Has anyone read Simon Reynolds’ Retromania? I vaguely remember reading a review when it came out this summer and thinking it looked interesting, but of course promptly forgot about it until yesterday, when a Facebook friend posted an interview Reynolds did with Salon in early August. Put it back at the top of my to-read list!
Despite mostly softball questions from the interviewer, it’s fascinating to watch Reynolds attempt to maintain a consistent message. On the one hand, despite his protests to the contrary, Reynolds still sounds like an old-fogey complaining about “them kids today” and splitting hairs about how today’s pop music recycles older sounds and styles, as opposed to music in the past. But then again, he’s right that old-fogeys don’t usually want the kids to try something new and different. And the idea that the universal access and constant feedback loop of the Internet denies creative innovation is definitely worth some consideration–and probably some concern as well.
While Reynolds focuses mostly here on music, he does touch on TV, movies, and politics as well. But what about books? Is writing equally stuck in retromania?
I have to tell you, from an agenting perspective it does feel that way sometimes, especially when you’ve seen the umpteenth submission for a zombie novel (yes, Jim isn’t the only one who gets the zombies). And perhaps it’s worth worrying that the biggest sellers of the aughts—Harry Potter, Twilight, Hunger Games—are to varying degrees synthetic takes on old tropes and genres. But then again, I doubt all those millions of readers found much “boredom” in these books, as Reynolds worries. And personally, if I were totally bored by the cultural landscape—well, I probably wouldn’t have so many amazing clients, would I?
What do you guys think? Is writing stuck in retromania the way other cultural forms may (or may not) be? Or are writers still coming up with original stories and topics that feel fresh and new? If so, what are your picks for books that break out the loop?