—either new projects or those where the rights have reverted.
  • We have an extensive, informative website which we are constantly updating.
  • We have author social media guides for all kinds of situations.
  • We are very hands on in career management, advising our authors not just in the book space, but also in film/TV, newspapers and periodicals, and in whatever other career category they require our help.

We  also often go above and beyond, by helping clients with legal issues on for other parts of their lives, helping them to get mortgages or refinance their homes, even helping them to get jobs when we are able, and, perhaps more importantly,  providing a constant source of advice and support.

Above all else, and as I have said very recently in this space, we never give up until we really believe we have hit a wall and that it is best for our client to move on to the next project.  What is your experience and your expectations of literary agents?

I am sure I have overlooked some of the things we do that go above and beyond that tight definition of the responsibilities of the agent but this will give you a very good idea of the kind of agency Dystel & Goderich Literary Management is.

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What I’m Looking for Now

Happy 2015, everybody! (Though with everything going on in the news, maybe just “Let’s get through 2015, everybody!” But I’m a sensitive type.)

It’s been a while since I’ve written about what I’m looking for, in part because I haven’t been signing much up over the past couple of years. It’s been a great time for my authors, and they’ve kept me rather busy! But after a bit of a hiatus in signing new clients, I’m eager to find some fresh talent.

I continue to look for exceptional children’s projects at all age levels. Despite representing some of the best authors writing YA, I want more. What can I say? I’m greedy! I continue to appreciate challenging, convention-defying, inventive fiction. I’ve said it before, and will say it again: if someone has told you, “you can’t write that for teenagers,” then I want to see it. If you’ve got something that subverts expectations or thumbs its nose at YA conventions, send it my way. I think I best represent the kinds of books about which I can say to an editor, “You’ve never seen this before.”

That said, I do love “commercial” books, too. I love a high-concept page-turner, whether it’s contemporary, historical or fantasy. While it’d be tough to get me to take on anything with a whiff of dystopia, I wouldn’t mind seeing a more grounded ghost story or something—dare I say it?—paranormal. It still needs to be brilliantly written and executed, of course.

In middle grade, my tastes are quite broad, and my list is much less full. I’m still waiting to see something that comes close to capturing the feel of John Bellairs’s books, which I devoured as a kid. It’d be great to get something as terrifying as A House with a Clock in Its Walls, which had me sleeping with the lights on when I was a kid. The right combination of humor and horror is always great. And it would be good to see more exciting, adventure novels that can get kids interested in history. Little-known events, overlooked heroes/heroines, and underserved minorities (we do need books with diverse themes, characters, settings, etc.) are all subjects I’d be particularly interested to see.

On the adult side, I’m really hankering for some science narrative, particularly in the realm of space and physics. Scientists or science journalists who can explain complex ideas to the masses are some of the people I admire most. I believe that science education for the general public is one of the greatest ways we can improve the world in which we live. The more we understand who we are, where we come from and our place in the universe, the better we can make decisions about our collective future. So bring on the science books!

While this is what I’m currently jonesing for, that doesn’t mean I’m not open to other things. My tastes are broad and I love to be surprised by submissions. I don’t really handle adult Sci-fi or fantasy, and I’m not really a picture book expert. And though I am always on the lookout for good food narrative, I’m no longer representing new cookbook authors.

Remember, too, that if I’m not right for your work, surely there’s another great DGLM agent who might be, so be sure to look at everyone’s bios. Get to querying, authors!

2

What does a literary agent do?

It is no secret that few people outside of publishing know what a literary agent is, much less what we do.

Holidays, along with the requisite tree-trimming, gift-giving, sweet-eating and bubbly-swilling also involve some job explaining.  At every social gathering I attend, sooner or later someone asks what, exactly, it is that I do. Unlike astronaut, teacher, vet, major league baseball player or artist,  “literary agent” seldom makes the list of things kids wish to be when they grow up.

If you’re reading this blog, chances are you have a pretty firm grasp on the role the agent plays in selling your work, or at least the fact that you:  1) may need one of us  or 2) are presently working with one of us in order to get published.  Still, whenever I sign a new client, I spend a good deal of time explaining the path forward.  And since my “What is a Literary Agent” speech is burnished from recent use, I would be happy to address your specific questions about what we do, the way we work, or, as my son’s friend once asked me, if “our missions are dangerous.”

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What I did on my vacation

2 collageOver the years, I have developed quite an adventure lust,  journeying to such places as Greece, Turkey, Venice, Berlin and Prague, Israel, Jordan  and Australia.  Wherever I go I come back with a fresh perspective on our work and many times I return with ideas which I subsequently help develop into books.

This year was no different although our trip was a bit more exotic and adventurous than they have been in the past.  In mid-September, we went to Kenya on the east coast of Africa and journeyed on a nine- day safari.  We flew all over the country, from Nairobi where we visited Karen Blixen’s  home  (Out of Africa), to the foot of Mt. Kilimanjaro, to the Mara and Mt. Kenya, and back to Nairobi.  We went on at least a dozen game drives, saw the great migration and experienced the thrill of a hot air balloon ride (with its scary, controlled crash landing).  Ultimately we returned with wonderful photographs and stories to tell.

3 collageAnd, as in the past, I came back with a couple of book ideas that I am actively pursuing—a book about what the world would be like without wildlife and another about giraffes.  I am really hoping that one or both of these come to fruition.

In the end, this vacation was restorative to my psyche and my creativity.  Vacations should do that for all of us—enable us to renew our energy, so to speak.

I’d love to hear your vacation experiences and what resulted from your time away.  I hope you will share those here.

Time’s winged chariot

About two weekends ago, I found myself—as I usually do on a Sunday—ensconced in my favorite chair reading manuscripts and proposals.   I was engrossed in a novel which, despite its numerous structural problems, showed a lot of promise.  As I might have mentioned on this blog once, or a hundred times, I’m not a speed reader, so if the fiction manuscript I’m reading is any good I can kiss a big chunk of my day goodbye.

After Jane and I discussed the pros and cons of this particular novel, we offered the author representation if she was willing to do some significant revising.  (We’d had the book for about a week at this point.)  The author promptly responded that she loved feedback and was not at all averse to reworking the manuscript but she had just accepted another agent’s offer.  Fair enough, of course, and yet….

It bugged me that having plowed through the review process in near record time we never had a chance.  It doubly bugged me because I could have spent a chunk of my Sunday hanging out with my husband and son, running errands, taking that nap I’ve been needing since 2005, going for a walk outside on one of the few decent weather days in what’s been an epically bad winter…you know, what normal people do on Sundays.

I love my job and I enjoy the “development” (reading, editing, brainstorming) part of it tremendously so I don’t generally feel sorry for my lack of Sundays.  But, I also don’t like to waste my time.

This is the longwinded way of responding to those of you who ask about multiple submissions and the etiquette involved therein.  Basically, I say common sense rules, folks.    You should let agents know when you query them that the manuscript is out with others.  And, if an offer comes in, you should give everyone who has your material the chance to finish their review.  If the offer of representation is just too good to hold off on, then you should immediately contact the competing agents and tell them that the project is no longer available so that they can move on to the next thing in their piles.

In these days of electronic submissions, no one will get mad because you’ve gone to multiple agents (unless you do one of those mass e-mail things where everyone is listed; then all bets are off).  But it would be doing us a kindness if you were to keep us in the loop as to the submission’s progress.

Does this sound right to you or do you guys hold the Darwinian view that it’s survival of the fittest out there and tough noogies if you aren’t fast enough?  And, is there something you wish we’d do differently during the review process (and why)?

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Illustrators at Dystel.com

In case you haven’t seen it yet, I wanted to use my blog time today to alert readers to a new feature on our website: illustration samples!

Over the past few years, we’ve added a good number of author/illustrators to our list. And so we thought it would be useful to have a single page where readers could see samples of our clients’ work without having to click over to a slew of personal websites. (Though of course we encourage that, too!)

Hence, please check out our DGLM author/illustrators, either from the menu on the right or directly at http://www.dystel.com/illustration-samples/. You’ll find a wonderful breadth of styles and techniques here, not to mention a whole lot of cuteness!

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Your turn.

We have a lot of fun with our blog posts around here. Whether we’re drooling over the latest book swag or marveling at the latest technology that’s changing our industry, this blog serves as a great place to share what we’re thinking.

But it’s not ALL about us, you know. And we love it when you get involved in the conversation, like the important discussion sparked by Jim’s post yesterday.

So I’m turning the spotlight on you for a minute. Let us know what YOU want to read about. Do you want more or less…

Or hankering after something else altogether that we’ve never thought to post about?!

Leave a comment below and maybe, just maybe, your DGLM blog wish will come true.

4

Nine Years and Counting

Nine years ago today, I started my first day at DGLM.  Every person who worked here on my first day (Jane Dystel & Miriam Goderich, naturally, but also Stacey Glick, Michael Bourret, and Jim McCarthy) is working here still.  I’m lucky to be part of an agency that’s grown and changed and evolved so much in my nearly a decade here.  Publishing isn’t an easy business, agenting maybe even less so than working for a big corporation where income isn’t commission based, so I’m lucky that Team DGLM of early 2005 is still the core of Team DGLM of early 2014.  If you’re interested in how I feel about being here for nine years—and clearly you are, because the inner workings of my mind are oh so fascinating—the answer is: pretty similar to how I felt about being here for seven.

Still I wanted to mark the occasion somehow on the blog.  I mean, with my DGLMiversary falling on my blog day, it’s just too convenient not to.  Fortunately, through the magic of Twitter (and the help of @MichRichter1, @HopeDellon, and @PicadorUSA), I found inspiration in this Atlantic round-up of answers as to who is the greatest fictional character of all time.  I was thinking that I can’t imagine answering that, as such questions always paralyze me.  Greatest?  Of all time?  That’s too many to choose from!  I can’t decide what to eat if a menu has more than 15 options, so how could I possible do that??  But I think what I can do is tell you my favorite 9 new non-DGLM books of the last 9 years.  Obviously all the DGLM books are equally perfect and superior to all other books, so you’d be here all day if I didn’t exclude them.  So without further ado:

  • Nicole Krauss’s The History of Love is nothing short of exquisite.  I loved it so much more than I ever thought was possible.  And despite years of people telling me to check it out, which normally makes something basically unlovable to my contrary soul, it’s one of few books I really thought lived up to the hype.
  • Rebecca Stead’s When You Reach Me is a middle grade novel that is absolutely spot-on in its understanding of its characters and its audience.  There aren’t too many novels I read that I’m confident will stand the test of time, but if there’s any justice in this world, this one will.  It made me want to re-read my favorite books from childhood, so I could linger in that feeling a little longer.
  • In as much as books can really be for a person, I didn’t think that Ernest Cline’s Ready Player One would be for me.  It’s so involved in the minutiae of its deeply nostalgic world, and my knowledge of videogames and geek culture doesn’t run nearly deep enough for me to love the novel on that level.  And yet it’s a captivating story, and one which my book club loved more than virtually anything else we’ve read, despite having no knowledge of nearly any of the references.  A real testament to the fact that some of the best books are the ones that anyone can love.
  • Kevin Wilson’s The Family Fang is a story of family dysfunction that’s moving and delightful and hilarious and strange.  It has tons of heart and is a lot of fun, which is an impressive feat given that it could easily have gotten bogged down in theories of art and morality.  Wilson has a beautifully light touch.
  • The World Without Us by Alan Weisman is precisely the kind of interdisciplinary narrative nonfiction that I really adore.  It’s a fascinating subject compellingly explored.
  • Maria Semple’s Where’d You Go, Bernadette is every wonderful thing every person you know whose read it said it was.  It’s funny and charming and touching and original—and I can’t wait to see what Semple does next.
  • What can I say about Emma Donohue’s Room that hasn’t already been said?  It’s narrated from the perspective of 5-year-old Jack, whose unusual circumstances color how he sees the world in ways I would call unimaginable if Donohue hadn’t somehow managed to imagine them down to the most intricate details.  It’s a difficult premise in more ways than one, but Donohue explores it with enviable skill.
  • Joshua Ferris’s Then We Came to the End is compelling and accessible and beautifully written and ambitious and all around extraordinary.  I was confident that the structure was going to annoy me fairly quickly, but the perfection of the voice carried me through to the last page, where I was truly sad to put it down.
  • Colum McCann blew me away with Let the Great World Spin.  I think this must be my absolute favorite book of the last decade.  I was already a fan of McCann, who I’d first come across when reading his Everything in This Country Must in college, so I had high hopes for this novel.  But I didn’t realize when I first began reading that I would wind up loving this book so much that it would become my favorite of his novels—and among my favorite of anyone’s.

Honorable mention to Rivka Galchen’s Atmospheric Disturbances, Chad Harbach’s The Art of Fielding, and Patti Smith’s Just Kids, which I was definitely going to include before I realized that I already had 9.

So…what am I forgetting?  Which books am I going to hate myself for leaving off the list the second you mention them?

0

Best part of the holiday season

It’s Thanksgiving already. And it’s certainly cold enough to be winter. There’s no denying it: holiday season is upon us!


Happy Thanksgiving!

 

 

 

 

 

 

 

 

The holidays mean different things to different people, and I’d like to take this opportunity to tell you what I love the most about the season of giving.

Yep, it’s not the Thanksgiving turkey or the piles of gifts or even the general merry cheer that permeates the air, but the opportunity to relax and read a book. In fact, reading is how I bond with my family: my nose in a book and completely shut down from everything around me. They talk, I don’t listen. Call it a family tradition. And don’t get me wrong, I love my family, but the holidays are when it’s my time to get some serious reading done. In fact, I’ve read some of my favorite books by the Christmas tree.

 

So, that’s enough about me. What do you guys enjoy the most about the holidays? Oh, and by the way, not everyone loves Thanksgiving.