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	<title>Comments on: How those publishing roles have changed</title>
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		<title>By: Lance Parkin</title>
		<link>http://www.dystel.com/blog/2013/12/how-those-publishing-roles-have-changed/comment-page-1/#comment-37048</link>
		<dc:creator><![CDATA[Lance Parkin]]></dc:creator>
		<pubDate>Tue, 10 Dec 2013 13:54:56 +0000</pubDate>
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		<description><![CDATA[I think the question to ask is: in an environment where authors are expected to deliver a complete, fully-edited book and do their own marketing ... what are traditional publishers doing to earn their money? And why are contracts seemingly *less* generous than they used to be? With publishers cutting advances, print runs and hoping that readers will opt for the ebook if they can&#039;t find a physical copy, they&#039;re not even taking on much financial risk. 

I see the point of agents in the new order. Authors need them to navigate the waters, to make sure they&#039;re not signing away the important stuff. Isn&#039;t the point coming, and soon, though, where authors and their agents will just cut out the middleman and deal with Amazon directly? 

I&#039;ve been very lucky with my Alan Moore biography. Good editor, great marketing effort, some fantastic design. And I&#039;m sure with every other book there&#039;s effort going on that I&#039;ve not seen. My experience, though, has often been that the hardest fights my editors have, the most zealously guarded gateways, always seem to be *internal*, at the publisher they work for.]]></description>
		<content:encoded><![CDATA[<p>I think the question to ask is: in an environment where authors are expected to deliver a complete, fully-edited book and do their own marketing &#8230; what are traditional publishers doing to earn their money? And why are contracts seemingly *less* generous than they used to be? With publishers cutting advances, print runs and hoping that readers will opt for the ebook if they can&#8217;t find a physical copy, they&#8217;re not even taking on much financial risk. </p>
<p>I see the point of agents in the new order. Authors need them to navigate the waters, to make sure they&#8217;re not signing away the important stuff. Isn&#8217;t the point coming, and soon, though, where authors and their agents will just cut out the middleman and deal with Amazon directly? </p>
<p>I&#8217;ve been very lucky with my Alan Moore biography. Good editor, great marketing effort, some fantastic design. And I&#8217;m sure with every other book there&#8217;s effort going on that I&#8217;ve not seen. My experience, though, has often been that the hardest fights my editors have, the most zealously guarded gateways, always seem to be *internal*, at the publisher they work for.</p>
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		<title>By: Emily</title>
		<link>http://www.dystel.com/blog/2013/12/how-those-publishing-roles-have-changed/comment-page-1/#comment-37029</link>
		<dc:creator><![CDATA[Emily]]></dc:creator>
		<pubDate>Mon, 09 Dec 2013 23:05:53 +0000</pubDate>
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		<description><![CDATA[Great article! At the independent publishing house where I work, Medallion Press, the editors are privileged enough to work closely with the texts and collaborate with talented agents and authors. I wouldn&#039;t change it for anything.]]></description>
		<content:encoded><![CDATA[<p>Great article! At the independent publishing house where I work, Medallion Press, the editors are privileged enough to work closely with the texts and collaborate with talented agents and authors. I wouldn&#8217;t change it for anything.</p>
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